Nikon Announces D3200 Entry-Level DSLR

 

Nikon has just announced the Nikon D3200 DSLR camera---the upgrade to 2010's D3100. The new D3200 features a 24.2-megapixel full-frame (DX-format, they call it) CMOS sensor, where the D3100 had a pixel count of 14.2 million pixels in the same APS-C size sensor. Nikon says that this huge jump in pixel count will not result in noisy images, but rather, "The new 24.2-megapixel DX-format CMOS sensor allows for incredibly sharp images with stunning detail and less noise, while Nikon’s EXPEED 3 image processing engine helps to create clear, lifelike images and video with vivid colors, smooth tonal gradations and low noise."

The D3200 has an ISO range of 100-6400, expandable to 12,800. It also features "Guide Mode," which gives step-by-step photo instructions to people moving into DSLR territory (and the manual controls that come along with it) for the first time. It also shoots full 1080p HD video and features a 3-inch, 921,000-dot LCD screen.

It looks like Nikon will still keep the D3100 on the market, selling the D3200 alongside it for $50 more (both kits include an 18-55mm zoom lens). The Nikon D3200 will be available in either black or red in late April for $699.95 with the F-S DX NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens.

(Nikon)

Canon Announces EOS 60Da DSLR for Astrophotography

Canon announced today the EOS 60Da DSLR. Not to be confused with the Canon 60D (reviewed here), the 60Da is "optimized for astrophotography." It offers a modified infrared filter and a low-noise sensor with heightened hydrogen-alpha sensitivity. These modifications, according to Canon, allow the camera to capture photographs of "red hydrogen emission" nebulae and other cosmic phenomena. In other words, it's built for those shooting in a specialized field.

While this isn't a mainstream image maker, we can't help but be fascinated (is "star struck" too horrible a pun?) by the camera. One Canon exec says, "This new camera enables an accurate depiction of a part of our solar system which is hard to achieve with conventional cameras but should be enjoyed and celebrated." It features a 1,040,000 dots 3-inch Clear View LCD screen and ISO speeds up to 6400 expandable to 12800. Oh, and "The improved infrared-blocking filter is a modification suited specifically toward astronomy enthusiasts to achieve a hydrogen-alpha light sensitivity that is approximately three times higher than that of a normal Canon DSLR camera. This produces a 20-percent higher transmittance of Hydrogen Alpha line, or H α wavelength, allowing astronomers to capture crisp, clear images of reddish, diffuse nebulae."

Should astrophotography be your thing, the Canon EOS 60Da will be available starting this month from select dealers for an estimated $1,499.00.

(Canon)

Sony Announces Translucent Mirror Technology α57 DSLR

Sony has announced the latest A-mount series DSLR with Translucent Mirror Technology: the α57. Successor to the α55, the new camera's body is manufactured from recycled plastics and the camera chassis contains 10% recycled material. The α57 shoots still images at up to 12 frames per second, boasts a sensitivity range of ISO 100-16,000, features the α65's 5-point AF system with three cross sensors, and, like the α65, has an OLED Tru-Finder viewfinder with 1440k dot resolution and a 100% field of view.

The α57 interchangeable lens camera will be available in April for about $700 (model SLT-A57, body only) or about $800 (model SLT-A57K, with an 18-55mm kit zoom lens for $800).

(Sony)

Nikon Announces 36.3MP D800 DSLR

click thumbnails to enlarge

Nikon has announced the D800 "HD-SLR," which features a 36.3-megapixel full-frame (FX) CMOS image sensor---meaning you can make enormous prints of your high resolution (7360x4912-pixel) captures. Like its (chronological at least) predecessor, 2008's D700, the D800 has a more compact body size than a big gun like the D4, but its price and emphasis on super high resolution output seems to narrow its market to buyers like studio and wedding photographers who are most interested in print work rather than a broader class of photo enthusiasts looking to step up to a mid-range DSLR for travel and personal photo capture purposes. This is probably why Nikon is going to continue selling the D700 alongside its successor and at nearly the same price.

At $2,999.95, the D800 boasts the same 3.2-inch 921K dot LCD screen as the flagship D4 and its viewfinder offers 100% frame coverage (as compared to the D700's 95%). For low-light capture, it has an ISO range of 100-6400, expandable to 50 (Lo-1)-25,600 (Hi-2), with the only upgrade to the D700 here being on the low end of the range (50 versus 100). The upgraded video capabilities are what have compelled Nikon to market the camera as an "HD-SLR"; the D800 shoots video at various resolutions and frame rates, including full HD 1080 at 30/24p and HD 720 at 60/30p. Additionally, as Nikon says, "For professional and broadcast applications that call for outboard digital recorders or external monitors, users can stream an uncompressed full HD signal directly out of the camera via the HDMI port (8 bit, 4:2:2)." Below is a test video shot by filmmaker Sandro with the D800.

http://vimeo.com/36305675

The Nikon D800 will be available in late March for $2,999.95 (body only), and a supplementary model---D800E, which "treads in medium format territory for studio work or landscape photography" as it "enhances the resolution characteristics of the 36.3-megapixel CMOS sensor by cancelling the anti-aliasing properties of the OLPF inside the camera"---will be available in mid-April for $3,299.95.

(Nikon)

Canon Announces 4K Video Concept DSLR & Cinema EOS System for Professional Cinematography

 

Canon announced today the Cinema EOS System---an all new Hollywood-grade lineup of 4K EF cinema lenses, the EOS C300/C300 PL digital cinema camera, and a new 35mm full-frame sensor DSLR (pictured above) that's still in development, which will shoot 4K video.

From Canon:

HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011—Canon Inc. today announced Canon’s full-fledged entry into the motion picture production industry with the launch of the Cinema EOS System. Canon’s new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.

The Cinema EOS System targets a new area of imaging expression for Canon, building on the company’s 74-year history of innovation and expertise in the field of optical and imaging technology. The company has already earned accolades in the entertainment industry for the EOS 5D Mark II digital single-lens reflex (SLR) camera, launched in November 2008, which has been used in the production of blockbuster Hollywood motion pictures and hit television programs.

Canon’s new Cinema EOS System, which offers compatibility with Canon’s wide array of high-performance EF lenses, provides cinematographers with a range of unprecedented creative possibilities to ensure that no story is left untold.

“As a leading company in digital imaging, Canon’s debut in the film and TV production industry provides a tremendous opportunity to enter into a thriving market,” said Fujio Mitarai, Chairman and CEO, Canon Inc. “Reflecting upon the achievements that Canon EOS Digital SLRs have had in the industry thus far, we are confident the new Cinema EOS series products will bring that success to a whole new level.”

