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Digital Photographer

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Filtering by Tag: interchangeable lens

Panasonic Announces Lumix G5 Micro Four Thirds Camera with Touch AF

digital photographer

Panasonic has announced the latest in their Lumix G lineup of mirrorless, interchangeable lens cameras---the Lumix DMC-G5. Among the updates from the G5's predecessor, the G3, is a 920,000 dot resolution, 3-inch, rotating rear LCD, which is equipped with a new Touch AF function that let's you set the focus on any point in the framed shot with a swipe of your finger. The camera also has an electronic viewfinder (EVF) that offers 100% field of view as well as a new Electronic Shutter mode for silent operation in quiet places. The 16-megapixel G5 also shoots full HD video and records to MP4 format, and the Touch AF function also works during video capture.

Though dates haven't been released, we know that the Panasonic Lumix DMC-G5 will be available with a body color of either black, white or silver in various kit options. Currently, the G3 is listed at $599.99 (body only).

(Panasonic)

Samsung Announces Three New NX-Series Mirrorless Cameras with Built-In Wi-Fi

digital photographer

Samsung today announced three new mirrorless interchangeable lens cameras to their NX-series lineup. Samsung is calling the new NX1000, NX210 and NX20 "SMART cameras" because they feature built-in Wi-Fi connectivity for sharing and storing photos straight from the camera. Each of the new cameras also features a Samsung-designed 20.3-megapixel APS-C CMOS sensor and is compatible with all of the NX-series iFunction lenses.

No pricing information is yet available for the new cameras.

(Samsung)

Pentax Announces K-01 Mirrorless Interchangeable Lens Camera

digital photographer

Pentax today announced the K-01 interchangeable lens camera. Right off the bat it's worth noting that unlike other manufacturers' forays into the compact ICL system market (and there are now several, many of whom are years ahead of Pentax in this genre), the Pentax K-01 is compatible with Pentax K-mount lenses, which means that your arsenal of K-mount lenses won't be rendered useless if you get into the new system. This feels like a classic Pentax move to me; they've always seemed most interested in offering loyal shooters the best ways in which to capture the world, frame by frame. That being said, the camera does come in a kit option with the new Pentax DA 40mm F/2.8 XS "unofficial" interchangeable standard lens, which Pentax claims is now the world's thinnest interchangeable lens.

The K-01 also looks quite different than other cameras in its genre. Having been designed by acclaimed London-based designer, Marc Newson, it features an eye-catching pop of yellow on its bubbly little body. (If the bold yellow is too much for you, the camera also comes in black or white.) Pentax is calling the camera more than a photographer's tool; it's also a design object. And while this particular aesthetic might not be my favorite, the design junkie in me can definitely appreciate the collaboration.

But what matters most is the guts of the camera, because it needs to take inspiring photos, not just look interesting hanging from your neck. The K-01 features a 16-megapixel APS-C sized CMOS image sensor, a 3-inch 920K dot LCD display, an ISO range of 100-25600, and shoots full 1080p HD video.

The K-01 will be available in March for $749.95 (body only) or $899.95 (with DA 40mm XS).

(PENTAX)

Nikon Announces Mirrorless "Nikon 1" Camera System

digital photographer

Nikon has announcedthe Nikon 1: the company's first mirrorless, interchangeable lens camera system. This marks the first time one of the Big Two camera makers has stepped into the genre ring alongside early adapters Olympus, Samsung, Panasonic and Sony. The "1" system is comprised of two bodies so far: the J1 and the V1. Both cameras feature a newly developed CX-format 10.1-megapixel CMOS sensor that measures 1-inch in size---drastically smaller than the APS-C size sensor of manyDSLRs, and still much smaller than the Micro Four Thirds sensor of Olympus and Panasonic fame.

The Nikon 1 features a new 73-point AF system for capturing fast moving action, and can shoot at full resolution up to 60 fps, which is "the world’s fastest continuous shooting speed." It shoots full High Definition (1080p) video, and features "Motion Snapshot" for capturing stills while recording video. The V1 is the more powerful of the two new models and is the world's smallest and lightest EVIL (Electronic Viewfinder, Interchangeable Lens) camera at this time. It features a 1.4 million dot high resolution electronic viewfinder that "automatically activates when the user raises the camera to their eye," a magnesium alloy body, a mechanical shutter and a multi-accessory port and stereo mic input for video.

Nikon has also announced the 1 NIKKOR lens system of lightweight lenses, including 1 NIKKOR VR 10-30mm f/3.5-5.6 lens (27-81mm 35mm equivalent); 1 NIKKOR VR 30-110mm f/3.8-5.6 lens (81-297mm equivalent); 1 NIKKOR 10mm f/2.8 pancake lens (27mm equivalent); and 1 NIKKOR VR 10-100mm f/4.5-5.6 (27-270mm equivalent);---Nikon's first power zoom lens. A mount will be available sometime in the future, according to Nikon, so that photographers can use lenses from their existing NIKKOR lineup.

The Nikon J1 and V1 will be available beginning October 20th. The J1 kit will be an estimated $649.95; the V1 kit will be an estimated $899.95. See the full release from Nikon below.

 

From Nikon:

MELVILLE, N.Y. (Sept 21, 2011) – Nikon Inc. today announced a revolutionary new digital imaging system built from the ground up to empower users with new ways to tell stories through photography, driven by imaginative next-generation technology. The iconic new Nikon 1 system is designed to become one with the user and their lifestyle, providing a unique form of expression with amazing image quality, speed and portability.

From Nikon, a company with more than 75 years in imaging excellence, the Nikon 1 J1 is an advanced camera with interchangeable lenses that opens the door to a fresh way to capture pictures and High Definition (HD) movies. This Nikon 1 system represents a new category of camera that challenges conventional thinking, emphasizing a pocketable form factor with unbelievable speed, combined with the high image quality that only Nikon could create. Thanks to a wealth of innovative technologies, the Nikon J1 camera is a simple to use conduit for creativity, seemingly anticipating a consumer’s needs in any situation. Moments are instantly captured using amazingly fast new hybrid Autofocus (AF), and blazing fast speed with continuous AF. Users can also shoot with confidence knowing that the Smart Photo Selector will automatically capture the best possible image without a second thought. Furthermore, just a touch of the shutter button instantly captures a high quality image while simultaneously recording Full HD 1080p movies, and the exciting new Motion Snapshot mode captures fleeting moments like never before with a combination of moving and still images, bringing memories to life. To accompany this exciting new form factor, Nikon created the entirely new 1 NIKKOR lens system that seamlessly integrates powerful precision optics into a camera platform to capture more of the world around the user.

“The needs of the consumer are changing and the world is becoming one of visual conversation, which paves the way for the next chapter in image capture devices. The new Nikon 1 system is the culmination of more than 75 years of optical excellence and relentless pursuit to the unrivaled technological advancements in camera technology,” said Bo Kajiwara, Director of Marketing, Nikon Inc. “Nikon’s new 1 J1 camera allows consumers to have confidence in a new way to express themselves, with amazing speed, versatility, ease of use and portability.”

One Purpose: A Revolutionary New System The new Nikon 1 system is a completely original concept, engineered specifically to strike the ultimate balance of performance, intuitive simplicity and portability to chronicle life like never before. This breakthrough platform lays the foundation for future technologies, and the Nikon 1 system has been created for the consumer who wants to capture, share and connect to life. The fully electronic lens system enables the camera to keep pace with an active lifestyle and delivers amazing images and Full HD 1080p movies to connect with friends and family. Whether it’s a spontaneous outing or a planned trek abroad, the versatility of interchangeable lenses in a convenient form factor will allow a consumer to take the camera with them wherever life leads. Furthermore, the J1 camera makes a personal style statement with a variety of matching colored camera bodies and lenses.

The heart of the new J1 camera is the new Nikon developed CX-format, 10.1 megapixel High-Speed AF CMOS sensor that helps make this camera the pinnacle of portable performance.  The newly developed CMOS sensor has been engineered for amazing image quality in a variety of lighting conditions, with a native ISO range of 100-3200 (6400 Hi-1) for maximum versatility. Images captured with this new sensor exhibit striking colors, vivid hues and rich detail so lifelike, it’s the next best thing to being there as memories unfold.

Nikon’s exclusive new EXPEED 3™ image processing engine drives the system and is the catalyst behind the camera’s rapid response, fast AF and high-speed performance. In addition, the new dual core EXPEED 3 processor works to maximize battery efficiency while yielding images and movies with low noise and vibrant tones. The Nikon J1 is engineered for maximum ease of use, featuring a clean button layout and intuitive graphical interface. Distractions and menus are minimized; creating a clear path to the camera’s advanced functions, further unleashing creative potential.

The Fastest One From first steps to first date, life moves fast and the Nikon J1 is the camera to keep pace. The camera seemingly anticipates action with amazing autofocus, response time and operation. The new advanced hybrid AF system is the world’s fastest autofocus1, allowing consumers to capture more of their world than ever before. The Nikon J1 features new focal plane phase detection AF that reacts instantly to deliver incredibly fast, split-second response. Wherever action is happening in the frame, the 73-point AF system will get the shot. This newly developed hybrid system continuously evaluates the scene at hand for optimal results, and can switch between phase detection and contrast detect AF to best suit the scene. Whether shooting in low-light conditions like a late night block party, or a fast moving pick-up game, photographers can capture details with confidence.

