Nikon Announces 36.3MP D800 DSLR

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Nikon has announced the D800 "HD-SLR," which features a 36.3-megapixel full-frame (FX) CMOS image sensor---meaning you can make enormous prints of your high resolution (7360x4912-pixel) captures. Like its (chronological at least) predecessor, 2008's D700, the D800 has a more compact body size than a big gun like the D4, but its price and emphasis on super high resolution output seems to narrow its market to buyers like studio and wedding photographers who are most interested in print work rather than a broader class of photo enthusiasts looking to step up to a mid-range DSLR for travel and personal photo capture purposes. This is probably why Nikon is going to continue selling the D700 alongside its successor and at nearly the same price.

At $2,999.95, the D800 boasts the same 3.2-inch 921K dot LCD screen as the flagship D4 and its viewfinder offers 100% frame coverage (as compared to the D700's 95%). For low-light capture, it has an ISO range of 100-6400, expandable to 50 (Lo-1)-25,600 (Hi-2), with the only upgrade to the D700 here being on the low end of the range (50 versus 100). The upgraded video capabilities are what have compelled Nikon to market the camera as an "HD-SLR"; the D800 shoots video at various resolutions and frame rates, including full HD 1080 at 30/24p and HD 720 at 60/30p. Additionally, as Nikon says, "For professional and broadcast applications that call for outboard digital recorders or external monitors, users can stream an uncompressed full HD signal directly out of the camera via the HDMI port (8 bit, 4:2:2)." Below is a test video shot by filmmaker Sandro with the D800.

http://vimeo.com/36305675

The Nikon D800 will be available in late March for $2,999.95 (body only), and a supplementary model---D800E, which "treads in medium format territory for studio work or landscape photography" as it "enhances the resolution characteristics of the 36.3-megapixel CMOS sensor by cancelling the anti-aliasing properties of the OLPF inside the camera"---will be available in mid-April for $3,299.95.

(Nikon)

Panasonic Reveals Lumix 3D1 Twin-Lens 3D Digital Camera

During the IFA show in Berlin in August, we reported that Panasonic had developed a twin-lens 3D digital camera. And now they've announced its concrete existence. The Panasonic Lumix DMC-3D1 features two newly developed 25mm wide angle 4x optical zoom lenses with "folded optics design," which have the capability of capturing 8-megapixel 3D still images and 1920x1080 3D HD video. "Additionally, the two-lens design allows users to record photo or video in different angles of view simultaneously," according to the manufacturer. The 3D1 also gives you the option to shoot 12MP 2D still images and 2D full HD video.

The Lumix 3D1 will be available for a suggested price of $499 in December. More from Panasonic below.

From Panasonic:

SECAUCUS, NJ (November 7, 2011) –Panasonic today announced the LUMIX DMC-3D1, a cutting-edge digital camera that employs two newly-developed lens units with folded optics design in a stunningly compact body that can capture crisp and clear 3D and 2D photos and videos.  The LUMIX 3D1, with a twin-lens design, features 25mm ultra-wide angle lenses with 4x optical zoom that offer the outstanding capability to record high resolution 8-megapixel 3D photo and 1920x1080 60i high quality 3D HD video using side-by-side method.  The LUMIX 3D1’s optics give users a wider range of composition possibilities with approximately 169% larger viewing space compared to that of 35mm cameras. 

Featuring a unique shooting option, the new twin-lens system allows the LUMIX 3D1 to capture 2D images and video simultaneously. The LUMIX 3D1 can shoot 12-megapixel 2D photos and record 1920x1080i full HD 2D videos.  In conventional standard digital compact cameras, users must shoot in either photo or video mode and when photo mode is selected, video recording is interrupted.  The twin-lens design of the LUMIX 3D1 breaks through these conventional barriers with two separate mechanisms for image capturing, allowing for dual shooting capabilities.  Additionally, the two-lens design allows users to record photo or video in different angles of view simultaneously.  For example, users can record an entire party scene with one lens while zooming in on and capturing the photo of a specific person with another lens. Users can easily switch between 2D and 3D mode with the dedicated 2D/3D switch conveniently located on the back of the camera. 

“Panasonic continues to lead the industry in 3D entertainment, giving consumers the opportunity to create their own content and then view it within their homes, and the new LUMIX 3D1 is an innovative digital camera that excels with its 3D imaging technologies, but also offers outstanding 2D photo capture options,” said Darin Pepple, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “With its twin-lens design, the LUMIX 3D1 can even shoot HD video through one lens and 2D photos from the other – thus getting still and moving content simultaneously, a unique shooting feature which Panasonic provides so users can stretch their creativity.”

The 12-megapixel High Sensitivity MOS sensor and the Venus Engine allow the LUMIX 3D1 to achieve high-quality images and easily process image sensitivity and speed. Multi-process Noise Reduction applies optimal noise reduction according to the brightness of different areas of an image, thus creating crisp and beautiful photos and videos. Both high frequency noise that occurs in the dark area, and low frequency noise in the light are of a photo are suppressed even though occurring simultaneously in a photo. As a result, images recorded in low-light situations are dramatically clear, even when recorded at a high ISO setting.

The LUMIX 3D1 boasts extremely fast consecutive shots at 8 fps (without auto focusing) and 4 fps (with auto focusing) in full resolution.  Utilizing quad-CPUs the Venus Engine processes large amounts of 1920x1080i Full-HD data at high speeds in either AVCHD or MP4 formats.  Although using two sets of lens units and sensors, energy consumption of Venus Engine stays minimized to maintain the camera’s battery life for as long as that of a single lens compact digital camera.

Though the LUMIX 3D1 utilizes advanced functions to shoot exciting 3D and 2D content, it is easy enough for anyone to shoot beautiful 2D photo and videos using iA (Intelligent Auto) mode.  iA mode combines a suite of functions to help users achieve the perfect shots, including: MEGA O.I.S, AF Tracking, Intelligent Scene Selector, Face Recognition and Intelligent ISO Control, Intelligent Exposure and Intelligent Handheld Nightshot, which generates beautiful night scenery with illumination by layering multiple images shot consecutively, allowing bright, glamorous night scenery to be recorded without using a tripod. The LUMIX 3D1 features a large 3.5-inch Smart Touch screen on the camera’s back which allows users to easily move through camera functions and recorded photos and videos.   

The Panasonic LUMIX DMC-3D1 will be available in December 2011 for a suggested retail price of $499.99. For more information, please visit www.panasonic.com/lumix.

(via Panasonic)

Canon Announces 1D X Flagship DSLR Camera

Canon announced today the EOS-1D X---the company's new flagship DSLR, which they're calling "a high-speed multimedia juggernaut." The model will replace both the 1Ds Mark III and the 1D Mark IV in the EOS lineup. So what makes the 1D X worthy of being called a juggernaut? Maybe the fact that the new "completely revolutionized" camera features three image processors, including Dual DIGIC 5+ processors, which Canon says are "capable of delivering approximately 17 times more processing speed than DIGIC 4," though it also features a DIGIC 4 for metering and AF control. And speaking of AF, the 1D X includes a new 61-Point High Density Reticular AF, "the most sophisticated DSLR AF system Canon has ever released." All AF functions can be accessed quickly via their own menu tabs, and you can create customized settings of tracking sensitivity with the new AF Configuration Tool. For those photographers who'd like input on AF settings, it comes with a built-in Feature Guide to recommend settings based on subject matter.

The 1D X features a brand new 18-megapixel full frame CMOS image sensor, which Canon says produces the lowest noise of any EOS digital camera so far. The sensor uses pixels that are "1.25 microns larger than those in the EOS-1D Mark IV sensor and .55 microns larger than those in the EOS 5D Mark II sensor", in addition to gapless microlenses, to achieve high sensitivity for those clean captures. The camera's ISO range is adjustable from ISO 100 to a whopping ISO 51,200 within standard range, and can be expanded to 102,400 and 204,800, which Canon says are "ideal for law enforcement, government or forensic field applications." So, there's that, if you're in the habit of shooting in those conditions.

The 1D X is also Canon's first EOS DSLR to feature Multiple Exposure capability, combining up to nine separate shots into a single image, in-camera---viewed in real time on the LCD monitor---speeding up your post-processing work, at least what's usually required to remedy exposure problems. The 1D X records full HD video at 1080p, like its predecessors, but now notably features automatic splitting of movie files when a single file exceeds 4GB, allowing for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files. This was an upgrade requested by documentary filmmakers who've previously worked with Canon DSLRs. Another request from Canon shooters was to include dual card slots for instant image back-up and more storage capacity, and the 1D X delivered.

The Canon EOS-1D X is scheduled to be available in March 2012 and will be sold body-only at an estimated price of $6,800.00. See the full press release below.

click thumbnails to enlarge

From Canon:

LAKE SUCCESS, N.Y., October 18, 2011 – Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce a completely revolutionized EOS-1D series camera, the Canon EOS-1D X Digital SLR camera.^* As the new leader in Canon's arsenal of professional DSLRs, the EOS-1D X will be a high-speed multimedia juggernaut replacing both the EOS-1Ds Mark III and EOS-1D Mark IV models in Canon's lineup. Enhancing the revolutionary image quality of the EOS-1Ds and speed capabilities of the EOS-1D series, the EOS-1D X DSLR features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion and capable of shooting an incredible 12 frames-per-second (fps). Canon's EOS DSLR cameras and accessories have a long-standing legacy of providing high-quality results to professionals in a wide range of markets, including sports, nature, cinematography, wedding and commercial studios. The addition of this new model will help take this tradition to a whole new level.

The EOS-1D X announcement comes on the heels of Canon's recent manufacturing milestone with the production of the Company's 50-millionth EOS-series SLR camera in September of 2011. Furthermore, Canon will achieve yet another milestone at the end of this month producing the 70-millionth EF lens.

"The EOS-1D X represents the re-invention of the EOS-1Ds and EOS-1D series, combining new proprietary Canon technologies with the culmination of customer feedback and requests from the field. We are proud to introduce this camera to the worldwide community of professional photographers and cinematographers with the features and capabilities they need to capture the great moments that display their talent," stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.

The Camera With Three Brains

The EOS-1D X features three DIGIC processors, including Dual DIGIC 5+ image processors capable of delivering approximately 17 times more processing speed than DIGIC 4, and a dedicated DIGIC 4 for metering and AF control. In conjunction with the newly developed high-performance 18-megapixel full-frame Canon CMOS image sensor, the Dual DIGIC 5+ processors provide high-speed continuous shooting, lower noise, and a significant increase in data processing speed than previous EOS-1D models. This new level of data processing speed allows the EOS-1D X to perform many functions including chromatic aberration correction for various Canon EF lenses in-camera instead of through post-production software. The DIGIC 4 processor utilizes a new 100,000-pixel RGB Metering Sensor for enhanced exposure accuracy with color and face detection, and works together with the camera's new EOS iTR (Intelligent Tracking and Recognition) AF.

The EOS-1D X employs a completely new imaging sensor, producing the lowest noise of any EOS digital camera to date for stunning portraiture and studio work. The new 18-megapixel full-frame CMOS sensor utilizes large pixels - 1.25 microns larger than those in the EOS-1D Mark IV sensor and .55 microns larger than those in the EOS 5D Mark II sensor - together with gapless microlenses to achieve enhanced light gathering efficiency, higher sensitivity and less noise at the pixel level. The new sensor has improved on the already very high signal-to-noise ratio of sensor output of earlier EOS models for outstanding image quality, even in extremely low light. When combined with the Dual DIGIC 5+ imaging processors the results are stunning. The images produced with the EOS-1D X camera's new sensor are so clean that files can easily be up-sized if necessary for even the most demanding high-resolution commercial applications. The EOS-1D X will also feature new Ultrasonic Wave Motion Cleaning (UWMC), Canon's second generation self-cleaning sensor unit, which utilizes carrier wave technology to remove smaller dust particles from the sensor and it includes a new fluorine coating on the infrared absorption glass to help repel dust.

The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.

New 61-Point High Density Reticular AF

The EOS-1D X includes a brand new 61-Point High Density Reticular AF, the most sophisticated DSLR AF system Canon has ever released. The 21 focusing points in the central area are standard precision cross-type and effective with maximum apertures as small as f/5.6, depending on the lens in use. The center five points are also high-precision diagonal cross-type points for maximum apertures as small as f/2.8. All 61 points are sensitive to horizontal contrast with maximum apertures as small as f/5.6 and 20 of the outer focusing points function as cross-type points with maximum apertures as small as f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low light sensitivity, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)

All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models). A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.

Similar to the AF point selection options offered in the EOS 7D Digital SLR camera, the EOS-1D X offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection. (See image below AF point selection options.)

EOS iTR AF: Intelligent Tracking and Recognition Enhances AF Performance

The Canon EOS-1D X features incredible new EOS iTR (Intelligent Tracking and Recognition) AF options ideal for wedding and event photography as well as sports and photojournalism. The default AF mode for the EOS-1D X uses phase detection AF information, while a new second option uses Face Detection technology to track recognized faces in addition to color information, ideal when shooting events such as tennis or dancing where facial recognition of the original subject will help keep that person in focus throughout the scene.

Exposure Control

For the first time in a Canon DSLR camera, a DIGIC processor is used exclusively with the metering sensor for fast, accurate exposure control. The Canon DIGIC 4 processor takes advantage of the EOS-1D X's 100,000-pixel RGB Metering Sensor and utilizes 252 zones for general metering or 35 zones for low-light metering to help ensure accurate evaluative ambient or flash exposure. The new subject recognition capabilities enhance nearly all of the camera's automatic functions, helping to adjust exposure, autofocus, Auto Lighting Optimizer and Automatic Picture Style to the scene being captured for enhanced image quality.