With the debut of the Cinema EOS System, Canon today introduced seven new 4K EF Cinema Lenses—four zoom lenses and three single-focal-length models—which complement the company’s current diverse lineup of interchangeable EF lenses for EOS SLR cameras. The company also announced the launch of the EOS C300/C300 PL interchangeable-lens digital cinema camera, equipped with a Super 35-mm-equivalent CMOS sensor, and a new digital SLR camera currently under development that features a 35 mm full-frame CMOS sensor supporting the recording of 4K video.

4K EF Cinema Lens Lineup

Canon’s Cinema EOS System makes its Hollywood debut with an all-star cast featuring seven new 4K EF Cinema Lens models: four zoom lenses covering a wide zoom range from 14.5 mm to 300 mm—two models each for EF and PL lens mounts—and three single-focal-length lenses for EF mounts. All seven new lenses deliver exceptional 4K (4096 x 2160 pixels) optical performance and offer compatibility with Super 35 mm-equivalent sensors. Additionally, the three single-focal-length lenses can be used with cameras equipped with 35 mm full-frame sensors. (See accompanying EF Cinema Lens press release for additional information.)

EOS C300/C300 PL Interchangeable-Lens Digital Cinema Camera

The Canon EOS C300/C300 PL is an all new digital cinema camera available in two models: the EOS C300, equipped with an EF lens mount for compatibility with the wide array of lenses that make up Canon’s current interchangeable EF lens lineup; and the EOS C300 PL, offering a PL lens mount for use with industry-standard PL lenses. The camera features a Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor ideally suited for digital cinematography.

New Digital SLR Camera with 4K Movie Function (Under Development)

Equipped with a 35 mm full-frame CMOS sensor and supporting the recording of 4K video* (at a frame rate of 24P, with Motion-JPEG compression), the next-generation digital SLR camera currently under development will enable exceptional image quality for the creation of innovative and expressive images. Additional details, including the product name, specifications and scheduled launch date, have yet to be decided.

* Cropped to APS-H-equivalent size (dimensions measuring approximately 80% vertically and horizontally of a 35 mm full-frame sensor) when recording in 4K.

Cinema EOS System: Product Overview

Product category	Model	Mount type
EF Cinema Lenses	CN-E14.5–60mm T2.6 L S	EF mount
	CN-E14.5–60mm T2.6 L SP	PL mount
	CN-E30–300mm T2.95–3.7 L S	EF mount
	CN-E30–300mm T2.95–3.7 L SP	PL mount
	CN-E24mm T1.5 L F	EF mount
	CN-E50mm T1.3 L F	EF mount
	CN-E85mm T1.3 L F	EF mount
Digital Cinema Cameras	EOS C300	EF mount
	EOS C300 PL	PL mount
Digital SLR Camera (under development)	TBD	EF mount

For more information and to view online demonstration footage of the new products please visit: www.usa.canon.com/cinemaeos

(via Canon)

Canon Announces 1D X Flagship DSLR Camera

Canon announced today the EOS-1D X---the company's new flagship DSLR, which they're calling "a high-speed multimedia juggernaut." The model will replace both the 1Ds Mark III and the 1D Mark IV in the EOS lineup. So what makes the 1D X worthy of being called a juggernaut? Maybe the fact that the new "completely revolutionized" camera features three image processors, including Dual DIGIC 5+ processors, which Canon says are "capable of delivering approximately 17 times more processing speed than DIGIC 4," though it also features a DIGIC 4 for metering and AF control. And speaking of AF, the 1D X includes a new 61-Point High Density Reticular AF, "the most sophisticated DSLR AF system Canon has ever released." All AF functions can be accessed quickly via their own menu tabs, and you can create customized settings of tracking sensitivity with the new AF Configuration Tool. For those photographers who'd like input on AF settings, it comes with a built-in Feature Guide to recommend settings based on subject matter.

The 1D X features a brand new 18-megapixel full frame CMOS image sensor, which Canon says produces the lowest noise of any EOS digital camera so far. The sensor uses pixels that are "1.25 microns larger than those in the EOS-1D Mark IV sensor and .55 microns larger than those in the EOS 5D Mark II sensor", in addition to gapless microlenses, to achieve high sensitivity for those clean captures. The camera's ISO range is adjustable from ISO 100 to a whopping ISO 51,200 within standard range, and can be expanded to 102,400 and 204,800, which Canon says are "ideal for law enforcement, government or forensic field applications." So, there's that, if you're in the habit of shooting in those conditions.

The 1D X is also Canon's first EOS DSLR to feature Multiple Exposure capability, combining up to nine separate shots into a single image, in-camera---viewed in real time on the LCD monitor---speeding up your post-processing work, at least what's usually required to remedy exposure problems. The 1D X records full HD video at 1080p, like its predecessors, but now notably features automatic splitting of movie files when a single file exceeds 4GB, allowing for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files. This was an upgrade requested by documentary filmmakers who've previously worked with Canon DSLRs. Another request from Canon shooters was to include dual card slots for instant image back-up and more storage capacity, and the 1D X delivered.

The Canon EOS-1D X is scheduled to be available in March 2012 and will be sold body-only at an estimated price of $6,800.00. See the full press release below.

click thumbnails to enlarge

From Canon:

LAKE SUCCESS, N.Y., October 18, 2011 – Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce a completely revolutionized EOS-1D series camera, the Canon EOS-1D X Digital SLR camera.^* As the new leader in Canon's arsenal of professional DSLRs, the EOS-1D X will be a high-speed multimedia juggernaut replacing both the EOS-1Ds Mark III and EOS-1D Mark IV models in Canon's lineup. Enhancing the revolutionary image quality of the EOS-1Ds and speed capabilities of the EOS-1D series, the EOS-1D X DSLR features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion and capable of shooting an incredible 12 frames-per-second (fps). Canon's EOS DSLR cameras and accessories have a long-standing legacy of providing high-quality results to professionals in a wide range of markets, including sports, nature, cinematography, wedding and commercial studios. The addition of this new model will help take this tradition to a whole new level.

The EOS-1D X announcement comes on the heels of Canon's recent manufacturing milestone with the production of the Company's 50-millionth EOS-series SLR camera in September of 2011. Furthermore, Canon will achieve yet another milestone at the end of this month producing the 70-millionth EF lens.