When the action is happening, users can also shoot at a fast 10 frames per second (fps), with full adaptive AF for frame after frame of images with incredible sharpness and detail. Additionally, the scene can be captured at full resolution up to a staggering 60 fps (AF locked), which is the world’s fastest continuous shooting speed. So go ahead and capture a best friend’s high dive at the next pool party, and then confidently share every aspect of the leap with stunning detail.

The One That Inspires a New Way to Capture with Motion Snapshot Motion Snapshot is a new approach to capturing images that will dramatically alter the way we perceive digital photography. By selecting the Motion Snapshot icon from the Mode Dial at the back of the camera, consumers can capture fleeting moments with staggering depth and emotion like never before. The result unites a frozen still image with a slow-motion movement set to a built-in audio soundtrack to create a portrayal of an occurrence with maximum impact. With Motion Snapshot, users are now able to relive memories in stunning detail, as real movement and depth are included in the image. Motion Snapshot provides a way to once again experience someone’s hair flowing in the breeze or relaxing scenes like waves crashing or rustling leaves that evoke an emotional response.

Consumers are also able to create masterpieces of moving images from multiple files using the included Short Movie Creator software. This easy-to-use, intuitive software works in conjunction with Nikon’s View NX2 to make managing photos and movies fun and easy. With these programs, users are empowered to organize, share and edit photos, Motion Snapshots and HD movies.  Users are also able to connect and share Motion Snapshot files using Nikon’s my Picturetown, an online resource at www.mypicturetown.com.

The One to Set Trends Both the camera technology and exterior design were inspired by the pursuit of balance, as a device that lives in perfect accord with any lifestyle. The lines are clean and minimalist, the colors are vibrant, creating a stylish accessory for every personality. The design is meant to inspire creativity, with a simple interface and easy-to-use camera controls, intuitively placed for any user. Switching from modes and accessing advanced features is easy, enabling the user to further push creative boundaries, whether trusting the smart automatic settings or creatively exploring the full manual control modes.

Control highlights include a Mode Dial, with the four main common functions readily available, in addition to a Command Dial with common camera settings. The new “F” (feature) button is a new design element to Nikon cameras, which automatically brings up relevant menus and options based on what mode the camera is set.

The Nikon 1 system is further complemented by fashionable, premium accessories tailored to perfectly fit a user’s lifestyle. These accessories include a custom fit body case set available in a variety of colors, as well as fashionable, color coordinated leather neck and hand straps.

The Smart One: Nikon’s Smart Photo Selector The new Nikon J1 is an advanced camera with interchangeable lenses that features new technologies aimed at creating better pictures, easier. Nikon’s new Smart Photo Selector feature strives to deliver a perfect image every time. When a “can’t miss” photo opportunity arises, users can switch to the Smart Photo Selector mode which uses the camera’s pre-cache to start shooting and storing images. All of these images are analyzed within the camera, and the best photo is selected based on a number of factors including exposure, focus and advanced facial recognition. While the camera suggests the best image, five frames are recorded, providing the user a choice of their favorite photo.  What’s more, the J1 also includes favorite core Nikon technologies, such as Active D-lighting, Auto Scene Selector and Picture Controls.

One Device That Also Captures HD Movies The new CX-format CMOS sensor produces breathtaking Full HD movies at 1080p (30 fps). Users can also shoot at a rapid 60 fps (1080i), or elevate the production with additional 30/60/400 and 1200 fps modes for super slow motion effects. The J1 is made to be flexible, and can capture both HD movies and high resolution images simultaneously. Simply press the shutter while recording to freeze the action with a high quality image file with sharp focus.

Additionally, the Nikon J1 applies noise reduction to movie files, giving the user amazingly sharp, crisp movies with deep black levels. This feature makes this the ideal camera for shooting movies when light is less than ideal, such as indoors or at night. A full HD movie can record a full 29 minutes, while the senses are further treated to sound sampled in full stereo for lifelike reproduction.

One Vision, Two Distinct Cameras The Nikon J1 is the model designed for those consumers who use a camera as part of their connected lifestyle; always carrying it to bring passion and depth to visual storytelling. Both the camera and the lenses come in a variety of matching stylish colors, including white, pink, red, silver and black. Photos and movies are easily composed and shared on the bright 3.0-inch high-resolution LCD monitor. With the aid of the concealed pop-up flash, consumers can easily add fill flash as needed or shoot in most conditions including low-light.

The Nikon 1 V1 is for photo enthusiasts who value interchangeable lens versatility and desire a small form factor. In fact, it’s the world’s smallest and lightest camera in the world with interchangeable lens versatility and an electronic viewfinder (EVF)3. Aimed at the user excited about creating amazing images and movies, the Nikon V1 has added features including a 1.4 million dot high resolution EVF that automatically activates when the user raises the camera to their eye. In addition to the high-speed electronic shutter, the magnesium alloy body conceals a high performance mechanical shutter that affords tactile feedback and expanded shooting options. The V1 camera also features Nikon’s new Multi-Accessory Port for attaching options such as the new SB-N5 compact speedlight, or the GP-N100 GPS module. For those making movies, the V1 has a stereo microphone input for professional quality audio.

1 NIKKOR Lenses and Accessories Building upon a 75 year legacy of NIKKOR lenses and optical excellence, the new 1 NIKKOR lens system has been developed to push the boundaries of what’s possible. Experience as the world leader in optical engineering has driven Nikon to create a compact, lightweight lens system that provides users with stunning image quality. New technology in these lenses includes a Silent Stepping Motor (STM) for whisper quiet AF and zoom during operation and while shooting movies. Additionally, this high performance system places Nikon’s VR II image stabilization technology inside lenses to minimize instances of camera shake. The result is sharp images in a variety of challenging lighting conditions, even while handheld.

The new system offers a lens for every occasion. The camera kit includes a color-matched 1 NIKKOR VR 10-30mm f/3.5-5.6 lens (27-81mm 35mm equivalent) for optimal focal range in a small lens. For those needing maximum versatility, a 1 NIKKOR VR 30-110mm f/3.8-5.6 lens (81-297mm equivalent) is available, or users can explore their creative side with a color matched 1 NIKKOR 10mm f/2.8 pancake lens (27mm equivalent). For the movie enthusiast, a new 1 NIKKOR VR 10-100mm f/4.5-5.6 (27-270mm equivalent) power zoom lens will be available. This new lens is Nikon’s first powered zoom, and provides smooth and silent changes in focal length while recording movies. Additionally, the FT-1 F-mount adaptor for legacy NIKKOR lenses will be available in the future, so that photographers can utilize their collection of quality NIKKOR lenses.

Price and Availability The Nikon J1 and V1 will be available throughout the United States beginning October 20th. The Nikon J1 camera with 10-30mm lens kit will be available at a suggested retail price4 of $649.95. The Nikon V1 camera with 10-30mm lens kit will be available for a suggested retail price4 of $899.95. For more information, please visit www.nikonusa.com.

(via Nikon)

Hands-on with Samsung NX200, MV800, and WB750 Cameras

Lynne Eodice

Hands-on with Samsung NX200, MV800, and WB750 Cameras Text and Images by Lynne Eodice

Last week we reported on the newly announced Samsung NX200 mirrorless interchangeable lens compact camera. I was able to get a hands-on look at the camera on the show floor at IFA Berlin, as well as take it for a test spin around the historic German city. I also got to check out the other brand new Samsung cameras: the multiview MV800 with a Flip-Out touch screen LCD display, and the WB750 ultra compact camera with the longest zoom lens that Samsung offers.

Samsung NX200

Samsung NX200 test shots, click to enlarge

Samsung’s brand new NX200 (pictured at top) boasts a 20.3-megapixel sensor, and in the vein of EVIL (Electronic Viewfinder, Interchangeable Lens) cameras, blends high quality with a compact size. This makes it an ideal choice for the pro-level photographer who would prefer not to lug around a heavy camera and equipment while traveling, or for a photo enthusiast looking to step up from a point-and-shoot while avoiding the bulk of a DSLR. It offers a choice of several different interchangeable lenses, and offers High Definition movie recording among its array of features. I had a wonderful opportunity to test the NX200 with Samsung’s 18-200mm lens in Berlin, Germany, and was immediately impressed with its light-gathering qualities in the early evening. I photographed iconic locations, such as a long portion of the Berlin wall that’s still standing (which has been painted by international artists in a mural project), Checkpoint Charlie, and the Brandenburg Gate. The NX200 also enables you to experiment with ten different Smart Filter effects, as well as “Magic Frame” technology, which as we've seen in other Samsung models allows you to imbue your images with 13 diffent stylized frames, from “magazine covers” to holiday themes.

Samsung MV800

hands-on with Samsung MV800, click to enlarge

Samsung’s compact MV800 gives you the chance to shoot great pictures from all angles. It offers a 3-inch  flip-out LCD touch screen that tilts up and down and allowed me to frame and view each shot no matter what the angle was. By positioning this screen in various ways, I was able to shoot over people’s heads easily in a crowd, and shoot from very low points of view without getting down on the ground. This tiny camera boasts a 16.1MP CCD image sensor for high picture quality, a 5x optical zoom, and a 26mm wide-angle Schneider-KREUZNACH lens. Other fun creative functions include a Magic Frame feature, which includes 12 background templates, a Funny Face feature that allows you to bend and stretch portraits to distort facial features, and a Picture-in-Picture function, which lets you insert one image into another.