Multiple Exposure Modes

The EOS-1D X is the first EOS Digital SLR to feature Multiple Exposure capability. The camera can combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera's LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS-1D X's Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image.

Super High Speed Mode

The Canon EOS-1D X camera breaks new ground in the world of digital SLRs, offering a Super High Speed Mode which increases shooting speeds up to 14 fps at full 18-megapixel resolution in JPEG modeⁱ. The new camera is also capable of shooting RAW, JPEG, or RAW+JPEG at speeds up to 12 fps in One Shot AF or AI Servo AF for enhanced performance in sports photography and other applications requiring high-speed digital capture. This new level of performance is made possible by the combination of the EOS-1D X's 16-channel readout CMOS sensor, Dual DIGIC 5+ image processors, and a completely new reflex mirror mechanism that has been engineered by Canon to combine high-performance with exceptional precision and reliability.

Enhanced EOS HD Video - New Compressions, Longer Recording

Centered around an all-new full-frame CMOS sensor with larger pixels than those found on the EOS 5D Mark II image sensor, the EOS-1D X utilizes new HD video formats to simplify and speed up post-production work. The two new compression formats offered on the EOS-1D X include intraframe (ALL-i ) compression for an editing-friendly format and interframe (IPB) compression for superior data compression, giving professionals the options they need for their ideal workflow. Answering the requests of cinematographers and filmmakers, the EOS-1D X includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing multiple cameras or separate sound recording to be synced together in post production.

Canon's all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB. The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.

The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.

Enhanced Ergonomics & Optimized Design

Photographers familiar with Canon's EOS 1D-series of cameras will notice the control configuration of the EOS-1D X takes a different approach to button placement. The re-designed exterior and ergonomic button configuration feels comfortable in your right hand, allowing seamless navigation through menu options.The Live View Button has been conveniently placed near the user's thumb for one-touch switching between Live View and Viewfinder shooting. The Quick Control Button and menu navigation controls will allow users to change camera settings using only their right hand, for fast, simple one-handed control using their thumb on the scroll wheel. The new multi-controller is positioned by the right hand thumb when the camera is held for vertical shooting and enables the same level of control to camera operators when shooting vertically as they have when shooting horizontally. On the front of the camera are four user assignable function buttons, two for vertical shooting and two for horizontal shooting, allowing customizable button control when shooting in either position. The camera also features a level of weather resistance equivalent to earlier professional models such as the EOS-1D Mark IV.

Canon has answered the request of many professional EOS photographers and incorporated Dual Card Slots into the new EOS-1D X DSLR camera. The dual CF card slots will allow photographers to carry only one memory card format and still achieve instant image back-ups and enhanced storage capacity.

This camera also features a new shutter design with even greater durability and precision. Rated to 400,000 cycles, the new carbon fiber shutter blades are more lightweight and durable, allowing the EOS-1D X to achieve over 100,000 cycles more than the shutter of the EOS-1D Mark IV. A new shutter motion and new motor help further reduce vibration in the camera. The EOS-1D X also features an electronic first curtain, new to the EOS-1D series DSLRs, for minimal in-camera vibration during image capture.

Connectivity

For professional photographers who prefer a wired workflow and transfer system, Canon has included a built-in LAN connection in the EOS-1D X DSLR. The built-in LAN connection features a gigabit Ethernet Jack capable of 1000BASE-T transmission speeds, offering photographers a stable wired connection for ultra-fast data transmission. If the network were to go down, the camera will attempt to resend images until the files are sent. The EOS-1D X also features a direct image transfer function whereby images can be selected for transfer, and only sent once a LAN or USB connection is established.

Accessories

Designed exclusively for the EOS-1D X, the new Canon WFT-E6A Wireless File Transmitter^* features wireless LAN support for 802.11n network transfer rates providing users with increased communication speed when compared to previous models. With this new dust and weather resistant model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras. In addition, Bluetooth-compatible equipment can be easily linked to the device as well.

The EOS-1D X also offers an optional Canon GP-E1 GPS Receiver^*, which can be easily integrated into the camera's body. Powered by the camera, this GPS receiver provides the same weatherproof resistance as the EOS-1D X, even at the connector. With an electronic compass on-board, the GP-E1 will log movement - latitude, longitude, elevation, and the Universal Time Code - and allow viewing of camera movement on a PC after shooting. The receiver will also record camera direction when shooting, even when shooting vertically.

Pricing and Availability

The Canon EOS-1D X Digital SLR camera is scheduled for March 2012 availability and will be sold in a body-only configuration at an estimated retail price of $6,800.00. The compact, lightweight WFT-E6A Wireless File Transmitter is scheduled to be available in March 2012 and have an estimated retail price of $600. Availability for the GP-E1 GPS receiver is expected in April 2012 with an estimated retail price of $300.

(via Canon)

Panasonic Develops Twin-Lens 3D Digital Camera

IFA Berlin---Panasonic announced today the development of a twin-lens 3D compact digital camera with 3D High Definition video capability. The camera is called Lumix 3D, and the prototype is on display right now at IFA Berlin. The camera will shoot both 2D and 3D still images and HD and 3D HD videos. Remember when we recently reported that Samsung was looking into two-lens technology for a compact camera to help with depth of field?

According to Panasonic, "The LUMIX 3D camera's compact size was achieved by employing two recently-developed 4x zoom lenses with thin, folded optics, which allow users to capture crisp and clear photo and video footage even from afar."The camera is expected to be available in winter 2011/2012. See the full press release below.

Look for an upcoming hands-on look at the LUMIX 3D from our reporter on the ground in Berlin!

From Panasonic:

SECAUCUS, NJ (August 31, 2011) – Panasonic today announced the development of a twin-lens 3D digital camera, complete with 3D HD video capability.  The new LUMIX 3D prototype will be on display at IFA 2011, one of the world's largest electronics shows, from September 2-7, 2011, in Berlin, Germany.  IFA conference attendees can visit the Panasonic booth at Messe Berlin, Hall 5.2

The new 3D digital camera will also shoot 2D photos and HD video. With its 3D still and video capabilities, the compact camera will allow users to take 3D photos and 3D HD videos, while further expanding the world of consumer 3D entertainment.

The LUMIX 3D camera’s compact size was achieved by employing two recently-developed 4x zoom lenses with thin, folded optics, which allow users to capture crisp and clear photo and video footage even from afar.  The optical zoom system enables highly-versatile 3D shooting from wide angle to telephoto while the Optical Image Stabilization works during both 2D and 3D shooting to produce high-quality photos and videos with minimal blurring. The unique, twin-lens design further helps in providing stunning, high-resolution 2D photos while shooting 2D videos instantaneously.  Using the side-by-side method, the camera can also capture 3D HD videos in AVCHD format.

The versatility of the 3D capture technology allows users to quickly go from shooting photos and videos to viewing them.  Working synergistically with other Panasonic products, the new camera allows photos and videos to be easily viewed on a VIERA 3D TV with the simple insertion of the SD memory card into the TV’s SD card image viewer slot or by connecting the camera to the TV with an HDMI cable.

For more information about Panasonic LUMIX digital cameras, please visit www.panasonic.com/lumix. This Panasonic 3D camera is expected to be available in Winter 2011-12.  Further product specifications will be announced at a later date.

(via Panasonic)

Vimeo PRO: Portfolios and Video Hosting for Small Businesses

Vimeo---the favorite online video hosting site of creative videographers and independent filmmakers---has announced a new service called Vimeo PRO. "Vimeo developed its PRO account, which will exist as a separate service outside of the Vimeo.com community, based on demand for a cost-effective video-hosting service equipped with core features that meets the growing needs of small businesses," says Vimeo. Meaning, it is not an upgrade to the Vimeo Plus account but an entirely separate entity. Features of the PRO account include: portfolios to showcase videos and services (with SEO), no bandwidth caps or time limits, brandable video player, third-party video player support (if you'd like to go in that direction), and unlimited High Definition uploading. Visit Vimeo PRO for all the details on the new service, and to see if it might be a good idea for your creative (or not!) small business.

Micro Four Thirds With Full HD Video: Panasonic Lumix GH2 Review

Panasonic Lumix GH2 Review Text, Photos and Video by Jason Thompson

The Panasonic Lumix DMC-GH2 is the updated version of its predecessor, the GH1. While still utilizing the same Micro Four Thirds system (see more about Micro Four Thirds here), this new generation camera boasts several upgrades.  Panasonic redesigned the image sensor, increasing the maximum resolution to 16.05-megapixels. The GH2 also has a slightly faster contrast based auto focus, as well as a touchscreen display. The one touch video button allows for instant switches to and from High Definition video recording mode. The combination of Panasonic’s Micro Four Thirds system and Electronic View Finder allow the GH2 to maintain a very lightweight form. Even when combined with the 14-140mm f/4.0-5.8 kit lens (with silent drive focusing) that I tested it with, this mirrorless camera maintains an overall weight below many in its class. The GH2 lens mount is also compatible with the 3D Lumix G 12.5mm f/12 3D-capable lens.

Panasonic Lumix GH2: click thumbnails to enlarge

HD Video & Auto Focus

http://vimeo.com/23593351

HD video recording on the GH2 rivals many prosumer camcorders currently on the market. Framing the video is easy thanks to the 270 degree 3-inch LCD display. The GH2 offers three aspect ratios and variable frame rate recording. Even in low-light conditions this camera delivers video with excellent color and detail. Panasonic revamped the contrast based auto focus system allowing for better focus tracking of moving subjects. However, I noticed the auto focus does wander a little at lower apertures and when recording during tight shots. The touch screen display does help alleviate some of the focus wandering by allowing the user to choose focus points within the frame. Unfortunately the GH2 does not provide a way of locking the focus via the touchscreen. Stereo microphones produce surprisingly crisp sound although they are sensitive to wind and high frequency.

Electronic View Finder & Low-light Performance

original shot and 100% crop: click thumbnails to enlarge to full size

Due to the mirrorless setup, the GH2 uses an Electronic View Finder, often referred to as a Live View Finder, to display what is seen through the lens. The mirrorless system allows the GH2 to maintain a compact form while still providing 100% frame coverage. This setup does have a few drawbacks though. When compared to a traditional mirrored DSLR, the EFV system will require additional battery power to operate. I found the refresh rate of the display to be a little choppy, and even more so in low-light situations. After capturing an image the EFV system has a slight lag time of roughly 1/3 of a second to display the view through the lens. As expected, framing became an issue during burst mode because the view was completely diminished.

The GH2 offers image capturing in both RAW and JPEG formats, but I would recommend shooting in RAW for post-processing flexibility. The 16MP sensor has decent picture quality up to ISO 1600, but does show some color artifacts and noise around ISO 800. There are 22 different exposure modes and three aspect ratios to choose from when shooting. The iAuto camera mode acts as a “point-and-shoot” function that allows even complete beginners to take well exposed images and video. Fluorescent lights do provide a challenge for the auto white balance function of the GH2, further emphasizing the need to shoot in RAW.

Conclusion

The Panasonic Lumix DMC-GH2 delivers excellent HD video and high resolution photos in a more compact body than nearly all of its competitors.  Combined with an array of features and flexible shooting modes, this camera provides a shooting experience that photo enthusiasts from the point-and-shoot end to the pro DSLR end can enjoy.

Panasonic Lumix DMC-GH2

• MSRP:
• $899.95, body only; no longer available as a kit directly through Panasonic
• Size/Weight:
• 9.5" W x 6.75" H x 11.5" D; 13.82 oz. body only
• Image Sensor:
• 16.05-megapixels, Live MOS
• Image Sensor Size:
• 17.3 x 13.0 mm (in 4:3 aspect ratio)
• Still Recording Format:
• Still Image: JPEG(DCF, Exif 2.3), RAW, DPOF compatible MPO (When attaching 3D lens in Micro Four Thirds standard) Motion Image: AVCHD / QuickTime Motion JPEG
• Memory:
• SD, SDHC, SDXC memory card
• Display:
• 3-inch TFT LCD with Touch panel (460,000 pixels)
• Manual Exposure Control:
• Program AE, Aperture Priority AE, Shutter Priority AE, Manual, Auto

• Shutter Speed Range:
• 60 - 1/4000 sec.
• Special Features:
• Micro Four Thirds Mount, free-angle LCD
• Video Recording Mode:
• Motion JPEG: [HD] 1280 x 720, 30fps
• Provided Accessories:
• Battery Charger, Battery Pack, Body Cap,AV Cable, USB Connection Cable, Shoulder Strap, Stylus pen, CD-ROM
• Power Source:
• ID-Security Li-ion Battery Pack
• Contact:
• www.panasonic.com

Sony NEX-VG10: High Definition Camcorder with Interchangeable Lenses

Sony NEX-VG10: High Definition Consumer Camcorder with Interchangeable Lenses Text and Images by Tony Gomez

With the NEX-VG10, Sony has at last answered the call for a consumer-based High Definition camcorder with interchangeable lenses. My expanded review package included not only the kit 18-200 mm zoom, but also the following E-mount interchangeable lenses: 18-55 zoom ($300) and 16mm/f2.8 ($250). Also the following Alpha lenses were provided via the Alpha/E-mount adapter ($300): 16mm/f2.8 ($250), 30mm/f2.8 Macro ($200), 35mm/f1.8 ($200), 50mm/f1.8 ($150), and the Zeiss 85mm/f1.8 ($1,400).

The Interchangeable Lens Advantage

With one zoom lens firmly attached to your camcorder, you cannot get complete control over your shot. In contrast, interchangeable lenses offer that control in three ways: a wider range of focal lengths, “faster” lenses (wider shooting apertures), and shutter speed control.