"The EOS-1D X represents the re-invention of the EOS-1Ds and EOS-1D series, combining new proprietary Canon technologies with the culmination of customer feedback and requests from the field. We are proud to introduce this camera to the worldwide community of professional photographers and cinematographers with the features and capabilities they need to capture the great moments that display their talent," stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.

The Camera With Three Brains

The EOS-1D X features three DIGIC processors, including Dual DIGIC 5+ image processors capable of delivering approximately 17 times more processing speed than DIGIC 4, and a dedicated DIGIC 4 for metering and AF control. In conjunction with the newly developed high-performance 18-megapixel full-frame Canon CMOS image sensor, the Dual DIGIC 5+ processors provide high-speed continuous shooting, lower noise, and a significant increase in data processing speed than previous EOS-1D models. This new level of data processing speed allows the EOS-1D X to perform many functions including chromatic aberration correction for various Canon EF lenses in-camera instead of through post-production software. The DIGIC 4 processor utilizes a new 100,000-pixel RGB Metering Sensor for enhanced exposure accuracy with color and face detection, and works together with the camera's new EOS iTR (Intelligent Tracking and Recognition) AF.

The EOS-1D X employs a completely new imaging sensor, producing the lowest noise of any EOS digital camera to date for stunning portraiture and studio work. The new 18-megapixel full-frame CMOS sensor utilizes large pixels - 1.25 microns larger than those in the EOS-1D Mark IV sensor and .55 microns larger than those in the EOS 5D Mark II sensor - together with gapless microlenses to achieve enhanced light gathering efficiency, higher sensitivity and less noise at the pixel level. The new sensor has improved on the already very high signal-to-noise ratio of sensor output of earlier EOS models for outstanding image quality, even in extremely low light. When combined with the Dual DIGIC 5+ imaging processors the results are stunning. The images produced with the EOS-1D X camera's new sensor are so clean that files can easily be up-sized if necessary for even the most demanding high-resolution commercial applications. The EOS-1D X will also feature new Ultrasonic Wave Motion Cleaning (UWMC), Canon's second generation self-cleaning sensor unit, which utilizes carrier wave technology to remove smaller dust particles from the sensor and it includes a new fluorine coating on the infrared absorption glass to help repel dust.

The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.

New 61-Point High Density Reticular AF

The EOS-1D X includes a brand new 61-Point High Density Reticular AF, the most sophisticated DSLR AF system Canon has ever released. The 21 focusing points in the central area are standard precision cross-type and effective with maximum apertures as small as f/5.6, depending on the lens in use. The center five points are also high-precision diagonal cross-type points for maximum apertures as small as f/2.8. All 61 points are sensitive to horizontal contrast with maximum apertures as small as f/5.6 and 20 of the outer focusing points function as cross-type points with maximum apertures as small as f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low light sensitivity, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)

All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models). A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.

Similar to the AF point selection options offered in the EOS 7D Digital SLR camera, the EOS-1D X offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection. (See image below AF point selection options.)

EOS iTR AF: Intelligent Tracking and Recognition Enhances AF Performance

The Canon EOS-1D X features incredible new EOS iTR (Intelligent Tracking and Recognition) AF options ideal for wedding and event photography as well as sports and photojournalism. The default AF mode for the EOS-1D X uses phase detection AF information, while a new second option uses Face Detection technology to track recognized faces in addition to color information, ideal when shooting events such as tennis or dancing where facial recognition of the original subject will help keep that person in focus throughout the scene.

Exposure Control

For the first time in a Canon DSLR camera, a DIGIC processor is used exclusively with the metering sensor for fast, accurate exposure control. The Canon DIGIC 4 processor takes advantage of the EOS-1D X's 100,000-pixel RGB Metering Sensor and utilizes 252 zones for general metering or 35 zones for low-light metering to help ensure accurate evaluative ambient or flash exposure. The new subject recognition capabilities enhance nearly all of the camera's automatic functions, helping to adjust exposure, autofocus, Auto Lighting Optimizer and Automatic Picture Style to the scene being captured for enhanced image quality.

Multiple Exposure Modes

The EOS-1D X is the first EOS Digital SLR to feature Multiple Exposure capability. The camera can combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera's LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS-1D X's Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image.

Super High Speed Mode

The Canon EOS-1D X camera breaks new ground in the world of digital SLRs, offering a Super High Speed Mode which increases shooting speeds up to 14 fps at full 18-megapixel resolution in JPEG modeⁱ. The new camera is also capable of shooting RAW, JPEG, or RAW+JPEG at speeds up to 12 fps in One Shot AF or AI Servo AF for enhanced performance in sports photography and other applications requiring high-speed digital capture. This new level of performance is made possible by the combination of the EOS-1D X's 16-channel readout CMOS sensor, Dual DIGIC 5+ image processors, and a completely new reflex mirror mechanism that has been engineered by Canon to combine high-performance with exceptional precision and reliability.

Enhanced EOS HD Video - New Compressions, Longer Recording

Centered around an all-new full-frame CMOS sensor with larger pixels than those found on the EOS 5D Mark II image sensor, the EOS-1D X utilizes new HD video formats to simplify and speed up post-production work. The two new compression formats offered on the EOS-1D X include intraframe (ALL-i ) compression for an editing-friendly format and interframe (IPB) compression for superior data compression, giving professionals the options they need for their ideal workflow. Answering the requests of cinematographers and filmmakers, the EOS-1D X includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing multiple cameras or separate sound recording to be synced together in post production.

Canon's all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB. The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.

The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.

Enhanced Ergonomics & Optimized Design

Photographers familiar with Canon's EOS 1D-series of cameras will notice the control configuration of the EOS-1D X takes a different approach to button placement. The re-designed exterior and ergonomic button configuration feels comfortable in your right hand, allowing seamless navigation through menu options.The Live View Button has been conveniently placed near the user's thumb for one-touch switching between Live View and Viewfinder shooting. The Quick Control Button and menu navigation controls will allow users to change camera settings using only their right hand, for fast, simple one-handed control using their thumb on the scroll wheel. The new multi-controller is positioned by the right hand thumb when the camera is held for vertical shooting and enables the same level of control to camera operators when shooting vertically as they have when shooting horizontally. On the front of the camera are four user assignable function buttons, two for vertical shooting and two for horizontal shooting, allowing customizable button control when shooting in either position. The camera also features a level of weather resistance equivalent to earlier professional models such as the EOS-1D Mark IV.

Canon has answered the request of many professional EOS photographers and incorporated Dual Card Slots into the new EOS-1D X DSLR camera. The dual CF card slots will allow photographers to carry only one memory card format and still achieve instant image back-ups and enhanced storage capacity.