Samsung WB750

The tiny WB750 boasts an 18x optical zoom lens with 24x Smart Zoom technology, which makes this longest zoom lens in Samsung’s camera offerings. It also features a 12.5MP CMOS sensor that is designed to reduce image noise and distortion in both still images and video. This was a fun camera to use because of its very long zoom lens, as well as its speed--- it can capture still images up to 10 fps in its high-speed continuous mode. Samsung offers its proprietary Dual Capture function in several camera models, including the WB750, which allows you to shoot 10MP images while simultaneously recording video in full 1080p HD quality. Other features include a built-in HDR feature for amazing color and vibrant images, as well as an Action Panorama mode. And finally, the WB750 offers a Creative Movie Maker mode, so that you can combine still photos and video, create special effects, and add music instantly, eliminating the need for video-editing software in post-production.

Sony Announces NEX-7 Interchangeable Lens Camera

digital photographer

 

Sony has just announced the new NEX-7 digital camera, the latest in the compact interchangeable lens lineup. Like the new a77 and a65 DSLRs announced today, the NEX-7 boasts a 24.3-megapixel Exmor APS HD CMOS image sensor, which paired with Sony's BIONZ image processor should result in what Sony says will be "flawless image and HD video quality with very low noise and exceptionally fast shooting responses." The NEX-7 also features "an intuitive new TRINAVI control interface," which gives more advanced photographers the option of  "three customizable, manual controls and the ability to create images with the flexibility and precision of an advanced DSLR camera."

The Sony NEX-7 will be available in November in a kit with an exclusive black 18-55mm zoom lens for about $1350, or as a body-only for about $1200.  See the full press release from Sony below.

(images via Sony, click to enlarge)

From Sony:

SAN DIEGO, Aug. 24, 2011 -- Sony is taking professional quality imaging and artistic shooting options to new levels with the introduction of the new α NEX-7 camera.   Styled in magnesium alloy for strength and designed with a unique blend of classic and modern inspiration, the new compact interchangeable lens model weighs only 10.3 ounces (291g).

“For Sony, the new NEX-7 represents innovation in its purest form,” said Kelly Davis, vice president of digital imaging at Sony Electronics. “Speed and style meet performance and control, creating a shooting experience unlike anything in market today.”

The NEX-7 camera features a new Exmor™ APS HD CMOS sensor with 24.3 effective megapixel resolution – highest in its class -- that complements the latest generation of Sony’s BIONZ®  image processing engine.

This unique combination of sensor and processor technology delivers flawless image and HD video quality with very low noise and exceptionally fast shooting responses. An ultra-high sensitivity range extends from ISO 100-16000, making it easy to capture clean, low-noise images in dimly lit interiors or exteriors.

Response is accelerated even further by a shutter release lag of approximately 20 milliseconds– the fastest of any interchangeable lens digital camera (as of Aug 2011). In speed priority continuous mode, the NEX-7 camera captures fast-moving action at up to 10fps (AF/AE is fixed) – the world’s fastest burst shooting speed of any mirrorless interchangeable lens camera (as of Aug 2011).

The NEX-7 model offers extensive, direct control over creative settings via an intuitive new TRINAVI control interface, important for enthusiast and professional photographers.  Two control dials on the top of the camera are complemented by a control wheel, giving users three customizable, manual controls and the ability to create images with the flexibility and precision of an advanced DSLR camera.

The NEX-7 model is also the world’s first interchangeable lens camera (along with new α77, α65) that features an integrated XGA OLED TruFinder™ viewfinder for precision framing and focusing.  The viewfinder provides a bright, detail-packed, high contrast view of still images and video, with approximately 100 percent frame coverage and a wide field of view that rivals pro-grade optical viewfinders. On-screen grid lines, various shooting parameters and a level gauge can be displayed to assist with accurate framing.  With the XGA OLED TruFinder™, the NEX-7 model realizes the ideal of a compact, rangefinder style camera with an eye-level, through the lens viewfinder.

The XGA OLED Tru-Finder™ viewfinder is complemented by a three-inch Xtra Fine LCD™ display that can be angled up to 90-degrees up or 45-degrees down for easy viewing in any shooting position. TruBlack™ technology assures superb detail and contrast, while dramatically reducing on-screen reflections.

At the touch of a button, the NEX-7 camera shoots smooth AVCHD Full HD movies with high-quality stereo sound. Support for the new AVCHD Progressive (Ver. 2.0) format allows users to capture Full HD video at 60p (progressive) frame rates. for beautifully smooth, detailed video footage. 24p video shooting is also available. The Tracking Focus feature lets users select a target object on screen and focus on it accurately, even if it is moving.

Additionally, manual focus is now possible during video shooting. Enthusiasts can also enjoy full control over creating the perfect video image with Program, Aperture/Shutter Priority and all-Manual modes (P/A/S/M) – just like the most advanced DSLR cameras. Stereo audio quality is improved, with revised circuitry that lowers noise levels, especially when shooting quiet scenes.

First introduced on the NEX-C3, Picture Effects enables easy “in camera” production of sophisticated artistic effects without the need for a PC or post-processing. The camera features 11 modes and 15 effects, including new HDR Painting, Soft Focus, Miniature and Rich-Tone Mono. A generous palette of other artistic imaging functions includes 3D Sweep Panorama™ mode, Soft Skin, Auto HDR, Handheld Twilight and Anti Motion Blur Modes.

The NEX-7 camera includes an integrated flash system and also features an Auto-lock Accessory Shoe for advanced shooting applications, both of which are firsts for Sony’s E-mount line of cameras. The shoe supports the full range of Alpha flashes and monitors, as well as adaptors to accommodate studio lighting.

The LCS-ELC7 soft carrying case combines a snug-fitting body case and leather lens jacket to help protect the body and lens from scratches and dust. It’s complemented by the STP-XH70 shoulder strap, made of the same material.

The new NEX-7 is compatible with Sony’s Memory Stick PRO-HG™ DUO HX series as well as Sony’s full line of SD memory cards.  Available in capacities up to 32 GB, both media enable necessary transfer speeds for stable and optimal performance of Sony’s hardware features, such as full HD movie shooting.

Pricing and Availability

The α NEX-7 ultra-compact interchangeable lens digital camera will be available this November in a kit with an exclusive black 18-55mm zoom lens for about $1350, or as a body-only for about $1200.

The new camera and all compatible lenses and accessories will be sold at Sony retail stores (www.store.sony.com) as well as other authorized retailers throughout the Sony dealer network.

(via Sony)

Olympus Announces Three New PEN Interchangeable Lens Cameras

digital photographer

Olympus has announced two next generation cameras in their PEN lineup---the E-P3 and E-PL3 interchangeable lens digital cameras---as well as a new compact PEN: the E-PM1. The E-PL3 comes right on the heels of its predecessor, the E-PL2 (reviewed here), which was only announced at CES in January. The EP3 (pictured above) takes the helm as the new flagship PEN camera, following last year's EP2, with upgrades that include: a 614,000 pixel, high-resolution OLED touchscreen, a reengineered "world's fastest" auto focus with 35 separate focus points, and a new Truepic VI image processor for faster shot-to-shot times. See the full press release, with more info on all three cameras, below.

From Olympus:

CENTER VALLEY, Pa., June 30, 2011 – Today Olympus launches three new PEN compact system cameras designed to help inspiration-seekers capture their unique visions and share their stories in brilliant still images and high-definition (HD) video. The Olympus PEN family combines the portability of a point-and-shoot with features found on bulkier cameras or camcorders to deliver amazing image quality and lightning fast speed. With a new 12.3-megapixel Live MOS Image Sensor, TruePic™ VI Image Processor, high ISO of 12,800, a reengineered autofocus system, full 1080i HD video with Dolby Digital sound recording, newly designed user interfaces and a variety of Art Filters and built-in creative features, these powerfully simple cameras offer advanced capabilities without the complexity of a digital single lens reflex (DSLR) camera.

In addition to these great shared capabilities, each new model offers unique features:

     

  • PEN E-P3: Also announced today, the flagship Olympus PEN with a classic, all-metal design and the world’s fastest autofocus**. A body portable enough to travel the world without sacrificing DSLR image quality and control that experienced photographers expect. It features a bright, 614,000 pixel, high-resolution, OLED touchscreen to easily navigate and control the camera at the touch of a finger.
  • PEN E-PL3: This powerful camera is perfect for photographers who want their memories to reflect incredible, professional image quality. Easy-to-use creative technologies are packed in its versatile body – the size of a small, portable point-and-shoot camera, but with the versatility of interchangeable lenses. A clever, tilting three-inch LCD empowers photographers to go head-and-shoulders above the crowd to capture graduations, easily stoop to eye-level as babies take their first steps or even lower to the ground to get an adorable shot of the family pet.
  • PEN E-PM1: The smallest and lightest Olympus PEN is available in six stylish colors (purple, pink, brown, white, silver and black) and features a new and simplified user interface as well as a streamlined button structure for superior ease of use. Its small size and portability make it the ideal camera to document life’s fun and spontaneous moments.
  •  

Superior Image Quality A large 12.3-megapixel Live MOS Image Sensor delivers the highest quality images. Take great photos in low-light environments thanks to the Olympus PEN E-P3 camera’s built-in flash and the E-PL3 and E-PM1 cameras’ bundled accessory flash. Each camera comes equipped with an AF illuminator and ISO up to 12,800. To improve color and speed, the new Olympus PEN cameras feature the new TruePic VI Image Processing Engine. Photos and HD videos will be crisp and clear thanks to three modes of in-body image stabilization and the award-winning Olympus Dust Reduction System.