- Wider Focal Length Range and Faster Lenses:

Most zoom lenses on camcorders are limited in their focal length range—generally not wider than 28mm equivalent at their widest setting. So if your shot requires a very wide angle effect, like 24mm or wider, you will need a wider angle lens. The 16mm/f2.8 lens I tested has a slightly wider field of view than the widest 18mm setting of 18-200 zoom lens, but the big difference was in the f2.8 faster aperture (up to 2 stops faster than the f3.5/6.3 of the zoom lens). This f2.8 lens gave me increased light gathering power in low light situations.

The larger the shooting aperture (f-stop), the more narrow the range of focus (the depth of field effect), so a so-called “faster” lens at the widest aperture can isolate your subject from any interfering background—a very desirable effect in creating professional-grade footage.  The 50mm/f1.8 Alpha lens provides a more normal focal length; however, it is at least 3 f-stops faster than the equivalent focal length of the kit zoom, meaning it’s even better for low-light shooting conditions. And its control over DOF is unmatched over any zoom lens I tested.

- Shutter Speed Control:

Shutter Speed control (Shutter Speed Priority) is used to change the look of how moving objects are captured. A higher shutter speed (1/500^th sec or higher) gives a stroboscopic, extremely sharp effect in playback, which is especially desirable with sports videos. On the other end of the shutter speed spectrum is an extremely slow shutter speed—slower than 1/8^th second. This produces a motion blurring or dream-like effect.

Sony NEX-VG10; Alpha lenses and E-mount lenses; Easily switching out lenses; CMOS image sensor click thumbnails to enlarge

Field Testing the Sony NEX-VG10

Changing lenses with the VG10 is easy: simply depress the lens release button and rotate to remove it; then attach a new lens by matching the white alignment marks and twist to lock the lens in place—the same way you would switch lenses on a DSLR camera. As always, be aware that changing lenses exposes the sensor to any dust that might enter from the outside. So try to avoid doing this on a windy day or a dusty environment. However, a menu-activated lens cleaning procedure can help if dust does land on the sensor.

The NEX-VG10 has the largest CMOS Sensor in a consumer HD camcorder.  This larger sensor gives the camcorder more light gathering power, and coupled with the exclusive Sony XMOR-R processor, captures video in low light with very little image noise, even at high gain settings (up to +27DB). Blacks are velvet black, not riddled with noise that other sensors usually produce at the same gain settings.

I used Aperture Priority mode to select wider apertures in order to achieve limited range DOF effects, and Shutter Speed Priority mode to play with the way motion was depicted— ultra sharp (higher speed) or dream like (slower speed).

The short 18-55 mm zoom was lighter and more comfortable to use than the heavier 18-200 mm zoom, but at reduced telephoto capability.  The 30mm Alpha Macro lens gave some very unusual close up shots that wouldn’t have been possible with the kit lens.  The Alpha Zeiss 85mm lens is a very special portrait-style lens for capturing subjects and isolating them from the background.

Unexpected Issues

I was surprised by a couple of features with the NEX-VG10. None of the zoom lens I tested had an auto zoom feature. With the VG10 you must manually rotate each zoom lens to affect a zoom. Even if you are slow and steady, this can result in some jerky zooms, which might ruin a shot.

The second big surprise is the built-in stereo microphone.While the microphone system does create a spectacular Dolby Surround effect, it was entirely too sensitive for my hand holding. Just touching the camera on any part can result in unwanted sounds. Zooming any lens manually will almost always be recorded by the microphone because it’s directly above the lens. If you want to minimize this sensitivity issue, use the external mike jack, which I did with good results.

Final Words

The 18-200mm kit zoom on the NEX-VG10 provides a very useable range of focal lengths, but if you really want to exert better control over depth of field and light sensitivity, interchangeable lenses can offer a much better toolkit. You can also have a lighter overall package with specific lenses, rather than the kit zoom.  The JPEG still Photo mode records excellent quality JPEGS at 14-megapixel and 12-megapixel resolution.

Despite the issues of no Auto Zoom on any of the interchangeable zoom lenses and the internal microphone sensitivity, the Sony NEX-VG10 is still a very desirable HD consumer camcorder.

Sony NEX-VG10: $1999.99 E-mount 18-200mm zoom lens included); www.sonystyle.com

Canon EOS 60D Review

Canon EOS 60D Text and Images by Lynne Eodice Video by Dennis Eodice

The EOS 60D is Canon’s most recent digital SLR aimed at the enthusiast/serious shooter market, and is the next generation of the EOS 50D. This camera is a good upgrade for photographers seeking to move into more professional territory, beyond, say, the entry-level Canon EOS Rebel T2i. But it’s so user-friendly right out of the box that photo hobbyists can easily go from a point-and-shoot camera to shooting with the 60D.

Overview of Features

The 60D features an APS-C sized 18-megapixel CMOS sensor (as compared to the 50D’s 15MP), and a new DIGIC 4 Image Processor. I was impressed with the quality and color rendition of the images I captured, especially compared to those taken with my Canon EOS Digital Rebel from several years back. The 60D also offers an ISO range from 100 to 6400. This can even be expanded to ISO 12800 to shoot under extremely dimly lit conditions. But for most low-light situations that you’re likely to encounter, ISO 6400 is more than adequate, and ISO 12800 is bound to reveal digital noise.

Canon EOS 60D click thumbnails to enlarge

The 60D’s mode dial offers the typical standard basic scene zone (including Portrait, Landscape, Close-up, Sports and Night Portrait modes), as well as a basic zone (Full Auto, Flash Off, and Creative Auto), and a creative zone (P, Tv, Av, M and B) for more advanced shooting. What I really appreciated was the addition of the more conveniently located on/off switch right under the mode dial (with my other Canon EOS cameras, this switch is located on the bottom right side on the back of the camera). There’s also a lock button in the center of the dial to prevent accidental operation.

ISO 100, 400, 3200, 6400 click thumbnails to enlarge

Canon has switched from a AF-point-selecting joystick in the EOS 50D to a multi-control dial on the back of the 60D. With this dial, I found it very easy to scroll through images that I had previously photographed and to change the auto-focusing points. You can also correct white balance, move the AF frame or the magnifying frame during Live View shooting.

Articulated LCD

The 60D is also the first EOS DSLR to include a 3-inch Vari-Angle LCD monitor, which flips out from the back of the camera body. It allows you to set menu functions, do Live View shooting, shoot video, and play back images and video. You can also rotate the angle of the LCD monitor, which is a great tool for times when you want to shoot a subject that’s positioned low to the ground (but when you don’t want to get down low yourself), or when you want to shoot over the heads of a crowd and actually see what you’re shooting. I set several menu selections and really enjoyed playing back my images on this screen. The only issue I had was with shooting still images with the Live View screen. I found that auto-focusing operated slower when using Live View than when I used the viewfinder.

Creative Innovations

The Ambience option in the basic scene modes is a new feature in the 60D. For example, you can choose from vivid, soft, warm, intense, cool and brighter settings. Each ambience is a modification of the respective shooting mode’s image characteristics. You can also select the “Lighting or Scene Type,” which is very similar to a list of white balance presets.

Also new are the Creative Filters, which enables you to apply Grainy black-and-white (seen above), Soft Focus, Toy Camera, or Miniature filter effects to an image in-camera and save it as a new file. I had fun with several of these (particularly Grainy BW). The 60D offers a RAW conversion mode too, which allows for a range of camera settings like Auto Light Optimizer, Noise Reduction, White Balance and Picture Style to be applied to a RAW file.

This camera also offers the ability to tag your images, which makes it easy to find and filter your photos, or as a way to organize slide shows. These tags are also accessible through the supplied software or even third-party packages like Adobe Lightroom and Bridge.

Performance

One of the ways you can purchase the 60D is in a kit with an EFS 18–135mm f/3.5-f.6 IS (image stabilizing) lens. I put the camera and this lens through its paces at several local scenic areas. To begin with, I found the camera easy to handle and on the lightweight side (especially compared to my sturdier EOS 5D Mark II). I used some of the basic scene modes (Landscape, Action, and Close-up), as well as the Av and Tv modes. I found that the image stabilizer enabled me to get sharp images without using my tripod, and several times I was shooting indoors in rather low light. I also enjoyed experimenting with a few of the Creative Filters after the shoot.

The D60 is capable of shooting full High Definition (1920x1080) and (1280x720), as well as Standard Definition (640x480) and (Crop 640x480) movies. My videographer husband shot video with this camera, and was impressed by the sharpness he got, even with moving subjects. The camera has several manual controls—shutter, aperture, ISO speed and audio recording—which allow you to customize your videos. Another plus is the camera’s capability to use an external microphone for greater audio quality. The only limitations are the lack of true AF and automatic zoom. The maximum recording time for one movie clip is 29 minutes and 59 seconds.

Overall, I found the Canon EOS 60D to be a great and highly user-friendly camera. The image quality is wonderful, it has great ergonomics, and an awesome feature set.

Canon EOS 60D

• MSRP:
• $1,099.00 (body only), $1,399.00 (18-135mm lens kit)
• Size/Weight:
• 5.69”W x 4.17”H x 3.09”D; 23.8 oz., body only
• Image Sensor:
• 18.0-megapixels, APS-C size CMOS, 22.3 x 14.9mm
• Maximum Resolution:
• 5184 x 3456
• Still Recording Format:
• RAW, JPG, RAW + JPG simultaneous
• Video Recording Mode:
• 1920 x 1080 (29.97, 25, 23.976 fps); 1280 x 720 (59.94, 50 fps); 640 x 480 (59.94, 50 fps)
• Memory:
• SD/SDHC/SDHX
• Display:
• Wide Screen (3:2) 3-inch TFT color LCD (1040,000 dots), 100% coverage, Live View; Optical Viewfinder (96% frame coverage)
• Exposure Modes:
• Program, Sensitivity Priority, Shutter Priority, Aperture Priority, Metered Manual, Video, Custom; Auto, Creative Auto, Portrait, Landscape, Close-up, Sport, Night Portrait, Flash off

• Sensitivity:
• ISO 100-6400, expand to 12,800 with a custom function
• Special Features:
• Auto pop-up E-TTL II auto flash, Live View, Creative Filters
• Lens Mount:
• Canon EF mount; Compatible lenses: Canon EF lenses (including EF-S lenses) (35mm-equivalent focal length is approx. 1.6x the lens focal length)
• Provided Accessories:
• EOS 60D Body, Eyecup Eb, Wide Strap EW-EOS 60D, USB Interface Cable IFC-130U, Stereo AV cable AVC-DC400ST, Battery Pack LP-E6, Battery Charger LC-E6, EOS Digital Solution Disc and Instruction Manuals "Great Photography is Easy" Booklet and "Do More with Macro" Booklet
• Power Source:
• Rechargeable Lithium-Ion LP-E6 battery; Built in battery (date/time backup); Optional AC adapter
• Contact:
• usa.canon.com

PENTAX K-r Review

PENTAX K-r Text and Images by Allison Gibson

Updated & Fuss-Free Entry-Level DSLR

The K-r falls into the PENTAX lineup as an entry-to-mid-range DSLR, most similar to last year's K-x (reviewed here), with upgrades that bring it a few notches up toward the flagship K-7. The 12.4-megapixel K-r comes in red, white or black (I reviewed the red model, which attracted the attention and compliments of plenty of onlookers), and at $849.95 MSRP, the kit includes a DA L 18-55mm f/3.5-5.6 lens.

Although the K-r is in fact feature-packed, there's the sense that the camera is refreshingly gimmick-free and straightforward in its intention to be, first and foremost, a tool for capturing quality images. Its ease of use is just what a photographer might want when making the move from, say, a prosumer compact digicam to the world of SLR shooting.

Design & Ease of Use

PENTAX K-r click thumbnails to enlarge

Despite its compact size and plastic body construction (the lens mount is stainless steel), the K-r feels like a serious piece of equipment in-hand; it is heavy enough to feel sturdy and yet light enough to hang from your neck for extended periods. Note that's ever so slightly larger than the petite K-x. Another feature to make the shooting experience feel undoubtedly professional is the loud, satisfying click of the shutter release. The layout of menu buttons, the big wedge of a handgrip, the contoured thumb grip on the back, and the placement of the shutter release all align for shooting comfort. The 3-inch LCD with Live View is impressively bright and clear, having been bumped up in resolution from that of the K-x (921,000 dot versus 230,000). And then there's the viewfinder, with its thick rubber padding---especially comfortable when standing with an eye smashed against it for long stretches of time while photographing surfers, as I did. Once again PENTAX has included the green button on the camera---this time right behind the shutter release where it can be accessed quickly and easily---which can be programmed to quick-jump to a feature of the photographer's choice so as to bypass wading through many layers of digital menu.

The K-r shoots stills in JPEG and RAW and 720p High Definition video in .AVI format. Memory records to SD/SDHC memory cards, with the option now for SDXC memory card compatibility via a firmware update. Another smart upgrade is the fact that the camera is Li-Ion battery compatible and can also be adapted to use AA batteries, so that the photographer has flexibility---incredibly important for traveling to a place where you might not have access to outlets for charging.