This camera also features a new shutter design with even greater durability and precision. Rated to 400,000 cycles, the new carbon fiber shutter blades are more lightweight and durable, allowing the EOS-1D X to achieve over 100,000 cycles more than the shutter of the EOS-1D Mark IV. A new shutter motion and new motor help further reduce vibration in the camera. The EOS-1D X also features an electronic first curtain, new to the EOS-1D series DSLRs, for minimal in-camera vibration during image capture.

Connectivity

For professional photographers who prefer a wired workflow and transfer system, Canon has included a built-in LAN connection in the EOS-1D X DSLR. The built-in LAN connection features a gigabit Ethernet Jack capable of 1000BASE-T transmission speeds, offering photographers a stable wired connection for ultra-fast data transmission. If the network were to go down, the camera will attempt to resend images until the files are sent. The EOS-1D X also features a direct image transfer function whereby images can be selected for transfer, and only sent once a LAN or USB connection is established.

Accessories

Designed exclusively for the EOS-1D X, the new Canon WFT-E6A Wireless File Transmitter^* features wireless LAN support for 802.11n network transfer rates providing users with increased communication speed when compared to previous models. With this new dust and weather resistant model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras. In addition, Bluetooth-compatible equipment can be easily linked to the device as well.

The EOS-1D X also offers an optional Canon GP-E1 GPS Receiver^*, which can be easily integrated into the camera's body. Powered by the camera, this GPS receiver provides the same weatherproof resistance as the EOS-1D X, even at the connector. With an electronic compass on-board, the GP-E1 will log movement - latitude, longitude, elevation, and the Universal Time Code - and allow viewing of camera movement on a PC after shooting. The receiver will also record camera direction when shooting, even when shooting vertically.

Pricing and Availability

The Canon EOS-1D X Digital SLR camera is scheduled for March 2012 availability and will be sold in a body-only configuration at an estimated retail price of $6,800.00. The compact, lightweight WFT-E6A Wireless File Transmitter is scheduled to be available in March 2012 and have an estimated retail price of $600. Availability for the GP-E1 GPS receiver is expected in April 2012 with an estimated retail price of $300.

(via Canon)

Sony Announces Two New Alpha Series DSLRs

  Sony has just announced two alpha series DSLR cameras: the a77 and a65, which are the latest in Sony's Translucent Mirror Technology lineup. According to Sony, "these new cameras [are] the fastest, most responsive interchangeable lens cameras in their class, [and] set new performance benchmarks that even professional DSLRs have yet to achieve. " Each features a 24.3-megapixel Exmor APS HD CMOS image sensor, and the a77 boasts the "world’s fastest continuous autofocus (AF) shooting performance (among DSLRs in Aug 2011), capturing a burst of full resolution, 24 megapixel images at 12 frames per second with full-time phase-detection AF." Additionally, the α65 has a 10fps shooting speed.

Both the a77 and a65 feature a new OLED Tru-Finder viewfinder, which has the advanced capability to adjust exposure, white balance and other settings in real-time. Sony says, "Photographers can also make fine focus adjustments via a zoomed-in portion of the image."

The  α77 Translucent Mirror interchangeable lens camera will be available in October in a kit with the new SAL1650 f2.8 lens for about $2000, and offered as body-only for about $1400.  The α65 Translucent will be available in October in a kit with a standard 18-55mm lens (SAL1855) for about $1000, and offered as body-only for about $900. Read the full press release from Sony below.

http://youtu.be/P1itxu5I_wM

From Sony:

SAN DIEGO, Aug. 24, 2011 – Blazing speed, enhanced image quality, high resolution and incredible performance are just some of the features advanced amateurs and photo enthusiasts will find in Sony’s newest alpha cameras, models SLT-A77 (α77) and SLT-A65 (α65).

Sony’s latest refinements to its Translucent Mirror Technology make these new cameras the fastest, most responsive interchangeable lens cameras in their class, as well as set new performance benchmarks that even professional DSLRs have yet to achieve.  The α77 and α65 both feature a newly developed Exmor™ APS HD CMOS sensor with 24.3 effective megapixel resolution, as well as the world’s first XGA OLED Tru-Finder™ viewfinder. The sensor teams with the next generation of Sony’s BIONZ® image processing engine to handle huge amounts of high speed data from the camera sensor, enabling unprecedented response times and flawless image quality with ultra-low noise when shooting still images or Full HD video.

“We feel that these cameras are not only a significant evolution of our breakthrough Translucent Mirror Technology,” said Mike Kahn, director of the alpha camera business group for Sony Electronics. “They’re also a revolution in terms of redefining how this unique technology can be put to use by enthusiasts.”

The much anticipated successor to Sony’s acclaimed α700 DSLR, the α77 boasts the world’s fastest continuous autofocus (AF) shooting performance (among DSLRs in Aug 2011), capturing a burst of full resolution, 24 megapixel images at 12 frames per second with full-time phase-detection AF. The α65 achieves a similarly impressive 10fps shooting speed.

Precision AF tracking of moving subjects is more precise with the α77 due to a new 19-point autofocus system with 11 cross sensors. The α65 boasts 15-point AF with three cross sensors. Tracking Focus maintains accurate focus lock on a moving subject – even if the target is momentarily obscured.  Additionally, a new electronic front shutter curtain achieves a minimum release time lag of approximately 50 milliseconds, comparable to much more expensive professional-class DSLRs.

The α77 and α65 further refine Sony’s acclaimed Fast Continuous AF Full HD Movie shooting, already featured on previous Sony Translucent Mirror cameras. Phase Detection maintains accurate focus during video shooting of portrait subjects, even when they’re moving at fast speeds.

Unprecedented image quality and creative options

A broad sensitivity range of ISO 100-16000 expands (α77 only) down to ISO 50. At the highest sensitivities, both cameras can freeze fast action or capture atmospheric low-noise shots without flash. Low ISO settings are ideal when used with a long exposure to create expressive shots, such as splashing water.

Both cameras showcase a remarkably crisp OLED Tru-Finder™ viewfinder, the world’s first of its kind. With a 2359k dot (XGA) resolution, this precision electronic viewfinder offers a bright, highly detailed, high contrast image with 100 percent frame coverage and a wide field of view comparable to the most advanced class optical viewfinders.

However, unlike optical viewfinders, users have expansive customization capabilities through the XGA OLED Tru-Finder™ viewfinder and can preview the effects of adjusting exposure, white balance and other settings in real-time. Photographers can also make fine focus adjustments via a zoomed-in portion of the image.