Blazing FAST AF Speed The new Olympus PEN cameras use a variety of features to achieve speed rivaling that of the professional Olympus E-5 DSLR. Focus and shoot faster with the new 12.3-megapixel Live MOS Image Sensor, TruePic VI Image Processor and new frequency acceleration sensor technology (FAST) autofocus system. The FAST AF Tracking System features 35 separate focus points spread over nearly the entire sensor, enabling pin-point focusing accuracy on small subjects wherever they appear in the frame. Selectable 3x3 groups within the 35-point area are especially effective when shooting active subjects. The cameras’ fast shutter response times ensure you will never miss a shot, even in the toughest shooting environments.

Creative Freedom Olympus PEN series cameras bring a new level of creative freedom to the shooting experience and enable instant experimentation and gratification. The new PEN Series features full 1080 60i high-definition video. Push the direct HD video button to instantly start filming in either AVCHD or AVI formats with uncompressed CD-quality.

In-camera creative features such as Art Filters, Multiple Exposure, Aspect Ratios and In-Camera Editing allow photographers to capture the world as they see it. Art Filters set Olympus PEN images and videos apart from the pack. Since they’re built into the camera, Art Filters can achieve dramatic results on the go without the need for a computer or editing software. All filters can be applied to both still shots and HD movies.

The Olympus PEN family offers several ways to capture artistic visions. Apply up to 10 Art Filters (Depending upon model: Diorama, Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Cross Process, Gentle Sepia and Dramatic Tone) in the camera while shooting. Vary images by mixing and matching Art Filters to achieve your creative vision or by applying effects, including the new Star Light and White Edge to frame photos the way you want after capture.

These Olympus PEN cameras add a new dimension to photographs by shooting dynamic 3D photos in any situation from macro to landscape. Simply select the 3D Photo Mode, release the shutter and slowly pan until the camera automatically takes a second image from a slightly different perspective. The 3D data is processed in-camera, resulting in an .MPO file, the universal industry 3D format for easy display on 3D televisions or laptops.

Easy to Use with New User Interfaces, Menu Structures and Button Layouts All three Olympus PEN cameras have a 3-inch, high-resolution display. Controlling the E-P3 is simple to use with its three-inch, touch-sensitive 614,000 pixel OLED, consuming much less energy than the traditional LCD. The display has a wide 176-degree angle of view and is bright enough to compose images even in harsh midday light. The intuitive and practical touchscreen makes it easy to navigate the camera’s new menus and graphic user interface. Going through a day’s photos is easy by scrolling through and enlarging photos with the tap of a finger. The E-PL3 features a tilting 3-inch 460,000 pixel LCD screen that offers the flexibility to capture moments from a variety of angles. The E-PM1 features a 3-inch 460,000 pixel display. All three cameras feature a newly designed Graphical User Interface. The font and graphics used in the menus offer improved visibility and quality to render elegant graphical menus that are attractive and easy-to-use. The E-P3 incorporates a rotational dial and sub-dial on the back of the camera. With just their thumb, users can fine-tune aperture and exposure time in an instant – without the need to switch between menus. Fans of hands-on shooting will love the three customizable buttons that can be assigned to the user’s favorite functions.

All of the Olympus PEN cameras are compatible with SDHC, SDXC and UHS-1 memory cards for greater speed and capacity and can work with Eye-Fi cards for instant uploads.

New Lenses and Accessories for Every Shooting Challenge Today Olympus is proud to announce several new Movie & Still Compatible (MSC) lenses with high-speed lens drive mechanisms delivering near-silent autofocus during still shooting and high-definition (HD) video capture. New accessories include optional body grips and the FL-300R external flash to complement the PEN series perfectly and broaden the creative horizons for any photographer. The growing Olympus PEN MICRO Four Thirds family now features eight fully-compatible MICRO Four Thirds lenses. The legendary Olympus Zuiko® Digital Four Thirds range of 27 high-quality lenses, OM-series and other manufacturers’ lenses can be attached to Olympus PEN cameras with optional adapters. Each new PEN comes packaged with the re-sculpted M.ZUIKO DIGITAL 14-42mm II R f3.5/5.6 II R zoom lens (28mm-84mm equivalent) or the M.ZUIKO DIGITAL 17mm f2.8 prime lens. Designed with Movie & Still Compatibility (MSC), experience near-silent operation, enabling you to shoot HD movies in stereo with amazing clarity.

     

  • M.Zuiko Digital ED 12m f2.0 lens: This high-speed, single-focal-length, wide-angle lens is ideal for shooting everything from high-quality, dramatic landscapes in low-light conditions to hard-to-get, spontaneous street shots. It has a beautiful full-metal body and a snap focus ring that allows photographers to pan focus with a distance indicator.
  • M.Zuiko Digital ED 45mm f1.8 lens: This single focal length portrait lens has a beautiful shallow depth of field, which allows for background blurring effects that are not possible with previous kit lenses. The MSC mechanism is great for tracking a moving child or pet, and provides a quick and silent focus mechanism for movies and still photography.
  • FL-300R Compact Flash: This flash functions on all three PEN cameras as a bounce flash as well as a wireless remote flash with enough power for most every shooting situation. It is designed in silver to match the new PEN lineup.
  •  

U.S. Pricing / Product Configurations Olympus PEN E-P3 Body with MSC M.ZUIKO DIGITAL ED m14-42mm II R f3.5/5.6 Zoom Lens Estimated Street Price: $899.99

Olympus PEN E-P3 Body with MSC M.ZUIKO DIGITAL ED m17mm f2.8 Prime Lens Estimated Street Price: $899.99

Olympus PEN E-PM1 Body with MSC M.ZUIKO DIGITAL ED m14-42mm II R f3.5/5.6 Zoom Lens Estimated Street Price to be announced

Olympus PEN E-PL3 Body with MSC M.ZUIKO DIGITAL ED m14-42mm II R f3.5/5.6 Zoom Lens Estimated Street Price to be announced

Olympus PEN E-PL3 Body with MSC M.ZUIKO DIGITAL ED m17mm f2.8 Prime Lens Estimated Street Price to be announced

 

Sony Announces NEX-C3 Compact Interchangeable Lens Camera

digital photographer

Sony has just announced the NEX-C3 digital camera---the smallest and lightest interchangeable lens digital camera on the market, according to the manufacturer. Featuring a 16.2-megapixel EXMOR sensor (24mm APS-C size) and "press and rotate" operating with real time preview of different effects, the NEX-C3 comes on the heels of last year's ground-breaking NEX-5 and NEX-3, which were “the world’s first interchangeable lens cameras with an APS-C sensor to continuously adjust focus and exposure while recording video.” A new feature for this generation of the NEX lineup is called Picture Effects (essentially, art filters), which includes a Background Defocus effect to create the look of shallow depth of field in a photograph. A bonus to Sony's new Picture Effects is that multiple effects can be applied to one shot and previewed simultaneously.

The NEX-C3 will be available in August for $599.99 (16mm f/2.8 kit) and $649.99 (18-55mm kit). Ten new lenses will be available by 2012 in addition to the three existing E-Mount lenses that are now available, turning the system into a lasting investment for those photographers who find the NEX system preferable to the DSLR format. More images and Sony's official press release below.

 

images via Sony; click thumbnails to enlarge

From Sony:

Micro Four Thirds With Full HD Video: Panasonic Lumix GH2 Review

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Panasonic Lumix GH2 Review Text, Photos and Video by Jason Thompson

The Panasonic Lumix DMC-GH2 is the updated version of its predecessor, the GH1. While still utilizing the same Micro Four Thirds system (see more about Micro Four Thirds here), this new generation camera boasts several upgrades.  Panasonic redesigned the image sensor, increasing the maximum resolution to 16.05-megapixels. The GH2 also has a slightly faster contrast based auto focus, as well as a touchscreen display. The one touch video button allows for instant switches to and from High Definition video recording mode. The combination of Panasonic’s Micro Four Thirds system and Electronic View Finder allow the GH2 to maintain a very lightweight form. Even when combined with the 14-140mm f/4.0-5.8 kit lens (with silent drive focusing) that I tested it with, this mirrorless camera maintains an overall weight below many in its class. The GH2 lens mount is also compatible with the 3D Lumix G 12.5mm f/12 3D-capable lens.

Panasonic Lumix GH2: click thumbnails to enlarge

 

HD Video & Auto Focus

http://vimeo.com/23593351

HD video recording on the GH2 rivals many prosumer camcorders currently on the market. Framing the video is easy thanks to the 270 degree 3-inch LCD display. The GH2 offers three aspect ratios and variable frame rate recording. Even in low-light conditions this camera delivers video with excellent color and detail. Panasonic revamped the contrast based auto focus system allowing for better focus tracking of moving subjects. However, I noticed the auto focus does wander a little at lower apertures and when recording during tight shots. The touch screen display does help alleviate some of the focus wandering by allowing the user to choose focus points within the frame. Unfortunately the GH2 does not provide a way of locking the focus via the touchscreen. Stereo microphones produce surprisingly crisp sound although they are sensitive to wind and high frequency.

Electronic View Finder & Low-light Performance

original shot and 100% crop: click thumbnails to enlarge to full size

Due to the mirrorless setup, the GH2 uses an Electronic View Finder, often referred to as a Live View Finder, to display what is seen through the lens. The mirrorless system allows the GH2 to maintain a compact form while still providing 100% frame coverage. This setup does have a few drawbacks though. When compared to a traditional mirrored DSLR, the EFV system will require additional battery power to operate. I found the refresh rate of the display to be a little choppy, and even more so in low-light situations. After capturing an image the EFV system has a slight lag time of roughly 1/3 of a second to display the view through the lens. As expected, framing became an issue during burst mode because the view was completely diminished.