Performance

Night Scene HDR versus Auto Picture Mode click thumbnails to enlarge

PENTAX has loaded the smallish, stylish K-r with options for advanced shooting---Manual, Program, Sensitivity Priority, Aperture Priority, Shutter Priority---but they have also made it easy to capture in Auto Picture mode and through scene modes tailored for specific shooting situations, such as: sunset, surf & snow, night, and kids & pets for fast-moving subjects. New to the K-r is the built-in Night Scene HDR mode which captures three images, with exposure optimized for dim lighting, to generate a single HDR (High Dynamic Range) image. I actually found that the Night Scene HDR mode worked well in daytime shade, helping me to capture close-up shots of howler monkeys in the jungle of Costa Rica without a disturbing flash. In addition to scene modes, the K-r includes a similar menu of Digital Filters to that of the K-x. In reviewing the K-x last year I was slightly dismayed by the filter that tries to replicate the look of shooting with a Fish Eye lens, and had hoped that an upgrade would be made this time around, but unfortunately that isn't the case. The other filters, Toy Camera in particular, are fun to use.

For shooting action, the fast 6fps burst capture capability was great, and the built-in optional Shake Reduction feature was extremely helpful in snapping sharp shots of fast-moving subjects when I didn't have a tripod. The advanced 11 point SAFOX IX autofocus system tracked the subjects quickly as they sped across the frame, with additional aid from the AF assist lamp.

click thumbnails to enlarge

Conclusion

Once again PENTAX has produced a stylish, intuitive mid-range DSLR that takes quality pictures, all for a very competitive price. With upgrades including a higher-resolution LCD, built-in HDR capability, faster 6fps capture, and an advanced autofocus system---all for under $900, including the lens (found for less than MSRP elsewhere), the K-r is a serious piece of equipment to consider as a first DSLR or even an upgrade.

Pentax K-r

• MSRP:
• $849.95 (comes with a DA L 18-55mm lens)
• Size/Weight:
• 4.9”W x 3.8”H x 2.7”D; 19.7 oz., loaded
• Image Sensor:
• 12.4-megapixels, CMOS, 23.6 x 15.8mm
• Maximum Resolution:
• 4288 x 2848
• Still Recording Format:
• RAW (PEF, DNG), JPG (EXIF 2.21), DCF 2.0 (design rule for camera file system), DPOF, Print Image Matching III Movie (compression): AVI (motion JPG)
• Video Recording Mode:
• HD: 1280x720 (16:9) at 25fps in .AVI format
• Memory:
• SD/SDHC
• Display:
• 3-inch TFT color LCD (921,000 dots), wide angle, Live View; Optical Viewfinder (96% Magnification)
• Exposure Modes:
• Program, Sensitivity Priority, Shutter Priority, Aperture Priority, Metered Manual, Video; AutoPicture, Portrait, Landscape, Macro, Moving Object, Night scene portrait, Flash off; Scene modes: Night scene, Surf & Snow, Food, Sunset, Kids, Pet, Candlelight, Museum, Stagelight, Night snap, Night scene HDR

• Sensitivity:
• ISO 200-12800, expand to 100-25600
• Exposure Metering:
• TTL open aperture, 16 segment metering Sensitivity range: EV 1-21.5 (ISO 200, 50mm F1.4); Multi-pattern, center-weight, spot
• Special Features:
• Built-in pop-up flash, Live View, Face Detection, Creative Filter Modes (Toy Camera, Monochrome, Retro, Color, High Contrast, Soft, Extract Color, Star Burst, Sketch, Water Color, Pastel, Miniature, Slim, HDR, Posterization, Base Parameter Adjustment, Custom)
• Lens Mount:
• PENTAX KAF2 bayonet stainless steel mount; Usable lenses: PENTAX KAF3, KAF2, KAF, KA (K mount, 35mm screwmount, 645/67 med format lenses useable w adapter and/or restrictions)
• Provided Accessories:
• Li-Ion Battery D-LI109, Battery Charge Cradle K-BC109, AC Plug Cord, USB Cable I-USB7, Strap O-ST53, Hotshoe Cover FK, Eyecup FQ, Body Mount Cover, Software CD-ROM S-SW110
• Power Source:
• Rechargeable Li-Ion battery D-LI109, AA BATTERY HOLDER D-BH109 (optional) for 4X AA
• Contact:
• pentaximaging.com

Sony Announces World's First Digital Still Cameras with Full HD Video Capability and 3D Still Image Capture

CES 2011, Las Vegas---Sony has just announced the world's first compact digital still cameras with full 1920 x 1080 at 60p High Definition video capability and 3D still image capture. The five new 16.2-megapixel CMOS sensor Cyber-shot models---DSC-TX100V (image above), DSC-TX10, DSC-HX7V, DSC-WX10 and DSC-WX9---will range from about $220 to $380 in price and will be available in March. See the full press release, and more images, from Sony below.

Sony DSC-TX10, DSC-HX7V, DSC-WX10 and DSC-WX9 click the thumbnails to see full-size images

From Sony:

LAS VEGAS (CES Booth #14200), Jan. 5, 2010 – Sony today unveiled five new Cyber-shot® digital still cameras that make it easy to get DSLR-like quality still images, stunning 3D photos and high-quality full HD videos. Sony has designed five new innovative 16.2-megapixel Cyber-shot cameras (models DSC-TX100V, DSC-TX10, DSC-HX7V, DSC-WX10 and DSC-WX9) that are the world’s first compact digital still cameras to include 3D Still Image mode for taking 3D images using only one lens and imager. They also have innovative Dual Rec (record) technology, for taking still photos during video capture. The DSC-TX100V camera is the world’s first compact digital still camera to include full HD (1920 x 1080/60p) video capability. This format provides the least distortion for playback on a high definition television.

The TX100V is also the first Cyber-shot camera with a 3.5-inch OLED with touch screen that provides deeper blacks and more vibrant color contrast on the screen, all while being thinner and having a faster response time than most LCDs. It’s also useful when shooting movies. Additionally, the DSC-WX10 camera is one of the only digital still cameras to include a high-speed linear auto focus feature that provides quick and precise focusing similar to the speed of a DSLR camera. “Sony is one of the first camera manufacturers in the industry to provide a 16.2MP CMOS sensor, which is a great benefit for consumers,” said Kelly Davis, director of the digital imaging group at Sony Electronics. “They are getting the best image quality as well as all of the benefits of the “Exmor R” CMOS sensor technology in very compact, stylish cameras.”

With Sony’s 16.2-megapixel “Exmor R” back-illuminated CMOS sensor technology, these models provide excellent low-light performance, up to 10fps burst shooting and the Intelligent Sweep Panorama™ feature. “The DSC-WX10 and DSC-WX9 Cyber-shot cameras are technology packed CMOS models providing the consumer with great “Exmor R” features such as low light, 3D Still Image/3D Sweep Panorama mode and AVCHD™ video all in a compact size with a wide, bright lens,” Davis added. “The DSC-HX7V camera builds upon the success of last year’s DSC-HX5Vand continues to improve, while addressing the growth in the compact high-zoom camera segment. With the best of Sony’s technologies, the DSC-TX100V is an ultra slim, sleek camera that can go anywhere and do everything. Its sibling, the DSC-TX10 camera, is a technology-packed, ultra slim, fashionable T-series camera that is also durable.”

Advanced Video Capture

With full HD 1920 x 1080 at 60p video capability, the DSC-TX100V camera provides stunning, fast motion video smoother playback when shooting action such as sports and capturing better still images when clipping from video. The DSC-TX10, DSC-HX7V, DSC-WX10 and DSC-WX9 cameras record crystal clear movies at 60i in 1080 AVCHD format. Borrowed from the Handycam® camcorder line, these new cameras have Dual Rec mode which can shoot video, while simultaneously capturing 3-megapixel digital still pictures (2-megapixel in 4:3 ratio when recording in MP4). The cameras feature a dedicated still image button and a dedicated movie capture button to make it easy to use for consumers. Dual Rec does not work in 60p mode.

Create Personal 3D Content

Sony makes it easy to create personal 3D content that can be viewed on an HDTV with 3D home theater system. 3D images can be captured using 3D Sweep Panorama™ mode or the new 3D Still Image mode. In this mode, the camera takes two consecutive shots in different focus positions to calculate the depths, and then it creates left-eye and right-eye images to produce a 3D effect. These images can be enjoyed in 2D or stunning 3D on compatible 3D televisions like Sony’s new BRAVIA® KDL-HX820 models (3D-compatible HDMI™ cables and 3D glasses are also required and are sold separately). The 3D Sweep Panorama™ feature lets you take panoramic pictures in one press-and-sweep motion. The high-speed burst of frames is stitched together using innovative processing techniques to automatically create detail-packed 3D panoramas. These cameras will let you view images in a whole new way. Unlike 3D Sweep Panorama mode, which lets you view your 3D images on compatible 3D television systems, Sweep Multi Angle™ lets you view images moving in simulated 3D right on the cameras’ LCD screen (or OLED with touch screen using the DSC-TX100V) by tilting the camera back and forth. This shooting feature captures 15 images at different angles and then compiles them into one photo, creating a 3D-like effect on the display.

Easy Menu Selection Technology

With improved Superior Auto and Intelligent Auto modes, all of the new cameras capture more dynamic pictures. They automatically recognize the correct scene mode, then quickly shoot and combine up to six multi-shots to produce images with greater clarity, optimum dynamic range using backlight correction HDR technology and lower image noise using six-shot Multi-shot Layering technology. Improving simplicity from previous Cyber-shot models which featured nine scene modes, the new DSC-TX100V model offers 36 Still Picture Mode scenes and Movie Mode scenes. The DSC-TX100V and DSC-HX7V cameras automatically detect a combination of scenes and conditions, making it even easier for consumers to get the best shot. Using the DSC-TX100V model’s Intelligent Scene Recognition feature, there are 12 recognized scenes including the new Infant, Spotlight and Low Light. Using the DSC-HX7V camera, there are four recognized conditions including Motion during Movie Designed to help users learn about the cameras’ features and how to use them on the spot, the “In-Camera Guide” is accessible from the menu button on the camera. Users can search by purpose or keyword and easily access the functions they seek. These cameras also have Background Defocus mode, which highlights your subject like a DSLR; Soft Skin mode, which reduces visible blemishes and wrinkles and Natural Flash, which corrects color balance for more natural shots. All five cameras also offer fast capture with up to 10fps at full 16.2-megapixel resolution. With a 10x optical zoom Sony® G lens and a compact camera body, the DSC- HX7V model offers built-in GPS and Compass which records the location and direction of where photos were taken. The DSC-WX10 camera features a 7x, bright F2.4 24mm wide angle lens and the high-speed auto focus feature; whereas the DSC-WX9 camera has a 5x 25mm wide angle lens for capturing the perfect group shot or landscape in one shot. You can view your images on the DSC-WX9 camera’s 921,000 Xtra-Fine LCD with the new Control Wheel. With Backlight Correction HDR (High Dynamic Range) in the Scene Selection Shooting mode, these cameras make it easy to get the best shot in difficult lighting conditions. The DSC-TX100V model has an HDR feature that compiles the highlights, mid-tones and shadows from three separate shots to create one realistic-looking photo. The DSC-TX10, DSC-HX7V, DSC- WX10 and DSC-WX9 cameras compile two images in Backlight Correction HDR mode, enabling crisp details in difficult lighting.

DSLR Speed

With the new high-speed auto focus feature, the DSC-WX10 camera provides a smarter way to focus with DSLR-like speed. Instead of having a mechanical gear to drive the AutoFocus, the DSC-WX10 camera has a magnetic coil (like those used in an audio speaker) to move the lens linearly and achieve AutoFocus in a straight back-and-forth motion—not rotationally. A Little Water, Dust or Ice? Bring It On Where conversation piece meets workhorse is the 16.2-megapixel Sony Cyber- shot DSC-TX10 camera. It is waterproof, shockproof, dustproof and freeze-proof compliant, offers HD movie and 3D photo capture, plus Intelligent Sweep Panorama, an “Exmor R” CMOS sensor that promises crisp clear photos even in low light and a 3- inch LCD with touch screen. Waterproof in up to 16 feet of water for an hour and shockproof up to five feet, the DSC-TX10 model lets you take high-quality photos, including panoramic pictures. It also lets you take Full HD 1080i videos of your friends, family or pets underwater. From the tropics to the top of the mountain, the camera is also freeze proof down to 14 degrees Fahrenheit, so you can take pictures on your next snowbound adventure. Not only is it good to go in chilly weather, but the sleek DSC-TX10 camera is durable enough to withstand an accidental drop from up to approximately five feet. Additionally, it is dust proof thanks to its airtight construction, so you can take it with you wherever the dust might kick up.

Pricing and Availability

The cameras and a range of accessories will be available online at Sonystyle.com, at Sony Style® retail stores (www.Sonystyle.com/retail) and at authorized dealers nationwide. Presales will begin in January.

The DSC-TX100V will be available in silver, black and red for about $380 in March. Features include: 3.5-inch OLED with touch screen for easy focus selection and photo viewing 1080@60p: preserve moments in stunning HD clarity. (No function of Dual Rec when using the 60p record mode) 16.2-megapixel “Exmor R” CMOS sensor for stunning low-light performance 3D Still Image and 3D Sweep Panorama modes change the way you view your world GPS and Compass records the shot location and direction.