The Smart Teleconverter displays an enlarged central portion of the image sensor, allowing compositions to be displayed clearly on the OLED viewfinder and captured as 12 megapixel images with a digital zoom factor of 1.4x or 2x.

In another first for DSLR cameras, both new models can capture Full HD video at 60p (progressive) frame rates – incorporating the recently introduced AVCHD™ Progressive (Ver. 2.0) format.  Also, 24p shooting is available for capturing beautiful cinematic video footage.  Manual focusing and P/A/S/M exposure modes, familiar to creative filmmakers, also can provide enhanced control during video shooting.

Shooters can compose and review stills and video on the adjustable-angle three-inch Xtra Fine LCD™ display that offers high resolution (921k dot) and TruBlack™ technology for superb detail and contrast. As an extra refinement, the α77 introduces the world’s first three-way adjustable screen that tilts and pivots freely for effortless framing at any angle (α65: two-way adjust LCD).

Revised ergonomics on both cameras include a comfortably contoured new grip design and tactile new button layout for ‘eyes off’ operation while viewing via the high-resolution XGA OLED Tru-Finder™ viewfinder.

The α77 adds front and rear control dials for intuitive fingertip operation and a separate top-mounted LCD data display. The durable body features magnesium alloy panels for strength and lightness. Key controls are sealed against the effects of dust and moisture, complementing similar levels of protection offered by the new SAL1650 lens, VG-C77AM Vertical Grip for α77 and HVL-F43AM flash unit.

A new shutter unit on the α77 is tested up to 150,000 cycles and supports an ultra-fast minimum 1/8000 sec shutter speed (1/250 sec flash sync). On-board GPS allows automatic geo-tagging of photos and video clips with location data.

New DT 16-50mm F2.8 SSM zoom lens and accessories

The growing range of compatible A-mount lenses for both cameras now includes the quiet, bright DT 16-50mm F2.8 SSM standard zoom with 16mm wide angle coverage that’s ideal for both portrait and everyday shooting.

The high-performance lens features a dust- and moisture-resistant design, and offers a zoom range of approximately 3x range at constant wide F2.8 aperture. Optical performance is assured by aspherical glass and three ED (Extra Low Dispersion) lens elements to minimize aberration at all focal lengths. An internal Super Sonic wave Motor (SSM) drive enables fast, quiet autofocus.

An optional dust- and moisture-resistant VG-C77AM Vertical Grip for α77 assures comfortable handling in vertical shooting positions. It can house up to two NP-FM500H InfoLITHIUM® batteries, doubling shooting stamina up to approximately 1060 shots (via LCD monitor)/940 shots (via Tru-Finder™ viewfinder) when using Memory Stick PRO Duo™ media. Other new A-mount system accessories include a back pack (LCS-BP2), soft carrying cases (LCS-SC21 and LCS-SC8), LCD protectors and eyepiece cups.

The new α77 is compatible with Sony’s Memory Stick PRO-HG™ DUO HX series as well as Sony’s full line of SD memory cards.  Available in capacities up to 32 GB, both media enable necessary transfer speeds for stable and optimal performance of Sony’s hardware features, such as full HD movie shooting.

Pricing and Availability

The new α77 Translucent Mirror interchangeable lens camera will be available in a kit with the new SAL1650 f2.8 lens for about $2000, and offered as body-only for about $1400.  The SAL1650 lens will also be sold separately for about $700.

The new VG-C77AM vertical grip, designed for the α77 camera, will be available in October for about $300.

The new α65 Translucent Mirror interchangeable lens camera will be available in a kit with a standard 18-55mm lens (SAL1855) for about $1000, and offered as body-only for about $900.

Both the α77 and α65 cameras kits and the new SAL1650 lens will be available this October at Sony retail stores (www.store.sony.com) as well as other authorized retailers throughout the Sony dealer network.

This Is My City: Photo Contest

Chrome has just announced their new Niko Camera Bag, and to celebrate they've launched a photo contest---the prize for which is the Niko Camera Bag and a Nikon D3000 DSLR to go inside of it. The deadline is July 25, 2011 so listen close if you want to enter. They are looking for shots that capture something special about your city. "Stories that make up your city are found in the faces, sights, and sounds that are immersed in it. From the recluse to the regulars, everyone carries a piece of its many parts. We’ve all got that favorite record store, little-known food spot, bicycle shortcut, or local hero that makes a city wholly ours," says Chrome. So go ahead and capture your own shot for the chance to win. More info on how to enter can be found at the official This Is My City: Photo Contest site.

image via Chrome

PENTAX Announces Limited Edition 645D Medium-Format DSLR Kit

PENTAX has just announced the availability of the limited edition 645D medium-format DSLR camera kit, including a stylish and eye-catching lacquer-finished body, leather strap, body mount cap,center-spot-matte focusing screen and chic wooden box. The 40-megapixel camera, first announced last year, is being called Camera Grand Prix Japan's "Camera of the Year." The limited edition 645D will be built-to-order, with a minimum four month delivery period from the date the order is placed.

Canon's New Digital Rebels: EOS T3i and T3

Canon has introduced two new DSLRs to the Rebel lineup---the EOS Rebel T3i and EOS Rebel T3. The 18-megapixel T3i---Canon's new flagship Rebel, which follows last year's T2i---features Scene Intelligent Auto mode, Video Snapshot technology and a 3-inch Vari-Angle Clear View LCD screen, making it as intuitive as a point-and-shoot for those enthusiast photographers looking to step into the world of digital SLR shooting for the first time. It also records full HD (1080p) video, a DIGIC 4 Imaging Processor and an ISO range from 100-6400.

The Rebel T3i will be available in March for $799.99 (body only), $899.99 (EF-S 18-55mm f/3.5-5.6 IS II [new] zoom lens kit), or $1099.00 (EF-S 18-135mm f/3.5-5.6 IS [new] zoom lens kit.  See the full press release for the EOS Rebel T3i, EOS Rebel T3, the new kit lenses and the new Canon Speedlite 320EX flash below.