The GH2 offers image capturing in both RAW and JPEG formats, but I would recommend shooting in RAW for post-processing flexibility. The 16MP sensor has decent picture quality up to ISO 1600, but does show some color artifacts and noise around ISO 800. There are 22 different exposure modes and three aspect ratios to choose from when shooting. The iAuto camera mode acts as a “point-and-shoot” function that allows even complete beginners to take well exposed images and video. Fluorescent lights do provide a challenge for the auto white balance function of the GH2, further emphasizing the need to shoot in RAW.

Conclusion

The Panasonic Lumix DMC-GH2 delivers excellent HD video and high resolution photos in a more compact body than nearly all of its competitors.  Combined with an array of features and flexible shooting modes, this camera provides a shooting experience that photo enthusiasts from the point-and-shoot end to the pro DSLR end can enjoy.

Panasonic Lumix DMC-GH2

  • MSRP:
  • $899.95, body only; no longer available as a kit directly through Panasonic
  • Size/Weight:
  • 9.5" W x 6.75" H x 11.5" D; 13.82 oz. body only
  • Image Sensor:
  • 16.05-megapixels, Live MOS
  • Image Sensor Size:
  • 17.3 x 13.0 mm (in 4:3 aspect ratio)
  • Still Recording Format:
  • Still Image: JPEG(DCF, Exif 2.3), RAW, DPOF compatible MPO (When attaching 3D lens in Micro Four Thirds standard) Motion Image: AVCHD / QuickTime Motion JPEG
  • Memory:
  • SD, SDHC, SDXC memory card
  • Display:
  • 3-inch TFT LCD with Touch panel (460,000 pixels)
  • Manual Exposure Control:
  • Program AE, Aperture Priority AE, Shutter Priority AE, Manual, Auto
  • Shutter Speed Range:
  • 60 - 1/4000 sec.
  • Special Features:
  • Micro Four Thirds Mount, free-angle LCD
  • Video Recording Mode:
  • Motion JPEG: [HD] 1280 x 720, 30fps
  • Provided Accessories:
  • Battery Charger, Battery Pack, Body Cap,AV Cable, USB Connection Cable, Shoulder Strap, Stylus pen, CD-ROM
  • Power Source:
  • ID-Security Li-ion Battery Pack
  • Contact:
  • www.panasonic.com

Sony NEX-VG10: High Definition Camcorder with Interchangeable Lenses

Tony Gomez

Sony NEX-VG10: High Definition Consumer Camcorder with Interchangeable Lenses Text and Images by Tony Gomez

With the NEX-VG10, Sony has at last answered the call for a consumer-based High Definition camcorder with interchangeable lenses. My expanded review package included not only the kit 18-200 mm zoom, but also the following E-mount interchangeable lenses: 18-55 zoom ($300) and 16mm/f2.8 ($250). Also the following Alpha lenses were provided via the Alpha/E-mount adapter ($300): 16mm/f2.8 ($250), 30mm/f2.8 Macro ($200), 35mm/f1.8 ($200), 50mm/f1.8 ($150), and the Zeiss 85mm/f1.8 ($1,400).

The Interchangeable Lens Advantage

With one zoom lens firmly attached to your camcorder, you cannot get complete control over your shot. In contrast, interchangeable lenses offer that control in three ways: a wider range of focal lengths, “faster” lenses (wider shooting apertures), and shutter speed control.

- Wider Focal Length Range and Faster Lenses:

Most zoom lenses on camcorders are limited in their focal length range—generally not wider than 28mm equivalent at their widest setting. So if your shot requires a very wide angle effect, like 24mm or wider, you will need a wider angle lens. The 16mm/f2.8 lens I tested has a slightly wider field of view than the widest 18mm setting of 18-200 zoom lens, but the big difference was in the f2.8 faster aperture (up to 2 stops faster than the f3.5/6.3 of the zoom lens). This f2.8 lens gave me increased light gathering power in low light situations.

The larger the shooting aperture (f-stop), the more narrow the range of focus (the depth of field effect), so a so-called “faster” lens at the widest aperture can isolate your subject from any interfering background—a very desirable effect in creating professional-grade footage.  The 50mm/f1.8 Alpha lens provides a more normal focal length; however, it is at least 3 f-stops faster than the equivalent focal length of the kit zoom, meaning it’s even better for low-light shooting conditions. And its control over DOF is unmatched over any zoom lens I tested.

- Shutter Speed Control:

Shutter Speed control (Shutter Speed Priority) is used to change the look of how moving objects are captured. A higher shutter speed (1/500th sec or higher) gives a stroboscopic, extremely sharp effect in playback, which is especially desirable with sports videos. On the other end of the shutter speed spectrum is an extremely slow shutter speed—slower than 1/8th second. This produces a motion blurring or dream-like effect.

Sony NEX-VG10; Alpha lenses and E-mount lenses; Easily switching out lenses; CMOS image sensor click thumbnails to enlarge

Field Testing the Sony NEX-VG10

Changing lenses with the VG10 is easy: simply depress the lens release button and rotate to remove it; then attach a new lens by matching the white alignment marks and twist to lock the lens in place—the same way you would switch lenses on a DSLR camera. As always, be aware that changing lenses exposes the sensor to any dust that might enter from the outside. So try to avoid doing this on a windy day or a dusty environment. However, a menu-activated lens cleaning procedure can help if dust does land on the sensor.

The NEX-VG10 has the largest CMOS Sensor in a consumer HD camcorder.  This larger sensor gives the camcorder more light gathering power, and coupled with the exclusive Sony XMOR-R processor, captures video in low light with very little image noise, even at high gain settings (up to +27DB). Blacks are velvet black, not riddled with noise that other sensors usually produce at the same gain settings.

I used Aperture Priority mode to select wider apertures in order to achieve limited range DOF effects, and Shutter Speed Priority mode to play with the way motion was depicted— ultra sharp (higher speed) or dream like (slower speed).

The short 18-55 mm zoom was lighter and more comfortable to use than the heavier 18-200 mm zoom, but at reduced telephoto capability.  The 30mm Alpha Macro lens gave some very unusual close up shots that wouldn’t have been possible with the kit lens.  The Alpha Zeiss 85mm lens is a very special portrait-style lens for capturing subjects and isolating them from the background.

Unexpected Issues

I was surprised by a couple of features with the NEX-VG10. None of the zoom lens I tested had an auto zoom feature. With the VG10 you must manually rotate each zoom lens to affect a zoom. Even if you are slow and steady, this can result in some jerky zooms, which might ruin a shot.

The second big surprise is the built-in stereo microphone.While the microphone system does create a spectacular Dolby Surround effect, it was entirely too sensitive for my hand holding. Just touching the camera on any part can result in unwanted sounds. Zooming any lens manually will almost always be recorded by the microphone because it’s directly above the lens. If you want to minimize this sensitivity issue, use the external mike jack, which I did with good results.

Final Words

The 18-200mm kit zoom on the NEX-VG10 provides a very useable range of focal lengths, but if you really want to exert better control over depth of field and light sensitivity, interchangeable lenses can offer a much better toolkit. You can also have a lighter overall package with specific lenses, rather than the kit zoom.  The JPEG still Photo mode records excellent quality JPEGS at 14-megapixel and 12-megapixel resolution.

Despite the issues of no Auto Zoom on any of the interchangeable zoom lenses and the internal microphone sensitivity, the Sony NEX-VG10 is still a very desirable HD consumer camcorder.

Sony NEX-VG10: $1999.99 E-mount 18-200mm zoom lens included); www.sonystyle.com

 

Olympus PEN E-PL2 Review

digital photographer

Olympus PEN E-PL2: Creative and Compact Interchangeable Lens Camera Text and Images by Allison Gibson

I first got a hands-on look at the Olympus PEN E-PL2 when it was announced at CES Las Vegas earlier this year. Even at first glance, I was impressed by the fourth generation compact, interchangeable lens PEN camera. The new exaggerated rubber hand grip and slightly smaller body (than that of its predecessor--the PEN E-PL1) make the camera more efficient, and updates like the new Live Guide feature for still and video preview, take this travel-friendly camera to a more professional level.

Operating on the Micro Four Thirds standard (read about mirrorless technology, and how it differs from single lens reflex, here), the PEN E-PL2 boasts a 12.3-megapixel Live MOS image sensor---the same size sensor as the one inside the Olympus E-30 and E-620 DSLRs. The most obvious advantage to the Micro Four Thirds camera is that it packs that large image sensor---with its enhanced low-light performance and image quality---into a more svelte and manageable body, while still allowing for interchangeable lenses.

Cosmetic and UI Upgrades

click thumbnails to enlarge

With the new E-PL2, Olympus has not only taken the body size down a fraction but also designed the camera to look less retro and more sleek, by omitting the metal piping on the body and streamlining the function buttons. The on/off button on top is now slightly recessed and a different shape than the larger, protruding shutter release so that there is never any doubt as to which function is being triggered. On the back, the four-way d-pad now sits inside a selection dial for much quicker selection of aperture, exposure, etc., and the menu button is set apart from other buttons, so that it can be quickly depressed for shooting options. The E-PL2 also features a wide 3-inch 460,000 dot LCD, as compared to the E-PL1's 2.7-inch, 230,000 dot monitor.