The DSC-TX10 camera will be available in silver, black, green, blue and pink this March for about $330. Features include: Waterproof, dustproof, shockproof and freeze-proof 3-inch wide LCD with touch screen for easy focus selection and photo viewing 1080i Movie records high-quality Full HD movies 16.2-megapixel “Exmor R” CMOS sensor for stunning low-light performance; 3D still image and 3D Sweep Panorama modes change the way you view your world

The DSC-HX7V will be available in black, white, red and blue this March for about $300. Features include: Full HD 1080@60i with Dual Rec of stills and movies Sony® G lens with 10x optical zoom in a compact camera body Fast capture with up to 10fps at full 16.2-megapixel resolution; “Exmor R” CMOS sensor for exceptional low-light performance 3D Still Image and 3D Sweep Panorama modes change the way you view your world GPS and Compass record shot location and direction

The DSC-WX10 camera will be available in black this March for about $280. Features include: Fast capture with up to 10fps at full 16.2-megapixel resolution; “Exmor R” CMOS sensor for low-light performance, 7x bright F2.4 lens; 24mm wide angle lens and Optical SteadyShot™ image stabilization Full HD 1080@60i with Dual Rec of stills and movies Backlight Correction HDR enables crisp details in difficult lighting Manual operation puts the control back in your hands 3D Still Image and 3D Sweep Panorama modes change the way you view your world

The DSC-WX9 will be available in black, silver and red for about $220 in March. Features include: “Exmor R” CMOS sensor for stunning low-light performance, 5x 24m wide angle bright lens Fast capture with up to 10fps at full 16.2-megapixel Full HD 1080@60i with Dual Rec of stills and movies 3D Still Image and 3D Sweep Panorama modes change the way you view your world Backlight Correction HDR enables crisp details in difficult lighting; Background Defocus highlights your subject like a DSLR

Casio Announces the Innovative New TRYX

CES, Las Vegas: Casio has just announced a new and innovative digital camera---the TRYX. Available in April for $249.99, the TRYX catches your attention first because of its distinctive design, which is unlike anything the digital camera sphere has seen before (it looks more like a smart phone at first glance), and of which Casio says, "Thanks to its super thin (.59-inches thick), variable frame design, TRYX can adapt to fit the user’s preferred shooting style or to help them capture an image from just about any angle or in any environment. Users can hold the camera horizontally, in a traditional point-and-shoot style to capture still images or flip out the rotating, three-inch, touch-screen LCD and swivel the body to experience countless other positions. The frame rotates 360-degrees and can be adjusted so that the body can act as a tripod, allowing TRYX to stand on its own, or the LCD screen can be rotated up to 270-degrees so that users can perfect their own self portrait and see themselves in the frame."

But what of the image making capabilities, Casio? "In addition to its good looks, the Casio TRYX also boasts an equally impressive feature set." I see. The camera has a 12.1-megapixel back-illuminated CMOS sensor, full-HD 1080 video (30fps), Slide Panorama mode to capture 360-degree panoramic images and slow-motion video, and a 21mm ultra-wide-angle lens. Read Casio's full press release below.

From Casio:

Canon Announces New Powershot A-series Digital Cameras

CES hasn't even officially begun and already the announcements are rolling out. Canon has announced four new, affordable, feature-packed A-series digicams: the PowerShot A3300 IS (image above), A2200, A1200 and A800. Of the new lineup, Canon says, "When capturing irreplaceable moments, it is important to use a camera that inspires artistic expression in a simplistic format," and that's essentially what they've done here. The new A-series cameras come equipped with Creative Filters, including Toy Camera and Monochrome mode; the PowerShot A3300 IS, A2200 and A1200 each have Live View Control and 32 predefined shooting situations within the advanced Smart AUTO feature; the A1200 has an actual Optical View Finder!---and all three of these cameras will retail for under $180. The $109.99 A1200 features 720p HD video, a 12.1-Megapixel CCD sensor, 4x Optical Zoom, a wide angle 28-112mm equivalent lens and a 2.7-inch LCD screen. The PowerShot A3300 IS, A2200, A1200 and A800 will be available beginning early February and into March for $179.99, $139.99, $109.99 and $89.99, respectively. Read the full press release below.

From Canon:

Camcorder Comparison: High Definition at Three Price Points

Camcorder Comparison: High Definition at Three Price Points Text, Images and Video by Tony Gomez

While some new digital cameras and DSLRs now have the ability to capture High Definition video, there are many standalone HD camcorders that can do a better job. I recently tested three such camcorders: two high end models—the Panasonic HDC-TM700 and the JVC GZ-HM1—and the more affordable Canon Vixia HF R10. All three of these camcorders shoot HD video in the AVCHD standard at 1080i (1080 lines, interlace scanned) resolution and have internal memory, plus an additional SDHC memory card slot for expansion. Each camcorder can also shoot JPEG stills, either independently, or while shooting video. All models also have an automatic zoom lens that permits smooth zooms without manual jerkiness—something that current DSLRS don’t have.

Panasonic HDC-TM700

click the thumbnails to see full-size images

The Panasonic HDC-TM-700 ($999.95 MSRP) has pro-style 3-chip (Red/Green/Blue) MOS sensor technology that provides the ultimate in color quality. The TM700 also uses the newest high capacity XDHC memory card—up to 64GB for over 8 hours of recording at 1080i quality.  The 12x Leica zoom lens control is very smooth and quiet (no pickup on the built-in microphone), with a bump to 18x without noticeable degradation. Optical Image Stabilization (OIS) is active and very useful in either movie or still mode.  The large 3-inch LCD monitor gives a very clear view of images being, recorded or during playback, and has an easy-to-use menu. In extremely bright conditions where the LCD screen can be washed out, the electronic color viewfinder takes over very nicely.

The 1080i playback video quality through an optional HDMI cable to my HD TV was superb, due in large part to the 3-chip sensors. For the ultimate record quality, 1080/60P (1080 lines/60 frames progressively scanned) is also selectable, and viewable on 1080/60p equipped HD TVs.  With the built-in 32GB memory, record times of 2-1/2 hours and 4 hours are possible at the 1080/60P and 1080/60i settings, respectively.  Still JPEG images can be can be captured at up to 13-megapixel max resolution. A built-in Dolby 5.1 channel surround audio microphone, external microphone jack, headphone monitor jack, and an accessory bracket for a video light are just some of the many higher-end features.

The TM700 is a beefy camcorder at one pound, but the layout of the controls and buttons makes it easy to use and select various features.  The extra weight actually makes it easy to get smoother images by reducing handheld shakiness, and OIS reduces that even further. In summary, the Panasonic HDC-TM700 is a real winner, especially if you want the ultimate in color quality in HD video.

Specifications: Video Resolution: 1080/60P HD max, with 4 other 1080i HD quality settings; Still Image Resolution: 13MP max;  Zoom Lens: 12x optical (3.4 mm wide to 41.4mm), 18x/30x/700x digital, OIS; Recording Media: Internal 32GB memory or SDHC/XDHC memory card; Special Features: 3-chip MOS sensor, 1080/60P recording;  Size: 2.6"W x 2.7"H x 5.4"D, 1 lb.

JVC GZ-HM1

click the thumbnails to see full-size images

The JVC HM1 ($1,199.95 MSRP) boasts a unique feature—a sliding blue LED touch bar (Laser Touch) on the LCD screen that lets your finger touch select Video Quality at four settings. It also has JPEG image resolution up to 10MP, and a wide variety of other features.  The internal 64GB memory allows 8 hours of recording at the XP default quality setting, or 6 hours at the highest quality UXP setting.

recording at standard speed, recording at 120 frames per second

Super Low Light video recording is another great feature. The HM1 has a newly designed backlit sensor technology that permits higher quality, more noise-free recording under low light conditions. While 3-chip sensor camcorders (like the Panasonic TM700) have the ultimate color quality, their low light sensitivity isn’t as great as a single chip design. Hi-Speed video recording, with 120 fps, 300 fps, and 600 frames per second (fps) is another exciting feature, albeit in a narrow two or four second window of time. But my personal favorite feature is a real-time audio level meter on the LCD screen.

recording at standard speed, recording at 300 frames per second

Like the Panasonic TM700, the JVC HM1 is a hefty camera at one pound, but well balanced for capturing HD video and stills.  However the HM1 lacks a viewfinder, so you are solely dependent on the LCD monitor for viewing and setup—potentially a washout problem in bright ambient light. The Laser Touch feature is a bit too sensitive for my fingers, but still useable with practice.  I compared the HM1’s low light capability with the Panasonic TM700, and the Canon HF R10. The result: the JVC-HM1 had the edge in producing a brighter image with less video noise. If the HM1’s low light feature is important to you, you should consider it.

Specifications: Single chip CMOS sensor; Video Resolution: 1080i max; Still Image Resolution: 10MP max; Zoom lens 10x optical (6.7mm - 67mm), 16x/64x/200x digital; Recording Media: Internal 64GB memory or SDHC memory card; Special Features: Low noise, Low Light recording, Hi-Speed Video Recording, Record Audio Monitor on LCD; Size/weight: 2.7"W x 2.8"H x 5.4"D, 1 lb.

Canon VIXIA HF R10

click the thumbnails to see full-size images

For a wider consumer budget appeal, the Canon VIXIA HF R10 offers a more affordable 1080i High Definition camcorder ($399.99 MSRP), with a smaller 8GB internal memory and an SDHC expansion memory slot, in a smaller package.

At the default HD Quality setting, you can record about 1-1/2 hours on the internal 8GB memory.  If you need more time, just add an SDHC memory card in the provided slot. Surprisingly, the 20x lens has the longest optical zoom range of the three camcorders tested, and a 3mm wide angle setting that’s the widest of the three.

The smaller and lighter VIXIA HF R10 is easier to hold for longer periods of time, but the decreased weight makes it more prone to handheld shaking. However, built-in Electronic Image Stabilization should help smooth out any extra camera shake. The Canon HF R10 also lacks a viewfinder, which forces dependency on the LCD, a potential problem in bright light. Video playback was very good on my HDTV. However, the 1.7MP still image resolution is fairly low compared with other camcorders.

Specifications: Video resolution: 1080i max; Still image resolution: 1.7MP max; CMOS sensor; Zoom lens: 20X Optical (3mm - 60mm), EIS; Internal 8GB memory with SDHC memory card slot; Size/Weight: 2.4"W x 2.5"H x 4.9"D, 12oz with battery.

Compact Superzoom: Nikon COOLPIX P100 Review

Nikon COOLPIX P100 Text and Images by Allison Gibson

Compact Superzoom

The Nikon COOLPIX P100 may just be exactly what you’re looking for if you’re in the market for a fun, high-end, compact superzoom with impressive image quality, the ability to shoot high-speed full resolution stills at 10 frames per second (fps) and full High Definition (1080p) movie recording. The 10-Megapixel P100 has a back-illuminated CMOS sensor and a 26x optical wide-angle zoom lens—and its sturdy body feels professional in-hand yet much lighter than any entry-level D-SLR. With a host of specialty shooting modes as well as full manual control, the P100 is aimed at the amateur enthusiast crowd, and could be a good option even as a back-up camera for a pro.

Nikon COOLPIX P100 click the thumbnails to see full-size images

UI & Design

The COOLPIX P100 has a solid, professional-looking body, which like most cameras in its class imitates the design and feel of a small D-SLR. The handgrip is deep and coated with a rubberized texture for maximum comfort and one-handed shooting control. Your finger naturally hits the shutter release up front and the thumb rests on another small textured pad in the back, within reach of surrounding controls. The electronic viewfinder juts out far enough from the back of the camera that you’re not forced to smash your cheek against the display screen below it, and is encased in smooth plastic for comfort.

The 3-inch high resolution (460,000-dot) vari-angle LCD pulls out from the back of the camera and tilts up and down, allowing you to more easily get shots in unique shooting situations. This comes in handy at a place like a concert, when you would normally just hold the camera up above the crowd and blindly snap away, hoping you were aimed at the stage rather than the ceiling or the tops of the audience’s heads. It worked great for me when shooting ornate cathedral ceilings in Italy, and also for capturing the carpet of pigeons that lined the ground in Venice’s Saint Mark’s Square. Although the vari-angle LCD offered me this extra freedom when shooting, I would have preferred if it hinged sideways as well—like, say, the Canon G11’s LCD—because that allows for so many more options, such as taking self portraits and shooting around corners.

Performance

The P100 was an ideal travel camera because of its superzoom capabilities and compact size. With the wide-angle (26mm) lens I was able to capture sweeping views of ancient cities, and with the telephoto range (678mm) I could close in on far-away objects from the same location. F/4.6 is not that wide an aperture, but I was able to capture vivid, selective focus photos of exotic foods and wares in markets.

Nikon COOLPIX P100: wide-angle, telephoto, Auto WB, Active D-Lighting click the thumbnails to see full-size images

Under normal daylight conditions, the P100 did pretty well. I could capture sharp and accurately-colored (in Auto White Balance mode) images that make for crisp prints at modest sizes—which typical travelers would probably choose to print at. In high contrast conditions, there was a loss of initial detail, however. This is where Nikon’s Active D-Lighting function came in handy, darkening blown-out highlights and lightening up dark shadowed areas a bit.

Under indoor incandescent lighting, the Auto and Incandescent WB settings tended toward the warm side , so it was best to kick into Manual there. At ISO 160-400 detail held up impressively, but then noise began to sneak in going past that range, and definitely past 800. This isn’t all that shocking—or frustrating—for a compact of this class though.

Conclusion

The COOLPIX P100 was a fun travel companion and satisfied the needs of a traveler who was constantly moving from place to place, and who did not want to be weighed down by heavy equipment, nor the need to constantly swap out lenses. With this compact superzoom, I was able to capture a much wider diversity of shots than those of my travel companions who used smaller point-and-shoots. And yet, just like them, I could also slip the P100 into my small shoulder bag and keep it concealed in crowded subway cars or in sparsely populated neighborhoods at night. The handling of the camera was really nice and intuitive and the overall image quality was good for the scale of printing output that most enthusiast photographers would probably need. The standout feature of the P100, for my travel purposes, was its ultrazoom capability and the creative freedom that it offered. It is a diverse and portable compact camera that has more than a few impressive tricks up its sleeve.