From Canon:

Canon U.S.A., Inc., a leader in digital imaging, today announced the EOS Rebel T3i and EOS Rebel T3 Digital SLR Cameras, providing numerous intelligent high-end features at attractive price points. Complementing the award-winning EOS Rebel T2i DSLR, the EOS Rebel T3i, Canon’s new flagship Rebel, offers fun and easy-to-use features for beginning photographers, and the EOS Rebel T3 provides a more attractively priced option for those looking to experience the pleasure of shooting with a DSLR camera. For the young enthusiast learning photography or the adult looking to learn more, Canon’s new Feature Guide instruction will walk Rebel T3i users through functions and provide recommendations for various settings, a great hands-on learning tool.  Point-and-Shoot users looking to step-up to a DSLR will enjoy the T3i camera’s Scene Intelligent Auto mode, the most intuitive automatic camera mode available in a Canon Rebel camera to date, providing complete scene analysis and optimized settings.  One of the most sought-after and requested features for a DSLR camera is now part of the new EOS Rebel T3i, Canon’s three-inch Vari-Angle Clear View LCD screen, ideal for properly composing those difficult overhead shots.  Comfortable, lightweight and affordable, Canon’s new EOS Rebel T3 is a great camera to welcome users to the world of DSLR photography. “Everyone today is a photographer, and for those looking to capture stunning images and do more with photography, Canon has introduced the EOS Rebel T3i  and T3, offering the right balance of high-end features and easy-to-use guidance at a great price. So regardless of experience level or budget, there is a Canon Rebel camera suited to a user’s needs and lifestyle,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. Boasting Canon’s EOS HD video capture, 18-megapixel resolution, a three-inch Vari-Angle Clear View LCD screen, new Scene Intelligent Auto, new Video Snapshot technology and new Feature Guide instruction, the EOS Rebel T3i DSLR has plenty of reasons for Mom and Dad to step up to a DSLR.  Canon’s new EOS Rebel T3 DSLR camera offers users a small, lightweight interchangeable lens camera with fun options. The Rebel T3 features HD movie capture, 12-megapixel resolution and Canon’s new informative Feature Guide, to help educate and instruct users as they capture great images, along with the inherent speed and low-light image quality of a Canon DSLR camera.  Both new Rebel models are compatible with Canon’s complete line of more than 60 Canon EF and EF-S lenses.

New EOS Feature Guide Canon has also included a new EOS Feature Guide on both new Rebel cameras with an enhanced Quick Settings Screen that now includes detailed descriptions of camera settings.  The EOS Feature Guide is designed to help first-time users and beginning enthusiasts better understand each camera setting with descriptions and guided recommendations for when to utilize certain settings.  Along with an explanation of camera settings and modes, the Feature Guide includes easy-to-understand directions of how to use particular settings such as aperture adjustment in Canon’s Creative Auto mode: Basic + Function Canon helps beginners get more creative with photography by letting even the most entry-level novice make camera adjustments with easy to understand setting options.  In automatic shooting modes such as Portrait, Landscape, Close-up, Action and Night Scene, Canon users can access a quick menu screen to make adjustments as per the scene’s ambience.  When shooting in one of Canon’s “Basic Zones” users can make adjustments as per the scene’s lighting or scene type.    An easy-to-read menu lets you select an ambience setting from Vivid, Soft, Warm, Intense, Cool, Brighter, Darker to Monochrome, while a Lighting setting allows users to select from Daylight, Shade, Cloudy, Tungsten light, Fluorescent light or Sunset. Rebel T3i Digital SLR Camera An A+ for Automatic Mode Canon aims to make everyone a better photographer and has enhanced the capabilities of the Rebel T3i’s automatic mode with new Scene Intelligent Auto technology, re-branding the green mode dial setting with a boxed “A+” design. This new camera setting now takes Picture Style into account as part of the camera’s “Auto” setting.  By analyzing faces, colors, brightness, movement, and contrast, the camera will dynamically adjust picture-style parameters to match the subject and control vividness.  Previously, the automatic setting on a Rebel DSLR adjusted exposure, focus, white balance, and Auto Lighting Optimizer, however on the new Rebel T3i, Picture Style Auto is also taken into account as part of the new Scene Intelligent Auto technology.  By incorporating this fifth parameter the camera more intelligently analyzes scenes and adjusts settings based on the subject matter being shot.  So when the camera is photographing a face it will reproduce more natural skin tones or blue skies for more vivid landscapes, a flashy red car for more saturated color and evening sunsets for more expressive images.

Fun Rebel Features For the first time in a Rebel DSLR, the new Rebel T3i features a large Vari-Angle three-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The large Vari-Angle screen helps compose low-angle or overhead shots whether capturing still images or Full HD video clips.  Photographers will enjoy the convenience of capturing an overhead shot of a parade or low-angle shots of their children on the Vari-Angle screen. Canon’s new EOS Rebel T3i DSLR gives creative photographers some fun in-camera tools that enable users to apply Creative Filters to images after they have been shot without altering the original file.  Canon’s new Creative Image Filters, familiar to Canon PowerShot and EOS 60D users, help make a great image more dynamic by creating an altered copy of the image through any of Canon’s four artistic filter options: The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections. The Grainy Black and White filter can give a different nostalgic perspective to any shot. Canon’s “Toy Camera” filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene. Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon’s Miniature Effect filter, great when shooting any scene from a high vantage point. Each of these filters can be applied to a captured still image in-camera to create a second “filtered” JPEG version, leaving the original JPEG file unaffected. Another addition to the camera’s Live View function is Canon’s new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon’s supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images captured directly in-camera. EOS HD Video Specs The EOS Rebel T3i with Full HD video capture at 1920 x 1080 resolution in selectable frame rates of 24p, 25p or 30p will grab the attention of film students and independent filmmakers alike.  The Rebel T3i incorporates two Canon proprietary technologies for rendering amazing HD video, a DIGIC 4 Imaging Processor and a large APS-C–sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field.  The Rebel T3i DSLR allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. EOS HD Video: Ready For A Close-Up When shooting Full HD video, the Rebel T3i digitally provides additional zoom power without sacrificing quality.  The new Movie Digital Zoom feature, a first for Canon DSLRs, allows users to achieve 3x to 10x magnification while shooting Full HD video.  Unlike standard digital zoom for still images, Movie Digital Zoom crops the video image directly from the CMOS sensor at Full HD resolution to preserve video quality and still provide amazing additional telephoto power beyond just the lens.  The Movie Digital Zoom feature is great for those times when the lens isn’t enough to get you in close, but this feature provides the extra boost without a loss in video quality so a child’s smile on stage is just as clear and bright. EOS Video Snapshot Canon’s new EOS Video Snapshot feature borrows some innovation from Canon’s VIXIA line of camcorders for capturing, assembling and playing fun-to-watch video clips.  EOS Video Snapshot enables users to capture the video highlights of family vacations, parties or milestone events, with the same ease as taking photos.  Consumers can now record a series of two-, four- or eight-second video clips automatically.  The scenes are assembled by the camera into continuous Video Snapshot Album files for easy playback and can even be further edited in camera or through Canon’s Video Snapshot Task software on a compatible personal computer for added flexibility and fun. Valuable Additional Features Along with the adjustable LCD screen, the new EOS Rebel T3i DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and a 63-zone dual-layer metering system.  Capable of capturing kids at play or wildlife on the move, the Rebel T3i can shoot up to 34 consecutive full resolution JPEG still images or up to 11 consecutive RAW images at speeds up to 3.7-frames-per-second to either SD, SDHC or new extended capacity SDXC memory cards. The Rebel T3i includes an ISO range from 100-6400, allowing it to capture beautiful images without the need for a flash during milestone events such as birthday celebrations, yet it still includes a built-in pop-up flash for those times requiring a little extra light.  For the first time on a Rebel camera, the T3i features a built-in Integrated Speedlite Transmitter making it even easier to do multi-flash shoots and provide images with greater ambience. The new Integrated Speedlite settings are now even easier for beginners shooting with multiple flashes.