All of these upgrades add up to a more professional-feeling piece of equipment, while still remaining at a lower price than the camera at the top of the PEN lineup, the EP2. Apparently, however, it's my lot in life to bemoan the absence of viewfinders in the current mid-range digital camera market, so here I can't let the PEN E-PL2 (or the entire PEN lineup, for that matter) slide by unmentioned in this regard.  I know I am not alone in feeling more precise in my framing of a photograph when pressing my face to the viewfinder instead of holding it out, shakily, in front of me. I would take a slightly larger camera any time if it were included. The E-PL2 does include an accessory port, where you can attach a VF-2 detachable electronic viewfinder. The port can also be used to attach the PENPAL Bluetooth accessory for sharing images instantly, the MAL-1 accessory light, and the EMA-1 external mic adapter.

Functional Upgrades & Performance

Art Filters (clockwise from top left): Pop Art, Soft Focus, Grainy Film, Dramatic Tone, Diorama, Pin Hole click thumbnails to enlarge

This is a fun camera and a good image maker. The PEN E-PL2 features Olympus' long-admired Art Filter selection, which provides quick options for creative capture. The E-PL2 replaced its predecessor's Gentle Sepia Filter with the new Dramatic Tone selection---a filter that I found to produce exciting, almost HDR-like, tones. (See images above.) In addition to the Art Filters, the guts of the camera got some upgrades, including the new Truepic V Image Processor, which works with the image sensor to deliver high-quality, low-noise images, even in low-light, supporting ISOs up to 6400.

The compact ED 14-42mm f3.5/5.6 kit lens is "Movie & Still Compatible" (MSC), with an inner focus mechanism for speed and virtual silence during High Definition (720p/30fps) video capture. The E-PL2 also lets you toggle between still and video capture instantly, with the press of the red record button on the back of the camera, so that you record the scene in the best possible medium every time.

Conclusion

 

The E-PL2 is a smartly upgraded addition to the PEN series, and a good choice for the photographer who is looking for an advanced, interchangeable lens, image maker in a more compact size than even a lighter weight DSLR. The creative controls pair nicely with the low-light quality and advanced image processing to make this a fun and well-rounded piece of shooting equipment.

Olympus PEN E-PL2

  • MSRP:
  • $599.99 (comes with 14-42mm 1:3.5-5.6 zoom lens)
  • Size/Weight:
  • 115.4mm W x 72.7mm H x 42mm D; 362g loaded
  • Image Sensor:
  • 12.3-megapixels, High speed Live MOS
  • Maximum Resolution:
  • 4032 x 3024 pixels
  • Still Recording Format:
  • RAW (12-bit lossless compression), JPEG, RAW+JPEG
  • Memory:
  • SD Memory Card (SDHC, SDXCcompatible). Class 6 is recommended for Movie shooting
  • Display:
  • 3-inch LCD (460,000 pixels)
  • Manual Exposure Control:
  • Program AE, Aperture Priority AE, Shutter Priority AE, Manual, Art Filter
  • Shutter Speed Range:
  • 60 - 1/4000 sec.
  • Special Features:
  • Live Guide system, MSC lens, Face Detection with Eye Detect AF, Acessory Port
  • Video Recording Mode:
  • HD: 1280x720, Aspect 16:9; SD: 640x480, Aspect 4:3 (VGA)
  • Provided Accessories:
  • Body, Li-ion battery BLS-5, Li-ion battery charger BCS-5, USB/Video Multi cable, Shoulder strap, OLYMPUS Viewer 2/ib CD-ROM, Instruction manual, Warranty card
  • Power Source:
  • BLS-5 Li-ion battery
  • Contact:
  • www.olympusamerica.com

Hands-on with Olympus PEN E-PL2

digital photographer

CES 2011, Las Vegas---I can confirm now that the new Olympus PEN E-PL2 is, in fact, more ergonomically comfortable, the layout more functional. The on/off button is now recessed so that there's no chance of clicking it rather than the shutter release. After all, that was one of the resolved issues that Olympus touted when they announced this new, fourth generation compact, interchangeable lens PEN camera on Wednesday. There aren't so many other noticeable changes from the PEN E-PL1, though the 460,000 dot LCD is much brighter than that of its predecessor. The new camera was modeled on its predecessor---and underwent a few little tweaks based on user feedback---in order to emerge as this slightly altered, still feature-packed, powerful image maker in a small package. The Art Filters (still the most well done out of any I've seen from the several companies who now include similar modes in their equipment), the Live Guide feature, the Intelligent Auto mode, and the DSLR-sized image sensor were all carried over from the previous model. Think of it as a face lift, really---the subtle kind that makes a person look refreshed rather than scary.

click thumbnails to enlarge

Hands-on with Samsung NX11

digital photographer

CES 2011, Las Vegas---The new Samsung NX11 mirrorless interchangeable lens camera is the latest in the company's successful NX lineup, following the NX10, which we really enjoyed testing last summer. (For more information on the technology of interchangeable lens cameras, check out the NX10 link.) The upgrades to the new NX11 include the i-function lens, which allows for full manual shooting controls (aperture, shutter speed, EV, WB, and ISO) via the i-function button or ring on the lens---allowing the photographer to control these settings easily, without taking the camera off the subject. The NX11 continues to use the APS-C size image sensor (which is larger than that of the micro four thirds sensor) for advanced image quality in a compact body.

Olympus Announces PEN E-PL2 Interchangeable Lens Camera

digital photographer

CES 2011, Las Vegas--- Olympus announced today the fourth generation camera in their compact, interchangeable lens PEN lineup. The PEN E-PL2 follows last year's PEN E-PL1, with upgrades that include: Live Guide II to preview HD video (720p), a 3-inch 460,000 dot LCD, increased ISO sensitivity and what they are saying is a more ergonomic body design, which we'll get to check out on the show floor tomorrow. The 12.3-megapixel PEN E-PL2 will be available with the kit MSC M. ZUIKO DIGITAL ED m14-42mm f3.5/5.6 Zoom Lens for $599.99. Read the full press release below.From Olympus:

Sony Announces NEX-3 and NEX-5 Compact Interchangeable Lens Cameras

digital photographer

At PMA in February, we brought you the news that Sony had plans to unveil a compact interchangeable lens camera this year. Well, that time has come. Sony has just announced two new mirrorless a (alpha) compact interchangeable lens digital cameras---the NEX-3 and the NEX-5. Both offer the image quality of a D-SLR with the portability of a compact camera. According to Sony, "these models are the world’s first interchangeable lens cameras with an APS-C sensor to continuously adjust focus and exposure while recording video." They will be compatible with three new E-Mount lenses. An optional LA-EA1 Mount Adaptor extends compatibility to the α family of 30 lenses, plus a huge range of other legacy A-mount lenses (Manual Focus only). The cameras and lenses will be available in July. Find additional images and the full press release from Sony below for specs and pricing.

From Sony:

SAN DIEGO, May 10, 2010 – Sony today introduced two innovative α (alpha) compact interchangeable lens digital cameras (models NEX-5 and NEX-3) that provide the quality of a digital SLR in a compact body that is easy to slip into a small purse or jacket pocket for ultimate portability.

“Consumers want better picture quality in a smaller form factor. Sony has made that a reality with these cameras. The NEX-5 and NEX-3 cameras truly embody Sony’s make.believe spirit,” said Kristen Elder, director of Sony’s alpha digital imaging business. “These new cameras are the game-changers everyone has been waiting for and will revolutionize the consumer experience by offering outstanding picture quality with a totally pocketable size.”

With breakthrough video performance, these models are the world’s first interchangeable lens cameras with an APS-C sensor to continuously adjust focus and exposure while recording video. The NEX-5 camera offers Full HD movie capture (1080i AVCHD and 720p MP4) with Full HD 60i recording.

These cameras are perfect for point-and-shoot users looking to advance from snapshots to creative photography as well as existing DSLR users searching for a no-compromise compact alternative.

Innovative Design

Unlike conventional DSLR models, the “mirrorless” construction of the new models reduces the thickness of both camera bodies to just about an inch at their slimmest point (excluding grip and mount portions). The NEX-5, constructed from magnesium alloy, and the NEX-3, with a polycarbonate casing, offer a newly developed 14.2 megapixel Exmor™ APS HD CMOS sensor. About 60 percent larger than the sensor in micro four-thirds cameras, this sensor is key to the exceptional image quality, extremely low image noise and creative defocus background effects that are familiar to DSLR users.

HD Movie Recording and Fast, Silent Autofocus

The NEX-5 and NEX-3 are the first α  cameras to offer the extra convenience of high definition video recording. In addition to 720p HD recording, the NEX-5 also captures

Full HD (1920 x 1080i) video in high-quality AVCHD files that can be easily enjoyed on a compatible HD television via the cameras built-in HDMI™ terminal (cable not included). The NEX-3 shoots 720p HD video as compact MP4 files.  Both Sony cameras include built-in stereo microphones for high-quality audio recording.

Still and video image quality is further refined by Sony’s powerful BIONZ® processor that ensures quick DSLR-style shooting response with fast, precise autofocus and minimal shutter lag. Both cameras can also capture fast-moving action with a high-speed burst of full-resolution images at up to 7fps (AF/AE fixed from first frame).

Sweep Panorama The NEX-5 and NEX-3 are the first α  cameras featuring Sweep Panorama. Capturing large group shots is as easy as press-and-sweep. Sweep Panorama mode lets consumers capture breathtaking shots up to 226-degree horizontal or 151-degree vertical shots.