Nikon COOLPIX P100

• MSRP:
• $399.95
• Size/Weight:
• 4.5”W x 3.3”H x 3.9”D; 12.5 oz.
• Image Sensor:
• 10.3-megapixels, CMOS
• Lens zoom:
• 26x
• Memory:
• SD/SDHC Memory Card, 43MB internal
• Display:
• 3-inch (460,000 pixels) Vari-angle TFT-LCD with anti-reflection coating

• Video Recording Mode:
• Full HD: 1920 x 1080p / 30fps; HD: 1280 x 720p / 30fps; Standard TV: 640 x 480 / 30fps; Small Size: 320 x 240 / 30fps; HS movie: (slow motion) 320 x 240 / 240 fps, 640 x 480 / 120fps, 1280 x 720 / 60 fps ; HS movie: (fast motion) 1920 x 1080 / 15fps; in MPEG-4 AVC H.264
• ISO Equivalent:
• Auto/160/200/400/800/1600/3200
• Power Source:
• EN-EL5: 250shots
• Contact:
• www.nikonusa.com

Nikon Announces D7000 D-SLR

Nikon today announced the D7000---a 16.2-megapixel D-SLR that shoots 1080p HD movies with full time auto focus, and has a native ISO range of 100-6400 which can be expanded to a Hi-2 setting of 25,600. Following its predecessor, the 12.3MP Nikon D90 (reviewed here), the new D7000 has a "CMOS sensor with low-light ability never before seen in a DX-format (APS-C) camera." The D7000 will be available in mid-October for $1,199.95 for body only and $1,499.95 for body and lens outfit that includes the AF-S DX Zoom-NIKKOR 18-105mm f/3.5-5.6G ED VR lens. More images and info from Nikon below.

From Nikon:

MELVILLE, N.Y. (September 15, 2010) – Nikon Inc. today introduced the new D7000 digital SLR camera designed to fulfill the needs of passionate photographers who demand exceptional performance, reliability, and unprecedented levels of control and versatility in a compact form factor. Engineered as an ideal balance of durability and functionality, the D7000 D-SLR features a multitude of new enhancements and updated Nikon technologies, which results in stunning photos and amazing full HD (High Definition) movies.

Continuing the tradition of innovative technology that began with the revolutionary D90, the first D-SLR to capture HD movie, the D7000 features a new 16.2-megapixel CMOS sensor with low-light ability never before seen in a DX-format (APS-C) camera. The new EXPEED 2 TM image-processing engine fuels the enhanced performance of the D7000 along with a new 39-point AF system and groundbreaking new 2,016 pixel RGB 3D Matrix Metering System to deliver amazing image quality in a variety of shooting conditions. Additionally, the D7000 D-SLR provides full 1080p HD movie capability with full-time auto focus (AF), enabling users to capture their world with both striking still and moving images.

“The D7000 D-SLR creates a new class of Nikon camera by delivering exceptional quality, control and an innovative feature set; this is a camera that enables D-SLR users to achieve a true expression of their creative vision, while concentrating primarily on image quality above all else,” said Lisa Osorio, general manager of marketing at Nikon Inc.  “When you combine the innovation of the agile D7000 with the exceptional and robust line of NIKKOR lenses and accessories, the potential for D-SLR photographers and filmmakers is limitless.” Unparalleled Performance From Unrivaled Technologies With its new 16.2-megapixel CMOS image sensor and Nikon’s new EXPEED 2 image processing system, the D7000 D-SLR delivers superior image quality with low noise. The EXPEED 2 image-processing engine combined with a 14-bit Analog / Digital conversion brings a new level of even tonal gradations while managing color, contrast, exposure, and noise resulting in brilliant image quality. EXPEED 2 also manages the D7000’s speedy 50-millisecond shutter response, blazing AF speed and rapid six frame-per-second (fps) burst speed for up to 100 images.

The D7000 D-SLR features an all-new 39-point AF System, which includes nine center cross-type sensors that operate with more than 60 NIKKOR lenses. The 39 points in the new Multi-CAM 4800DX AF module work together to provide superior subject acquisition and fast tracking capabilities, allowing photographers to confidently capture a player stealing third from the sideline to fast-moving wildlife. Additionally, photographers can activate dynamic or single point AF, configurable in combinations of 9, 21 or 39 or a 21-point ring to match a variety of shooting styles and situations. Photographers can activate 3D tracking, which continuously follows moving subjects within the 39 AF points, highlighting the activated AF point in the viewfinder.

Utilizing Nikon’s exclusive Scene Recognition System, the camera analyzes subject information from a database containing more than 30,000 images to optimize focus, exposure and white balance. To assist in creating amazing imagery, the Scene Recognition System reads data from a groundbreaking 2,016-pixel 3D Color Matrix Meter RGB sensor that examines the scene’s brightness and color data then optimizes the camera’s performance prior to the actual exposure. Another revolutionary Nikon first, this system interprets scene data for improved control of light metering and i-TTL flash output. Additionally this new sensor allows for a new “Ambient” white balance setting which can be activated to allow warm rendering in Automatic White Balance. Nikon Continues the Low-Light Fight The D7000 D-SLR continues Nikon’s tradition of providing photographers the confidence to shoot in low-light, knowing they will capture high quality low-noise images. The camera’s native ISO range of 100-6400 affords the versatility to photograph in challenging lighting conditions, such as when indoors or in the evening. The ISO range can be expanded to a Hi-2 setting of 25,600, which was previously found only in Nikon FX-format territory. The resolution of the camera renders a pixel size of 4.78 µm, which allows more light to be gathered, resulting in a correctly exposed image that has less noise and finer grain. Full 1080p HD Movies with Advanced Video Features Building upon the popular D90 D-SLR, the Nikon D7000 captures breathtaking full 1080p HD movies with full-time autofocus and manual exposure control. To keep critical HD focus, users can choose to engage a variety of AF functions, including face priority to track up to 35 human faces, subject-tracking and normal or wide-area autofocus.

Advanced movie features also allow exposure adjustment on the fly while recording. The D7000 D-SLR offers variable frame rates and resolutions, and can record 1080p at a cinema-like 24 fps, or a web-friendly 720p at either 24 or 30 fps for up to 20 minutes per clip. Once recorded, users are able to edit and trim video clips in the camera to save time in post production. Whether utilizing a wireless or hot shoe mounted microphone, sound can be recorded via the stereo microphone input for professional audio results.

To further simplify movie shooting, Live View is activated by a single dedicated switch, and HD video recording is achieved by pressing a single button. The D7000 D-SLR also incorporates a built-in HDMI output CEC compliant (Consumer Electronic Control) that allows users to connect it to a HDTV and playback with most HDTV remote controls.

By adding versatile NIKKOR lenses to the equation, photographers can create a variety of photo perspectives to video such as isolating subjects with a shallow depth of field, and recording in low-light conditions. Combining the D7000 D-SLR with NIKKOR lenses also delivers the sharpness essential for HD video, and Nikon’s innovative Vibration Reduction (VR) II technology helps to eliminate the effects of camera shake.

No Compromise: Enhanced Build Quality, Durability and Usability The compact design is lightweight enough for a full days use, but has a reassuring heft that hints at Nikon’s reputation for reliability. The durable camera body consists of a magnesium-alloy top and rear covers and a 150,000 cycle-rated shutter system. Additionally, the D7000 D-SLR is dust and moisture sealed and features Nikon’s dust reduction system to remove image-degrading particles from the image sensor. Among the well laid out ergonomics, users will immediately notice a new Mode Dial that eschews traditional Scene Mode icons for more advanced manual functions and two user-defined settings (U1, U2) to adapt to a users shooting style on the fly. Placed under the control wheel is a Release Mode dial, which allows access the burst modes, timer, or the Quiet Shutter, to soften the cameras operation when shooting in sensitive environments such as a ceremonies or nature.

When framing lush landscapes or tight telephoto shots from afar, users will appreciate the large, bright glass pentaprism optical viewfinder has approximately 100% frame coverage and approximately 0.94x magnification. The three-inch, 921,000-dot super-density LCD monitor with 170-degree viewing delivers bright, crisp image playback and precise Live View and movie shooting. The D7000 D-SLR features twin SD card slots with SD, SDHC, SDXC memory card compatibility that offers several recording options including designating separate NEF (RAW) JPEG and movie files. The built-in i-TTL Speedlight flash offers coverage for lenses as wide as 16mm and has Wireless Commander support so users can choose how to light their subjects. The D7000 was designed to provide maximum performance with minimized power usage and also employs a new EN-EL15 battery which enables up to 1050 shots when fully charged. Nikon Technologies That Empower and Inspire The D7000 D-SLR contains many features aimed at empowering the user with creative freedom including the ability to process RAW images directly in the camera, and add in special effects using the retouch menu. Among the many editing options are color filters, distortion control for a fisheye effect, perspective control for a miniature effect, or a new color sketch filter that creates a sketch-styled image. As always, manipulated images are saved as copies while the original is retained. The Picture Control system also allows the choice for Standard, Neutral, Vivid, Monochrome, Portrait, or Landscape settings to apply a personal look and feel to their pictures, and it’s versatile Scene Modes let them choose from Portrait, Landscape, Child, Sports, Close-up or Night Portrait for stunning results even in challenging conditions. Price and Availability The D7000 D-SLR camera will be available throughout the United States beginning mid-October 2010 at an MSRP* of $1199.95 for body only and $1499.95 for body and lens outfit that includes the AF-S DX Zoom-NIKKOR 18-105mm f/3.5-5.6G ED VR lens. For more information, please visit www.nikonusa.com.

Nikon Announces COOLPIX P7000 Advanced Compact Camera

Nikon announced today the latest addition to the COOLPIX lineup of compact digital cameras---the P7000. The 10MP advanced compact follows the COOLPIX P6000 (reviewed here), although with its array of protruding knobs and more professional design, this new Nikon seems to have a similar look to the Canon PowerShot G series (G11 reviewed here). However, if the viewfinder on the P7000 is better than the G11's (which wouldn't be tough to beat), this would be a real contender in my book for an ideal high performance compact.

The P7000 aims to attract the professional photographer and new photo enthusiast alike, as it offers pro-level features such as Full Manual Controls (PSAM), RAW file function, 5-Way Vibration Reduction Image Stabilization System and a 7.1x Wide-Angle Optical Zoom-NIKKOR ED glass lens (28-200mm f/2.8-5.6), as well as features like Scene Auto Selector for those less comfortable with Manual shooting. The P7000 will be available for $499.95 in late September. More info and images from Nikon below.

From Nikon:

MELVILLE, NY (September 8, 2010) – With advanced functions and features similar to those found in Nikon’s line of award winning and critically acclaimed D-SLRs, Nikon Inc. today introduced the COOLPIX P7000, the ultimate compact camera that’s ready to take on most any photo assignment. At home in a pro’s gadget bag or in the hands of a spirited enthusiast, passionate photographers of all levels will benefit from the P7000’s high performance, extensive manual controls, stunning image quality and advanced shooting functions.

The 10.1-megapixel COOLPIX P7000 features a large 1/1.7” CCD sensor coupled with a 7.1x Wide Angle Optical Zoom-NIKKOR ED Glass Lens for consistent superior image quality that explodes with vivid color and sharpness frame after frame. Taking Nikon’s commitment to image quality a step further, the P7000 adopts Nikon’s new EXPEED C2™ high performance digital image processing engine to ensure high-quality pictures with stunning color and sharpness.

“The COOLPIX P7000 represents the best of both worlds. It is an exciting compact camera offering from Nikon, as it not only provides expanded creative control found in digital SLR cameras, but also provides photo enthusiasts with the portability and simplicity of COOLPIX digital cameras,” said Bo Kajiwara, director of marketing, Nikon Inc. “The P7000 is the perfect complement to an advanced photographer’s D-SLR, and it inspires the entry-level consumer to explore the boundaries of their photographic capabilities and fulfill their creative vision.”

ISO sensitivity ranges from ISO 100 to 6400 (expandable to ISO 12,800 in low noise Night Mode) to ensure incredibly sharp, crisp images when shooting in low-light or photographing fast-moving subjects. The P7000 also offers a variety of functions that enable superior rendering when shooting at high sensitivities, including a Low Noise Night Mode and a Noise Reduction Filter. The camera also features 5-Way VR Image Stabilization System, which utilizes a variety of tactics including optical lens shift to minimize the effect of camera shake to help banish the blur while shooting handheld or in low-light.

Thoughtful engineering has led to the addition of features that will be welcome to current D-SLR users. The Zoom Memory function allows the camera’s 28-200mm (35mm equivalent) lens to be used in a way that simulates use of a prime lens, ideal for shooting at a preferred angle of view. The P7000 also adds controls and buttons for key features like ISO, white balance, bracketing and exposure compensation. The new innovative and independent Quick Menu dial ensures easy access to key functions with the comfort of analog operation. Advanced users will also enjoy the benefits of shooting RAW/NRW* files for creative freedom, and macro abilities as close as 0.8 inches.

While the image quality of the P7000 is nothing short of stellar, the video capabilities are far beyond that of a typical compact. The P7000 records HD video at 720p at 24 frames-per-second (fps) with optical zoom and autofocus control. A COOLPIX first, users can now record audio with an external stereo microphone via the microphone input. An accessory microphone or Nikon Speedlight can be mounted on the P7000’s hot shoe.