Pricing and Availability The Canon EOS T3i Digital SLR camera is scheduled to be delivered to U.S. dealers in the beginning of March, and will be sold in a body-only configuration at an estimated retail price of $799.99. It will also be offered in a kit version with Canon’s new EF-S 18-55mm f/3.5-5.6 IS II zoom lens at an estimated retail price of $899.99. It will also be available in a second kit version with Canon’s EF-S 18-135mm f/3.5-5.6 IS zoom lens at an estimated retail price of $1099.00.

Rebel T3 Digital SLR Camera Canon is happy to introduce a chic camera for beginners to ease into the exciting world of DSLR photography and videography; the new EOS Rebel T3 Digital SLR camera.  The Rebel T3 is designed to be the camera that can be expertly handled by anyone and allows great-looking photos to be taken with ease and style.  The Rebel T3 is excellent in low-light shooting situations and simple to handle and operate. Putting big imaging power in a small body, the new EOS Rebel T3 DSLR features a 12.2-megapixel Canon CMOS image sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and a 63-zone dual-layer metering system.  With individual pixels measuring roughly 10x larger than a pixel from a point-and-shoot camera sensor, the Rebel T3 is able to absorb more light with less noise, making it ideal for capturing high-quality images in dimly lit situations.  The increased efficiencies in gathering light also make the camera better suited to freeze fast-moving objects such as capturing images of children at play at speeds up to 3-frames per second. Compatible with SD, SDHC or new extended capacity SDXC memory cards, the Rebel T3 also shoots 1280x720 HD movies for amazing image quality for both stills and video.  The Canon Rebel T3 features an ISO range from 100-6400 for capturing beautiful images in various light settings while also including a built-in pop-up flash.  Designed for easy operation through the camera’s mode dial, users can go from taking great still images to great video quickly and easily, with simple to understand icons and buttons. Pricing and Availability The Canon EOS Rebel T3 Digital SLR camera is scheduled to be delivered to U.S. dealers at the end of March, and will be offered in a kit with Canon’s new EF-S 18-55mm f/3.5-5.6 II zoom lens at an estimated retail price of $599.99.

New Kit Lenses Along with these DSLR cameras, Canon is also introducing a new kit lens, the EF-S 18-55mm f/3.5-5.6 IS II zoom lens, the standard kit lens for both the Rebel T3i kit configuration and the Rebel T3 kit configuration. The new EF-S 18-55mm f/3.5-5.6 IS II zoom lens features the wide-angle to mid-range zoom flexibility with  the advantage of Canon’s optical lens-shift image stabilization system that yields up to a full four stops of image-shake correction. The version II of this lens includes new IS algorithms to distinguish between normal photographing and when the camera is panning to automatically provide the optimal level of image-shake correction. New Canon Speedlite 320EX and Canon Speedlite 270EX II The new Canon Speedlite 320EX is designed to provide DSLR users with a lightweight and versatile external flash solution.  Along with the new Speedlite 320EX regular flash functions, it includes a built-in LED continuous light option that is capable of providing full-time illumination for short distances when shooting video on a DSLR or PowerShot digital camera. Ideally paired with the new EOS Rebel T3i, the new Speedlite 320EX enables bounce flash shooting with six positions including ceiling bounce for vertical shooting, and rear-wall bounce. The Speedlite 320EX also includes a new remote firing function and can remote fire any EOS DSLR camera that has a built-in wireless remote control function or Integrated Speedlite Transmitter such as the new Rebel T3i, EOS 60D, or EOS 7D DSLRs. The new Speedlite 320EX provides photographers with all the great lighting options Speedlites are known for with the added capability to shoot HD video with a full-time LED light option. The new Canon Speedlite 270EX II, the successor to the popular 270EX Speedlite model, is a compact, lightweight external flash option for Canon cameras including select Canon PowerShot models.  Ideal for use with the new EOS Rebel T3, the new Speedlite 270EX II uses only two AA batteries and enables bounce flash shooting with four position steps from 0 degrees to 90 degrees.  Like Canon’s high-end Speedlite flash models, the 270EX II allows users to control flash functions and input settings using the camera’s LCD monitor. The flash also features a quick-lock mechanism and a metal mounting foot for secure and easy attachment and reliable contact. In addition to the features of 270EX model, the Speedlite 270EX II adds a remote firing function similar to that of the Speedlite 320EX. Both new Speedlites can also be used as slave flash units in E-TTL wireless autoflash configurations with other E-TTL compatible EOS and PowerShot cameras. Canon’s Speedlite 270EX II is the new compact and versatile lighting tool for photographers empowering them with multiple light options, compact-size and portability. Pricing and Availability The Canon Speedlite 320EX is scheduled to be delivered to U.S. dealers in April for an estimated retail price of $249.99. The Canon Speedlite 270EX II is scheduled to be delivered to U.S. dealers in the beginning of April for an estimated retail price of $169.99.

Canon EOS 60D Review

Canon EOS 60D Text and Images by Lynne Eodice Video by Dennis Eodice

The EOS 60D is Canon’s most recent digital SLR aimed at the enthusiast/serious shooter market, and is the next generation of the EOS 50D. This camera is a good upgrade for photographers seeking to move into more professional territory, beyond, say, the entry-level Canon EOS Rebel T2i. But it’s so user-friendly right out of the box that photo hobbyists can easily go from a point-and-shoot camera to shooting with the 60D.