Both models will be ready for 3D Sweep Panorama this July (with firmware update). With 3D Sweep Panorama mode, these cameras can shoot 3D panoramic still images with a single lens. The high-speed burst of frames is stitched together using innovative processing techniques to automatically create detail-packed 3D panoramas. These files can be enjoyed in stunning 3D on compatible 3D televisions (other accessories may be required).

These cameras provide the advantages of multi-frame capture featured in Cyber-shot® cameras, including Hand-Held Twilight and Anti-motion Blur modes, which offer extraordinary low-light performance.

Simple To Use Overcoming the complexity and intimidation that often come along with DSLR use, the NEX-5 and NEX-3 cameras have a new easy-to-use interface. It makes their performance advantages and features—including the techniques of creative photography—simple to master for consumers stepping up from compact digital still cameras and simultaneously offers easy access to the important camera controls that DSLR users demand.

Images and camera settings are displayed on the 3-inch (diagonal) wide-type Xtra Fine LCD™ display with TruBlack™ technology and 921k dot high resolution LCD that tilts up or down for comfortable viewing in any shooting position. The screen features an auto-brightness control function for excellent visibility, even outdoors. TruBlack screen technology enables an even more vivid, high-contrast view of images and camera settings. E-Mount Lenses Three new E-mount lenses are being introduced, including a 16mm F2.8 wide angle prime lens (model number SEL16F28), an 18mm-55mm F3.5-5.6 standard zoom lens (model number SEL1855) and an 18mm-200mm F3.5-6.3 (model number SEL18200) high magnification zoom lens.

The E-mount lenses provide the cameras with extreme compactness as well as the performance required for quiet continuous auto focus and auto exposure during HD video capture.  These all new lenses are of premium construction, with brushed aluminum barrels and steel mounts.  An optional LA-EA1 Mount Adaptor extends compatibility to the α family of 30 lenses, plus a huge range of other legacy A-mount lenses (Manual Focus only).

Ideal for everyday shooting, the low-profile E 16mm F2.8 lens minimizes bulk, allowing the camera to easily be carried in a coat, pants pocket, or purse. This lens’ creative possibilities can be expanded even further by the VCL-ECU1 Ultra Wide Converter which provides a 12mm view, and VCL-ECF1 Fisheye Converter that delivers impressive curvi-linear distortion.

Featuring in-lens Optical SteadyShot™  image stabilization for clearer handheld images, the E 18-55mm F3.5-5.6 OSS zoom is a perfect travel partner. The NEX-5 and NEX-3 are available in kit form with either the 16mm prime or the 18mm-55mm lens.  The E 18-200mm F3.5-6.3 OSS zoom lens offers a powerful 11x magnification range plus Optical SteadyShot image stabilization with Active mode that is used in the most advanced Handycam® camcorders. Accessories Both cameras are supplied with a super-compact clip-on flash that attaches via the smart accessory terminal when needed. Other optional accessories include the FDA-SV1 Optical Viewfinder plus stylish cases and shoulder straps.

As an option, the accessory shoe on both cameras accepts a compact ECM-SST1 Stereo Microphone that captures even more high-quality sound for HD video recordings than the cameras’ built-in stereo recording.

The new cameras accept both Memory Stick PRO Duo™ (including Memory Stick PRO-HG Duo™) and SD (including both SDHC and SDXC formats) media (all sold separately). Sony’s new Memory Stick PRO-HG Duo HX offers 30MB per second transfer rates that save you time when downloading images.

Pricing and Availability The NEX-5A and NEX-3A cameras, which are supplied with SEL16F28 lens, will cost about $650 and $550 respectively. NEX-5K and NEX-3K cameras, supplied with SEL1855 lens will cost about $700 and $600 respectively. The NEX-3 will be available in silver, black and red, and the NEX-5 in silver and black.

The SEL16F28 and SEL1855 lenses will be available for about $250 and $300. (The SEL18200 zoom lens will be available this fall for about $800.)

The cameras, lenses and a range of accessories will be available in July at Sony Style® retail stores (www.Sonystyle.com/retail) and at authorized dealers nationwide.

Panasonic Announces DMC-G2

digital photographer

Along with the just announced  Micro Four-Thirds Lumix G10, Panasonic has introduced the DMC-G2---the "world's first digital interchangeable lens system camera with a touch control movable LCD." The 12.1 MP Live MOS sensor LUMIX G2 records 1280 x 720 HD videos in the AVCHD Lite format and features iA (Intelligent Auto) mode as well as full manual and aperture and shutter priority shooting modes. The G2 will be available in red, blue and black, though pricing and availablity won't be known until 30 days prior to shipping. See the press release below.

From Panasonic:

Secaucus, NJ (March 7, 2010) – Panasonic today announces the LUMIX DMC-G2, the world’s first* digital interchangeable lens system camera with a movable LCD that allows for touch-control, and the successor to the award-winning and revolutionary LUMIX G1, which was the world’s first Micro Four Thirds digital camera. The intuitive touch-control shooting elevates the camera’s operability, letting the user adjust auto focus (AF) simply by touching the subject on the large 3.0-inch 460,000-dot high- resolution LCD. The LUMIX G2, also shoots 720p High Definition video using the AVCHD Lite format, and joins the LUMIX G10, also introduced today, as the latest models in the LUMIX G Micro System. With the touch-screen operation, users can even snap a photo by touching the LUMIX G2’s screen.  Additionally, the touch-screen operation excels not only for shooting but also during playback.  Users can touch one thumbnail viewed among many to quickly and easily see the full size of the desired photo.  Also, to view images one-by-one, photos can be dragged across the screen to browse as though flipping the pages of a book. “With the LUMIX G2, Panasonic is pleased to continue to lead the evolution of the Micro Four Thirds platform and also be the first in the industry to offer a touch-screen interchangeable lens system camera,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “Touch-operation is a user interface with which many consumers are both familiar and expect, and we think the LUMIX G2’s touch-operation makes it easier and quicker to take photos and videos that have professional-like effects.” Using the touch-screen operation, once a user locks onto a subject, the LUMIX G2 enables AF Tracking and will track the subject as it moves within the frame. Then, with a touch on the screen, users can select the part and the size of AF area with the 1-area AF.  The Multi-area AF sets a group of AF points according to the composition. While using the manual focus, users can enlarge a subject by touching it and then choosing to enlarge it by 1x, 5x or 10x and then smoothly moving the part by dragging it on the screen. With this touch operation, menu settings can be changed quickly; cutting the time it takes to navigate using standard cursors. However, all setting changes can still be done using the control pad, if preferred. The LUMIX G2 records 1280 x 720 HD videos in the AVCHD Lite format, which increases recording capacity and is highly compatible with audio-visual equipment. With a dedicated video record button, users can easily start recording a video. To complement its high-quality video capabilities, the LUMIX G2 features advanced audio options, as sound is recorded with Dolby Digital Creator and an optional accessory stereo microphone can be attached. A Wind Cut function further enhances the sound as it helps reduce noise caused from background wind. The 3.0-inch touch-operation LCD has a wide-viewing angle and rotates 180° from side to side and tilts 270° up and down, providing approximately 100% of field of view. This free-angle LCD with a touch-screen operation makes it possible to both view and touch the screen from any angle.  The double Live-View function offered by the high-resolution, 460,000-dot free-angle Intelligent LCD and 1,440,000-dot 1.4x (0.7x) Live View Finder allows users to see the settings’ results before pressing the shutter. The 12.1-megapixel Live MOS sensor featured in the LUMIX G2 offers the best of both worlds – the outstanding image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. Advanced technology enables it to read four channels of data simultaneously, helping the LUMIX G2 to deliver 60 frames-per-second Full-time Live View images, while faithfully reproducing high-resolution images with fine detail and rich gradation. Plus, with the high-speed, high-performance Venus Engine HD II, which has been re-engineered to further improve image quality. The new high-speed, high-performance Venus Engine HD II supports the new image processing technology Intelligent Resolution, which enables the recording of beautiful photo and HD video with high quality signal processing. With Intelligent Resolution technology, three areas – outlines, detailed texture areas and soft gradation – are automatically detected. The outline parts are enhanced effectively to give edges increased clarity, while simultaneously giving a moderate accentuation to the textured areas so they look finely detailed. For the soft gradation areas, the improved noise reduction system of the Venus Engine HD II is applied to achieve a smoother effect. Apart from the uniform enhancement of sharpness, the innovative technology Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way, resulting in images that are naturally clear. For users looking for additional creative options for both photos and videos, the LUMIX G2 delivers.  While shooting HD video, users can set the camera in “P” mode – to change the aperture for professional-like movie effects where the images blur into focus. For still photos, the LUMIX G2 features the My Color mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, and Silhouette while also keeping the Custom mode, which lets users manually set the color, brightness and saturation levels and save their favorite settings into memory. On the other hand, for beginner users not yet ready for manual modes – the LUMIX G2 features iA (Intelligent Auto), a popular setting in the LUMIX point-and-shoots that automatically engages features and settings for optimal image quality by detecting the shooting environment. Panasonic iA is available in both still photo and video recording settings and a new dedicated iA button, which illuminates in blue when engaged, makes it even easier to use this handy feature. Other features of the LUMIX G2 include: * Dust Reduction System: If dust or other foreign matter gets inside the camera when you're changing lenses, it could cling to the image sensor and show up as a spot in your photos. The Dust Reduction System in the G2 helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 times per second, the filter repels dust and other particles effectively. * Included Software: PHOTOfunSTUDIO 5.0 HD Edition makes it possible to sort and organize photos.  Videos can be uploaded directly to YouTube using the built-in YouTube uploader – even in HD quality. It also lets you create a 360-degree rotation panorama file in .MOV files. The software is compatible with the Windows 7. The Panasonic LUMIX G2 will come equipped as part of its kit, with the newly announced LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens. The new lens offers a versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for a wide variety of scenes, everything from dynamic landscape to portrait.  Additionally, the LUMIX G2 is compatible with all Micro Four Thirds System lenses, allowing users even higher levels of performance in a digital interchangeable lens camera. The LUMIX DMC-G2 and other LUMIX G Micro System digital cameras can use any interchangeable lens that complies with the Four Thirds standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R.  Other accessories include external flashes, filters, a remote shutter, HDMI mini cables and a variety of stylish straps and bags. To learn about the Panasonic LUMIX Micro Four Thirds System and all the available accessories, visit www.panasonic.com/lumix. The Panasonic LUMIX G2 will be available in red, blue and black models and pricing and availability will be announced 30 days prior to shipping date. *As of March 7, 2010.