Additional features of the Nikon COOLPIX P7000 digital camera include:

* 7.1x Wide-Angle Optical Zoom-NIKKOR ED glass lens (28-200mm f/2.8-5.6) allows for detailed close-ups and dramatic landscapes. * 3.0-inch 921,000-dot Clear Color Display with wide viewing angle makes it easy to compose, view and share still images and movies that come alive with rich detail and improved contrast. * Large optical viewfinder with diopter adjustment dial * Tone Level Information helps photographers achieve their desired exposure with a histogram display, allowing them to determine the exposure while checking the balance between highlights and shadows. * Electronic Virtual Horizon Indicator gives the user visual confirmation that the camera has a level horizon. * In-camera editing functions include exposure compensation, COOLPIX Picture Control, noise reduction filter, Quick Retouch, D-Lighting and Active D-Lighting. * 5-Way Vibration Reduction (VR) Image Stabilization System - Optical VR Image Stabilization by lens shift minimizes the effects of camera shake. -Hybrid VR Image Stabilization by lens shift and electronic VR. - Motion Detection automatically detects moving subjects and adjusts shutter speed and the ISO setting to compensate for camera shake and subject movement. -High ISO up to 6400 at full resolution for optimal results when shooting in low-light or photographing fast-moving subjects. -Best Shot Selector (BSS) automatically takes up to 10 shots while the user presses the shutter and saves the sharpest image. * Full Manual Controls-PSAM (Program, Shutter, Aperture, Manual) control gives creative control over images. * NRW (RAW) file function compatible with Mac® and Windows® Operating Systems. * Bracketing functions for Automatic Exposure (Sv and Tv) and White Balance allows the user to take consecutive shots with slightly different settings and select the one that best matches their intention. * HD (720p) Movie with Stereo, Mic Input Jack and HDMI Output records at 24 fps with optical zoom, autofocus and stereo sound. * Subject Tracking automatically activates autofocus while tracking moving subjects, like active children or unpredictable animals. * Scene Auto Selector automatically recognizes the shooting situation and adjusts the camera’s settings accordingly for great pictures anywhere. * Smart Portrait System integrates the following features to make it a snap to capture stunning portraits: - In-Camera Red-Eye Fix™ automatically fixes most instances of red-eye. - Enhanced Face-Priority AF can detect up to 12 faces from a variety of angles. -Skin Softening ensures smooth skin tone on the face of subjects by leveraging built-in face-detection technology. - Smile Timer automatically detects when a subject smiles and releases the shutter. - Blink Warning alerts the photographer if a subject has blinked.

The Nikon COOLPIX P7000 will be available in late September 2010 for $499.95 MSRP**.

*ViewNX 2(supplied) and Capture NX 2(available separately) are required to open NRW files on a computer. The application or updates can be downloaded from Nikon’s website. **MSRP (Manufacturer's Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time. Microsoft®, Windows® and Windows Vista™ are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. *Macintosh®, Mac OS® are trademarks of Apple Inc., registered in the U.S. and other countries.

Sony Announces Two Bloggie Touch Pocket Camcorders

Sony has announced two new additions to their pocket camcorder lineup---the sleek-looking MHS-TS20 and MHS-TS10 Bloggie Touch cameras. The Bloggie Touch camcorders offer full 1920x1080 high definition MP4 video recording, 12.8MP photos and a 3-inch capacitive touch screen. The Bloggie Touch cameras also come with an Exmor CMOS sensor and an F2.8 wide angle lens. The MHS-TS20 and MHS-TS10 offer 8GB and 4GB of embedded memory, which amounts to about four hours of high definition movie recording. They will be available for $200 (8GB) and $180 (4GB) in October. More images and info from Sony below.

From Sony:

SAN DIEGO, Sept. 1, 2010 – Making its worldwide debut today, Sony’s new Bloggie™

Touch enhances the pocket video camera category by making it even easier to preserve and

upload life’s spontaneous moments.

The Bloggie Touch (MHS-TS20 and MHS-TS10) captures full 1920x1080p high

definition MP4 video and 12.8-megapixel photos on 8GB or 4GB of embedded memory,

respectively, offering approximately four hours of HD movie recording. Its sleek, stylish body

sports a three-inch diagonal capacitive touch screen enabling intuitive operation as well as

attractive shooting and playback options.

“The new Bloggie Touch addresses the growing need for premium video products with

advanced technology in a desirable package at a competitive price point,” said Andy Bubala,

director of Sony’s camcorder business. “We started from the ground up to develop a new

system of hardware, software and seamless integration with social network services for an

easy, intuitive shooting and sharing experience that anyone can enjoy.”

Boasting a clean, innovative design, new Bloggie Touch cameras feature minimal

hard keys and a large, vibrant touch screen that automatically adjusts for vertical or horizontal

shooting and viewing, enabling customers to shoot video right-handed, left-handed, right-

side-up or even upside-down. You can record video, snap photos, or both at the same time,

just by pressing two of three simplified buttons on the device. An advanced user interface

features intuitive “touch and flick” recording control, search and playback operation, as well as

a simple Share-it-Later function to tag the clips and pictures you want to post for easy upload

when you are online.

Sony’s Bloggie Touch cameras now deliver amazingly high quality video and photos.

Equipped with a F2.8 wide angle lens and a sensitive Exmor™ CMOS sensor, the new

cameras achieve high resolution video and crisply-detailed still photos with less noise, even in

challenging lighting conditions. Additionally, its processor allows videographers to attain 4x

digital zoom and auto focus capabilities, including Auto Macro to focus sharply on objects as

close as four inches away.

The ultra-compact, lightweight cameras slip easily into a pocket or purse so they can

record your favorite moments anytime, anywhere. The Bloggie Touch has SteadyShot®

image stabilization for smoother footage, Face Detection technology to enhance faces by

automatically correcting exposure and a built-in USB arm for easy charging and uploading

to a computer. It even features an HDMI™ output to enjoy content on your HDTV.

Simple, Secure Way to Share Photos and Videos

After shooting, it’s never been easier to share your favorite videos and photos on the

web. By connecting the camera to an internet-connected compatible computer via the built-

in USB, pre-installed Bloggie software quickly imports your content and makes it a breeze

to edit, organize, and even transfer your videos and photos to popular sharing websites with

simple drag and drop motions. It includes direct upload to Facebook®, Flickr®, Picasa Web

Albums™ and YouTube™ photo and video sharing sites.

The built-in Bloggie software also connects to Sony’s Personal Space™ online service

that effortlessly shares your photos and videos privately with individuals you select. Personal

Space service offers registered users the ability to create Sharing Groups by entering email

addresses of friends and family. Once footage and images have been uploaded, the service

sends an email invitation to those groups with a link to view content on your Personal Space

service. It’s easier, quicker and safer than sending big file attachments via email, and no

registration is required by email recipients.

Available in silver or black, the MHS-TS20 and MHS-TS10 will be available in

October for about $200 and $180 respectively. The Bloggie Touch cameras, and a specially

designed protective skin jacket, will be sold at Sony Style® retail stores, www.sonystyle.com/

bloggie and through the Sony Retailer Network nationwide.

Canon Announces EOS 60D D-SLR

Canon has just announced the brand new EOS 60D---an 18MP D-SLR with in-camera RAW processing and full HD video. The 60D comes with a 3-inch vari-angle LCD screen; a new multi-control dial, which streamlines the layout and navigation of controls; and "for the first time ever in an EOS camera, the EOS 60D features in-camera processing of RAW image files, new reduced resolution image copies, and post-processing creative image filters for exceptional flexibility in digital image rendering." The new 60D also comes with creative image filters, which they've pulled over from the PoweserShot line, to make the bridge D-SLR more attractive to photographers who maybe haven't made the foray into the digital SLR world before. The EOS 60D will be available for $1,099.00 (or in a kit version with Canon's EF-S 18-135mm f/3.5-5.6 IS USM zoom lens for $1,399.00) toward the end of September. More info and images from Canon below.

From Canon:

LAKE SUCCESS, N.Y., August 26, 2010 – High-quality digital capture and skillful post-processing go hand-in-hand for superior end results, and more control over in-camera image processing means less time editing and more time shooting. At the same time, the overwhelming popularity of Full HD video recording with other current EOS Digital SLRs has led to customer requests for more advanced features such as manual audio level control and flexible LCD screens. Canon U.S.A., Inc., a leader in digital imaging, delivers all of these features and more with the new EOS 60D Digital SLR Camera. For the first time on an EOS camera, the EOS 60D DSLR boasts a three-inch Vari-Angle Clear View LCD screen, EOS Full HD video recording with manual overrides including audio level control, and in-camera functionality for RAW image processing plus Creative Filters to manipulate images after taking them. Designed primarily for advanced amateurs, the EOS 60D replaces the EOS 50D and boasts a broad array of new features that make it easier for photographers to add personal creativity to their images. Whether it's capturing an overhead shot on the Vari-Angle screen at a graduation ceremony, or converting a color image to black and white for a nostalgic look, Canon is delivering in-camera features and functions that empower advanced photographers to capture, display and print the images they want.

"The EOS 60D has been designed to offer the image-capture and the Full HD video features customers are looking for as they continue to expand their photographic skills. The exciting new features of the EOS 60D make using a DSLR camera more attractive and easier than ever before. We want everyone to experience the great image quality a Canon DSLR can offer with features and functions that they will appreciate and use," stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. Exciting EOS "Firsts"

For the first time in the history of the Canon EOS System, the new 60D camera features a large Vari-Angle 3-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The new LCD screen is ideal for composing low-angle or overhead shots whether capturing still images or Full HD video clips.

Another first for the EOS system is the EOS 60D camera's new Multi-Control Dial, which places a Multi-Controller and Set button inside the Quick Control Dial. This new control layout streamlines camera navigation for vertical as well as horizontal shooting and enables a cleaner camera design. Responding to customer requests, the EOS 60D also features a locking mode dial, which makes camera operation more secure by preventing inadvertent changes to the photographer's selected shooting mode.

While the photography mantra of "get it right in the camera" still stands true, Canon's new EOS 60D gives advanced photographers an edge with new in-camera features that enable users to enhance their images without a computer even after they have been shot. For the first time ever in an EOS camera, the EOS 60D features in-camera processing of RAW image files, new reduced resolution image copies, and post-processing creative image filters for exceptional flexibility in digital image rendering.

* In-camera RAW image processing features include Picture Style, White Balance (WB), Color Space, High-ISO Noise Reduction, Peripheral Illumination Correction, linear distortion correction and chromatic aberration correction. These powerful in-camera editing tools will allow photographers in the field to produce optimized images on the spot and generate JPEG files at various resolution and compression settings for immediate sharing, without affecting the original RAW data. * Another great new feature for photographers-on-the-go is Canon's new image resizing function. After capturing full resolution or smaller JPEG images, the camera can generate lower-resolution copies using menu commands. New lower-resolution settings include 1920 x 1280 for optimal display on HD televisions, or 720 x 480, ideal for immediate uploading to social networking and other photo sharing web sites. The original high resolution files remain unaffected by the image resizing function. * Available for the first time in an EOS camera are Canon's new creative image filters. Familiar to Canon PowerShot users, these fun photo effects help make a great image more dynamic, even after it has been shot. Canon provides four artistic filters that allow photographers to capture an image and then create and manipulate a digital copy of it. o The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections. o The Grainy Black and White filter can give a different nostalgic perspective to any shot. o Canon's "Toy Camera" filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene. o Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon's Miniature Effect filter, great when shooting any scene from a high vantage point.

Each of these filters can be applied to a captured still image in-camera to create a second "filtered" JPEG version, leaving the original RAW or JPEG file unaffected.

Another addition to the camera's Live View function is Canon's new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon's supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images whether captured directly in-camera or created with the EOS 60D's in-camera RAW image processing function.

EOS HD Video: Continuing the Video Paradigm Shift

In addition to its new still capture capabilities, the EOS 60D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing. The EOS 60D builds upon the great video capabilities Canon has introduced in recent DSLR cameras and packs them into a camera photo enthusiasts will love. Full HD video capture, along with selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards, will help the EOS 60D to be the camera of choice among film students and photography students alike.

The new EOS 60D camera's movie mode also includes manual controls for exposure as well as manual audio levels in 64 steps, much like the latest firmware update for the EOS 5D Mark II HD-SLR. Users can set audio levels on the rear menu screen before shooting begins; once recording is initialized, audio adjustments are not possible. In addition, Canon has added an electronic Wind Filter to the audio controls within the movie shooting menu.

Canon has also included an in-camera movie editing feature, allowing users to shorten a video file by clipping segments from the beginning or the end, removing unwanted portions without outside software. This feature can dramatically accelerate workflow by reducing the time needed to upload video clips to a computer for further editing and assembly. The EOS 60D also includes Canon's Movie Crop mode, which allows users to achieve 7x magnification when shooting SD video. Unlike the digital zoom feature found in many compact digital cameras, Canon's Movie Crop mode crops the image directly from the CMOS sensor at full SD resolution to preserve image quality and still provide additional telephoto power.

Providing access to the right lens for any given shooting scenario, the EOS 60D DSLR camera is compatible with more than 60 Canon EF and EF-S lenses. The EOS 60D DSLR's video functions are supported by two key proprietary Canon technologies, a DIGIC 4 Imaging Processor and a large APS-C–sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field. The Canon EOS 60D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 60D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 60D features a dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording. Valuable Additional Features

Along with the adjustable LCD screen, the new EOS 60D DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and Canon's exclusive iFCL Metering System (Intelligent Focus, Color, Luminance) giving it the power of a professional-level camera. Capable of capturing fast action, the 60D DSLR can shoot full resolution still images up to 5.3-frames per second (fps). The EOS 60D records its images and video clips to the photographer's choice of SD, SDHC or new extended capacity SDXC memory cards.

The 9-point AF system on the new EOS 60D features f/5.6-sensitive cross-type focusing on all nine focusing points. Like the EOS 7D, the center AF point is a hybrid of standard cross-type and special diagonally-shaped "X" cross, with high-precision sensitivity for f/2.8 and larger aperture lenses. Complementing the AF system, Canon's iFCL metering system, identical to that on the EOS 7D and Rebel T2i, takes color information into account and includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes.