·     Design and specifications are subject to change without notice.

·     Some functions may not be available depending on the lens that is mounted.

·     Use a card with SD Speed Class with "Class 4" or higher when recording motion pictures in [AVCHD Lite]. Also, use a card with SD Speed Class with "Class 6" or higher when recording motion pictures in [MOTION JPEG].

·     The "AVCHD Lite" and the "AVCHD Lite" logo are trademarks of Panasonic Corporation and Sony Corporation.

·     Dolby and the double-D symbol are trademarks of Dolby Laboratories.

·     YouTube is a trademark of Google Inc.

·     Windows and the Windows logo are trademarks of the Microsoft group of companies.

Panasonic Announces Lumix G10

digital photographer

Panasonic has announced the Lumix DMC-G10, a new addition to their G series lineup of compact, interchangeable lens Micro Four-Thirds cameras. It's being hailed by the manufacturer as "the world's lightest digital interchangeable lens camera with a [digital, with 100% field view] viewfinder." The G10, like its predecessors in the G series,  "uses a mirrorless structure as part of the Micro Four-Thirds standard, eliminating a number of components that are found in a conventional interchangeable lens camera, including the mirror box and optical viewfinder unit." The 12.1MP Live MOS sensor G10 will be available in black only, though there won't be word from Panasonic as to availablility or prices until 30 days before they ship. See the press release below.

From Panasonic:

Secaucus, NJ (March 7, 2010) – Panasonic today introduces an addition to its Panasonic LUMIX G Series, the LUMIX DMC-G10, the world’s lightest* digital interchangeable lens camera with a viewfinder, which packs a host of advanced digital camera functions designed to be easy-to-use for users new to system cameras. The new compact and portable LUMIX G10, which can record High Definition (HD) video in addition to high-quality still images, joins the LUMIX DMC-G2, also introduced today, as part of the Panasonic LUMIX G Series. “The LUMIX G Micro System has revolutionized the photography industry ever since the release of the Panasonic G1, the world’s first interchangeable lens system camera based on the Micro Four Thirds System standard,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company.  “We continue to expand this award-winning LUMIX G Series, and with its easy-to-use features and compact size, we expect the G10 to attract a lot of new users who want to step-up from their point-and-shoots.” The LUMIX G10, with its incredible compact body and portable design, uses a mirrorless structure as part the Micro Four Thirds System standard, eliminating a number of components that are found in a conventional interchangeable lens camera, including the mirror box and optical viewfinder unit. This innovative structure allows for the LUMIX G10 to be the world’s lightest system camera in a compact digital camera design that is a desired feature for new users.  Adding to its lightweight body, the LUMIX G10 will come equipped as part of its kit, with the newly announced LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens. The new lens offers a versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for shooting a wide-range of scenes, from dynamic landscape to portrait. Panasonic designed the LUMIX G10 to be easy to use offers iA (Intelligent Auto) mode – with its shooting assist functions that have proven extremely popular in LUMIX compact cameras. Panasonic’s iA (Intelligent Auto), an easy shooting mode with automatic optimization according to the scene in either photo and video recording, is helpful to beginner users unfamiliar with an interchangeable lens system camera. With the new dedicated iA button, which illuminates in blue when engaged, activating this mode is even easier and can be used to shoot both photos and videos. When shooting still photos, iA offers the following: MEGA O.I.S., which helps prevent blurring from hand-shake; Intelligent ISO Control, which reduces motion blur by adjusting the ISO sensitivity if the subject moves; Intelligent Exposure optimizes exposure for each part of an image, preventing blocked shadows and blown highlights and helping ensure that gradation and details are reproduced properly; Intelligent Scene Selector detects the most common shooting situations – Portrait, Night Portrait, Scenery, Night Scenery, Close-up and Sunset – and switches to the appropriate Scene mode automatically – no setting changes needed. The LUMIX G10 can record 1280 x 720 HD video in Motion JPEG, QVGA, VGA and WVGA formats. Users can enjoy recording HD videos while taking advantage of the high quality lens and the flexibility to change to other lenses. Even users new to recording videos will find the LUMIX G10 makes it easy. Panasonic’s iA for video offers the following: Optical Image Stabilizer (O.I.S.) helps prevent handshake when using high-powered zoom; Face Detection** automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion; Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows; Intelligent Scene Selector automatically switches between Normal, Portrait, Close-up, Scenery, and Low Light modes according to the situation to optimize visual quality. With AF Tracking, the LUMIX G10 can lock onto any subject and keep it in focus even if it moves – making it easy to get beautiful, clear shots of moving subjects, such as children and pets. Simply aim, lock, and shoot. The Face Recognition function remembers registered faces to give an appropriate AF/AE on the people. In playback, you can choose to display only photos that contain a specific registered face using Category Playback.  The contrast AF system adopted by the LUMIX DMC-G10 is not only accurate and easy to use, but also very fast. Users can choose from a wide range of AF modes, including AF Tracking, 1-area AF, Face Detection AF/AE and 23-area AF. The LUMIX G10’s Live View Finder, with a resolution of 202,000-dot equivalent, 1.04x (0.52x*) retains the viewability of an optical viewfinder and displays information about its settings that users can see without removing their eye from the subject.  The 60 fps Live View is powered by the Live MOS sensor, which takes signals directly from the image sensor and sends them continuously to the LCD, in real time. Both the Live View Finder and LCD provide approximately 100% field of view. This allows the user, when composing a shot, to check the framing accurately from corner to corner. The 3.0-inch large 460,000-dot high-resolution LCD with wide viewing angle automatically controls the brightness according to the situation as an Intelligent LCD. The 12.1-megapixel Live MOS sensor and the new Venus Engine HD II help to separate chromatic noise from luminance noise and apply the optimal noise reduction to each, so users can capture clear and beautiful images even when shooting at high ISO sensitivity levels.  The high-speed, high-performance Venus Engine HD II, which has been re-engineered to incorporate the new image processing technology, Intelligent Resolution, enables the recording of beautiful photo and HD video with high quality signal processing. With Intelligent Resolution technology, three areas – outlines, detailed texture areas and soft gradation –are automatically detected. The outline parts are enhanced effectively to give edges increased clarity, while simultaneously giving a moderate accentuation to the textured areas so they look finely detailed. For the soft gradation areas, the improved noise reduction system of the Venus Engine HD II is applied to achiever a smoother effect.  Apart from the uniform enhancement of sharpness, the innovative technology Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way, resulting in images that are naturally clear. All Panasonic LUMIX G Series digital cameras are equipped with the highly-efficient Dust Reduction System. If dust or other foreign matter gets inside the LUMIX G10 while changing lenses, it could cling to the image sensor and show up as a spot in your photos. However, with the Dust Reduction System, it helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 times per second, the filter repels dust and other particles effectively. Other features of the LUMIX G10 include:

* My Color mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, Silhouette. Also includes Custom mode, which lets users manually set the color, brightness and saturation levels. For beginners, the LUMIX G10’s full-time Live View function lets users see how these settings will affect the images before they shoot, making it easier to capture the exact mood or atmosphere desired. * Scene modes total 26, including the Peripheral Defocus mode, which lets users take a photo where the foreground is in focus and background is blurred – or vice versa.  This popular effect can be intimidating for a beginner, but in the Peripheral Defocus mode, by simply selecting the objects to be blurred and focused using the camera’s keypad, it is simple for photographers of any level. * Exposure meter can be displayed in the P/A/S/M shooting modes. The correlation between shutter speed and aperture is shown, with a color-coded warning system that alerts users when the settings are not in the proper range. For those new to system camera digital photography, this makes it easy to learn proper settings both visually and logically, enhancing their photography skills. The Panasonic LUMIX G10 is compatible with Micro Four Thirds System lenses, allowing users even higher levels of performance in a digital interchangeable lens camera. In addition to LUMIX G lenses, the LUMIX DMC-G10 and LUMIX G Micro System can use any interchangeable lens that complies with the Four Thirds standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R. Pricing and availability for the Panasonic LUMIX G10 will be announced 30 days prior to shipping date.  It will be available in black.  To learn about the Panasonic LUMIX Micro Four Thirds System and all the available accessories, visit www.panasonic.com/lumix. *As of March 7, 2010. **Turn Face Recognition item ON and register the person with full-face portrait on the shooting menu in advance.

·     Design and specifications are subject to change without notice.

·     Some functions may not be available depending on the lens that is mounted.

·     Lenses that are not compatible with the contrast AF function can be used with manual focusing.