Photographers will enjoy shooting in low light thanks to the EOS 60D DSLR's wide ISO range from 100-6400 (adjustable in 1/3-step increments from ISO 100-6400 and expandable to 12,800) allowing it to capture beautiful images without flash during family milestone events such as wedding ceremonies, while still being equipped with a built-in pop-up flash for shooting the cake cutting ceremony and reception. The EOS 60D's pop-up flash features a built-in Integrated Speedlite Transmitter for control of up to two groups of off-camera EOS Speedlites without the need for an external transmitter, providing an economical solution for multi-flash shoots.

Making accurate composition more convenient, the EOS 60D's optical viewfinder provides 96 percent coverage along with Canon's built-in single axis Electronic Level Display, which utilizes the exposure level scale below the picture area to let the photographer know when the camera is level. The Electronic Level Display is also visible on the camera's LCD screen in both Live View and Movie modes. An artificial horizon display illustrates horizontal roll, allowing the photographer to know when the camera is in a fixed level position. The entire camera has been durability-tested to 100,000 exposures making the EOS 60D a reliable as well as a powerful imaging tool.

Pricing and Availability

The Canon EOS 60D Digital SLR camera is scheduled to be delivered to U.S. dealers toward the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,099.00i. It will also be offered in a kit version with Canon's EF-S 18-135mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $1,399.00ii. The Canon BG-E9 battery grip is scheduled to be available toward the end of September and sell at an estimated retail price of $270.00iii.

Sony HDR-CX350V Full HD Flash Memory Camcorder Review

Sony HDR-CX350V Full HD Flash Memory Camcorder Text and Images by Tony Gomez

Earlier this year Sony introduced an entirely new line of High Definition HandyCam camcorders. Depending on the model, these new camcorders use hard disk, internal memory, or removable flash memory—or a combination thereof. I recently tested one of the best of these new models, the HDR-CX350V, which is a 32GB internal/removable flash memory model that shoots 1920 x 1080 Full HD video and sells for $799.99 (MSRP).

Features

The HDR-CX350 is quite small, due to the flash memory feature. It’s only 2-1/8” D x 2-5/8” H x 5” L, and weighs a very comfortable 11 ounces. But don’t let its small size fool you. Packed inside is a powerhouse of features:  Full 1920 x 1080/60i HD video with a 7-megapixel Exmor-R CMOS imaging sensor, 7MP max/5MP (widescreen) still resolution, a Sony high quality G-lens with 12X optical/160X digital zoom, Geotagging with built-in GPS receiver, Face Detection/Face Priority, Optical Steady Shot with Active Mode, and a Mini-HDMI port (for viewing of all captured video and stills on an HD monitor with a mini-HDMI to standard HDMI cable (not provided).

Initial Settings

The CX350 has an easy, logical UI. Switch between Video and Photo modes by simply touching the Mode button at the back of the camcorder. Flipping the LCD screen open powers the unit on. A 2.7-inch TouchPanel LCD allows the various controls to be accessed. Adjust the Movie Image quality to Standard or HD (1920 x 1080). In HD mode there are four settings, with HD HQ being the default. HD HQ gives the best compromise between image quality and recording time, whereas HD FH and HD LP give longer recording times respectively, but at reduced High Definition quality. Select the recording medium—either 32GB internal (default), or Sony’s Memory Stick Pro Duo (if you have one inserted).

In the Shooting Set menu you can set the SteadyShot to be either Standard or Active (for improved image stabilization). The Low-Lux sensitivity setting can also be activated, making it very handy for getting better exposure when shooting under low-light conditions. Face and Smile Detection settings are also available to lock into faces for the best focus.

For shooting still pictures, the Photo Settings menu is where you adjust image size (7MP/5MP WideScreen/2MP/ or .3MP VGA mode) as well as Flash Mode, Flash Level, and RedEye Reduction (when the built-in flash is used). Still image capture is also available simultaneously while shooting video, but at reduced 3MP resolution.  Just press the handy PHOTO button on the top next to the zoom button or on the LCD panel to automatically capture a JPEG image while shooting video.

Low-Light Recording Features

In addition to recording video within a well-lit daylight scene, the CX350 is excellent for recording in low-light/night conditions. Two built-in features make this happen—the Exmor-R sensor and the Low-Light Sensitivity setting. The Exmor-R sensor is Sony’s revolutionary CMOS sensor that allows video capture with relatively little increase in noise. This is remarkable because the sensitivity required to capture such an image in low-light would normally boost any noise to an unacceptable level. My video shot at Universal Studios City Walk in Los Angeles at night demonstrates the impressive low-noise capture.

12X Optical Zoom and Active Mode Image Stabilization

The CX350 has Sony’s high quality G-Lens with a remarkable 12X optical zoom range (30mm - 357mm equivalent). At 30mm it’s a very practical wide angle lens so you can get more in the frame. Another nice feature is the zoom control, which is smooth and responsive to finger pressure, and can travel its full range from a fast three seconds to a slow 13 seconds.

Handholding your camcorder has always been a challenge to videographers because of the tendency for camera shake. Sony has long been a leader in optical image stabilization technology, in order to make those captured images relatively shake free, but now their new Active Mode for SteadyShot in the CX350 brings it to a new level. In Active Mode, three types of image shake reduction are now employed: vertical, horizontal, and lateral roll. The end result is a dramatic new level of camera shake reduction when handholding. This Active Mode shake reduction improvement was demonstrated to me when I was handholding and shooting scenes of the San Francisco Golden Gate Bridge from three miles away.  And just in case you might need it, 160X Digital Zoom is available at reduced resolution.

Sony HDR-CX350V 7MP still shots (click the thumbnails to see full-size images)

Final Words

Sony has really packed a ton of practical features into the diminutive HDR-CX350V. The image quality of captured 1080i video (daylight or night) was superb on my HD TV. Still images captured were as good as any 7MP digital camera I’ve tested too. The image stabilization was significantly improved thanks to ActiveMode SteadyShot. If you want a small sized High Definition camcorder that is a real workhorse, the HDR-CX350V should fit the bill nicely.

Sony HDR-CX350V: www.sonystyle.com

Canon Announces Three New PowerShot Cameras

Canon announced today three new compact PowerShot digital cameras---the PowerShot S95, the SD4500 IS and the SX130 IS. The PowerShot S95 is the upgrade to the popular and powerful compact S90, which many professional photographers have taken on as their additional pocket cam. The new S95 boasts RAW shooting capabilities, 720p HD video capability and in-camera HDR scene mode. It will be available for $399.99 later this month.

The SD4500 IS features 10x optical zoom and full 1080p HD video mode. It also has Super Slow Motion Video Mode, capable of capturing a subject at 240fps. It will be available for $349.99 in early September.

The SX130 IS is an ultra-zoom compact with a 12x optical zoom lens and Canon’s Optical Image Stabilization technology. It also features unique creative modes, including: Miniature, Fisheye, Poster, and Super Vivid. It will be available for $249.99 in late August. See more images and info from canon below.

From Canon:

LAKE SUCCESS, N.Y., August 19, 2010- Further elevating the “Power” in PowerShot, Canon U.S.A., a leader in digital imaging, today announced three new high-performance PowerShot cameras - the PowerShot S95, the SD4500 IS and the SX130 IS Digital cameras. These cameras achieve photographic brilliance with Canon’s HS (High Sensitivity) SYSTEM for improved low-light shooting in the S95 and SD4500 IS cameras, High Definition (HD) video recording, High Dynamic Range (HDR) in the S95 camera and a more intelligent Smart AUTO mode, among a range of others. The pro-shooter seizing the last summer sunsets with the S95 camera, the dad recording his son leaving for college on the SD4500 IS model, the aunt capturing a photo of her nephew’s football team with the SX130 IS camera - these new PowerShot cameras showcase extraordinary image quality with every shot.

Achieving great images in low-light Whether shooting a large family photo at a sunset wedding or capturing a historical monument at night, the new PowerShot Digital cameras capture clear, exceptional images in low-light settings thanks to Canon’s HS SYSTEM. Canon’s DIGIC 4 Image Processor combined with a 10-megapixel High Sensitivity CCD sensor in the S95 camera or a CMOS sensor in the SD4500 camera, make up Canon’s HS SYSTEM. The HS SYSTEM enhances image quality and helps reduce noise at high ISO levels. It also helps to accentuate a number of hard-to-get details in images with decreased lighting. When used together, Canon’s HS SYSTEM and the f/2.0 lens in the PowerShot S95 camera, enables users to capture dimly lit scenes without a flash, resulting in a more natural look for photos.

“Image quality consistently remains a top priority at Canon and with each generation of PowerShot cameras, we look to build the features and technology that will best improve a customer’s experience with our cameras,” said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. “New features, like the Canon HS SYSTEM for enhanced low light performance and high-speed shooting, helps consumers to capture images in dimly lit settings, further increasing the beauty of a moment.”

Shooting HD at its best When it comes to capturing a child walking for the first time or a person diving into a pool on vacation, shooting HD video is the ideal option. With Canon’s legacy of delivering exceptional photos, the new PowerShot S95, SD4500 IS, and SX130 IS Digital cameras help to drive users beyond the still and encourage them to explore the world of HD video. It also helps a person to relive the experience when looking back at the images. Available on all three models, this feature offer extraordinary resolution, color and clarity to all cherished moments. Helping to heighten the quality of video, all three new PowerShot models include Miniature Effect movie mode. Available as a scene mode for shooting still photography, the Miniature Effect movie mode creates the illusion where large objects are shown in miniature proportions, providing a creative way to play back video. Combined with stereo sound, the inclusion of HD video capabilities in the PowerShot S95, SD4500 IS and SX130 IS cameras, along with outstanding still image quality, help make these models the ultimate image-capture devices.

Capture natural beauty with High Dynamic Range (HDR) Excellent for outdoor shooting, the new S95 camera is the first Canon camera to feature the in-camera, HDR scene mode to help shooters capture the full magnitude of a scene that consists of very dark tones and bright highlights. With the use of a tripod, one push of the shutter button yields three sequential images with various exposures, and then combines them into a single optimized image within the camera. As a result, the image showcases a better range of depth and detail found in natural settings.

Get Smart with new shooting scenes Canon’s Smart AUTO now features 28 shooting scenes to help automatically adjust to different lighting or movement levels to obtain the best image possible. Another new feature for the less-experienced shooter to utilize is the Best Image Selection option found in the SD4500 IS camera. With one click of the shutter button, the camera will shoot five sequential shots and save the best shot based on a person’s movement and facial expressions. Another added bonus in the SD4500 IS camera is Handheld Night scene. Without the use of a tripod, the Handheld Night scene reduces camera shake, allowing users to shoot beautiful images within dark settings.

Canon PowerShot S95 Digital Camera Positioned to become another photography-fan favorite, the new PowerShot S95 camera, sibling of the popular PowerShot S90 camera, has been enhanced with 720p HD video capability and in-camera HDR scene mode. For macro-photography enthusiasts, Canon has built its Hybrid IS technology into the PowerShot S95 camera to compensate for angular and shift camera shake, making it the first PowerShot model to feature Hybrid IS technology. The camera also sports a 3.8x optical zoom and an f/2.0 lens that opens up to 28mm wide with Canon’s Optical Image Stabilization technology, giving consumers a great, wide-angle lens with excellent focus. Another feature is the manual control ring on the front of the camera. For the advanced amateur shooters, the control ring allows the shooter to access manual control options and RAW shooting capabilities, allowing for more photographic creativity.

Scheduled to be available late August, the S95 camera retails for an estimated price of $399.99.*

Canon Power SD4500 IS Digital Camera Helping to deliver exquisite image quality with its advanced features, the SD4500 IS model has a 10x optical zoom with Optical Image Stabilization, providing the power to shoot distant subjects with sharp precision and details. A great tool for shooting sports, the camera also features Full 1080p HD video mode, a first for a Digital ELPH model. In addition to its HD video functionality, the camera can also shoots in Dynamic IS mode. While walking through the park on a summer day, the Dynamic IS mode, located in the camera’s continuous AUTO mode, helps stabilize video capture while the photographer is in motion, further improving the clarity of HD video. The SD4500 IS camera also consists of a Super Slow Motion Video Mode, capable of capturing a subject at 240 frames-per-second (fps) and shoots video in Smart AUTO. Consistent in delivering excellent image quality, the camera also has a high-speed burst mode of up to 8.4 fps. Adhering to the design quality of an ELPH camera, the new SD4500 IS camera, available in brown, has a slim, body type, elegant curves, and strong aesthetic features. With the mix of advanced functionality and style, the SD4500 IS camera attracts all levels of users with a plethora of great features.

Scheduled to be available in early September, the SD4500 IS camera retails for an estimated price of $349.99.*

Canon PowerShot SX130 IS Digital Camera Experience advanced features and extreme telephoto capabilities with Canon’s latest, ultra-zoom digital camera- the new PowerShot SX130 IS Digital camera. The new PowerShot SX130 IS camera has a 3.0-inch LCD screen and a 12x optical zoom lens with Canon’s Optical Image Stabilization technology, helping to achieve brilliant images when capturing distant objects. Continuing to serve its dual functionality, the SX130 IS camera also shoots 720p HD video with stereo sound for outstanding video quality and features Miniature Effect movie mode, adding a more creative look to any user’s video capture. Further igniting a photographer’s artistic nature within still photography, the SX130 IS camera encompasses four creative modes- Miniature, Fisheye, Poster, and Super Vivid, making it the first model in its series to offer these four modes.

Scheduled to be available late August, the SX130 IS camera retails for an estimated price of $249.99.*