Overview of Features

The 60D features an APS-C sized 18-megapixel CMOS sensor (as compared to the 50D’s 15MP), and a new DIGIC 4 Image Processor. I was impressed with the quality and color rendition of the images I captured, especially compared to those taken with my Canon EOS Digital Rebel from several years back. The 60D also offers an ISO range from 100 to 6400. This can even be expanded to ISO 12800 to shoot under extremely dimly lit conditions. But for most low-light situations that you’re likely to encounter, ISO 6400 is more than adequate, and ISO 12800 is bound to reveal digital noise.

Canon EOS 60D click thumbnails to enlarge

The 60D’s mode dial offers the typical standard basic scene zone (including Portrait, Landscape, Close-up, Sports and Night Portrait modes), as well as a basic zone (Full Auto, Flash Off, and Creative Auto), and a creative zone (P, Tv, Av, M and B) for more advanced shooting. What I really appreciated was the addition of the more conveniently located on/off switch right under the mode dial (with my other Canon EOS cameras, this switch is located on the bottom right side on the back of the camera). There’s also a lock button in the center of the dial to prevent accidental operation.

ISO 100, 400, 3200, 6400 click thumbnails to enlarge

Canon has switched from a AF-point-selecting joystick in the EOS 50D to a multi-control dial on the back of the 60D. With this dial, I found it very easy to scroll through images that I had previously photographed and to change the auto-focusing points. You can also correct white balance, move the AF frame or the magnifying frame during Live View shooting.

Articulated LCD

The 60D is also the first EOS DSLR to include a 3-inch Vari-Angle LCD monitor, which flips out from the back of the camera body. It allows you to set menu functions, do Live View shooting, shoot video, and play back images and video. You can also rotate the angle of the LCD monitor, which is a great tool for times when you want to shoot a subject that’s positioned low to the ground (but when you don’t want to get down low yourself), or when you want to shoot over the heads of a crowd and actually see what you’re shooting. I set several menu selections and really enjoyed playing back my images on this screen. The only issue I had was with shooting still images with the Live View screen. I found that auto-focusing operated slower when using Live View than when I used the viewfinder.

Creative Innovations

The Ambience option in the basic scene modes is a new feature in the 60D. For example, you can choose from vivid, soft, warm, intense, cool and brighter settings. Each ambience is a modification of the respective shooting mode’s image characteristics. You can also select the “Lighting or Scene Type,” which is very similar to a list of white balance presets.

Also new are the Creative Filters, which enables you to apply Grainy black-and-white (seen above), Soft Focus, Toy Camera, or Miniature filter effects to an image in-camera and save it as a new file. I had fun with several of these (particularly Grainy BW). The 60D offers a RAW conversion mode too, which allows for a range of camera settings like Auto Light Optimizer, Noise Reduction, White Balance and Picture Style to be applied to a RAW file.

This camera also offers the ability to tag your images, which makes it easy to find and filter your photos, or as a way to organize slide shows. These tags are also accessible through the supplied software or even third-party packages like Adobe Lightroom and Bridge.

Performance

One of the ways you can purchase the 60D is in a kit with an EFS 18–135mm f/3.5-f.6 IS (image stabilizing) lens. I put the camera and this lens through its paces at several local scenic areas. To begin with, I found the camera easy to handle and on the lightweight side (especially compared to my sturdier EOS 5D Mark II). I used some of the basic scene modes (Landscape, Action, and Close-up), as well as the Av and Tv modes. I found that the image stabilizer enabled me to get sharp images without using my tripod, and several times I was shooting indoors in rather low light. I also enjoyed experimenting with a few of the Creative Filters after the shoot.

The D60 is capable of shooting full High Definition (1920x1080) and (1280x720), as well as Standard Definition (640x480) and (Crop 640x480) movies. My videographer husband shot video with this camera, and was impressed by the sharpness he got, even with moving subjects. The camera has several manual controls—shutter, aperture, ISO speed and audio recording—which allow you to customize your videos. Another plus is the camera’s capability to use an external microphone for greater audio quality. The only limitations are the lack of true AF and automatic zoom. The maximum recording time for one movie clip is 29 minutes and 59 seconds.

Overall, I found the Canon EOS 60D to be a great and highly user-friendly camera. The image quality is wonderful, it has great ergonomics, and an awesome feature set.

Canon EOS 60D

• MSRP:
• $1,099.00 (body only), $1,399.00 (18-135mm lens kit)
• Size/Weight:
• 5.69”W x 4.17”H x 3.09”D; 23.8 oz., body only
• Image Sensor:
• 18.0-megapixels, APS-C size CMOS, 22.3 x 14.9mm
• Maximum Resolution:
• 5184 x 3456
• Still Recording Format:
• RAW, JPG, RAW + JPG simultaneous
• Video Recording Mode:
• 1920 x 1080 (29.97, 25, 23.976 fps); 1280 x 720 (59.94, 50 fps); 640 x 480 (59.94, 50 fps)
• Memory:
• SD/SDHC/SDHX
• Display:
• Wide Screen (3:2) 3-inch TFT color LCD (1040,000 dots), 100% coverage, Live View; Optical Viewfinder (96% frame coverage)
• Exposure Modes:
• Program, Sensitivity Priority, Shutter Priority, Aperture Priority, Metered Manual, Video, Custom; Auto, Creative Auto, Portrait, Landscape, Close-up, Sport, Night Portrait, Flash off

• Sensitivity:
• ISO 100-6400, expand to 12,800 with a custom function
• Special Features:
• Auto pop-up E-TTL II auto flash, Live View, Creative Filters
• Lens Mount:
• Canon EF mount; Compatible lenses: Canon EF lenses (including EF-S lenses) (35mm-equivalent focal length is approx. 1.6x the lens focal length)
• Provided Accessories:
• EOS 60D Body, Eyecup Eb, Wide Strap EW-EOS 60D, USB Interface Cable IFC-130U, Stereo AV cable AVC-DC400ST, Battery Pack LP-E6, Battery Charger LC-E6, EOS Digital Solution Disc and Instruction Manuals "Great Photography is Easy" Booklet and "Do More with Macro" Booklet
• Power Source:
• Rechargeable Lithium-Ion LP-E6 battery; Built in battery (date/time backup); Optional AC adapter
• Contact:
• usa.canon.com

PENTAX K-r Review

PENTAX K-r Text and Images by Allison Gibson

Updated & Fuss-Free Entry-Level DSLR

The K-r falls into the PENTAX lineup as an entry-to-mid-range DSLR, most similar to last year's K-x (reviewed here), with upgrades that bring it a few notches up toward the flagship K-7. The 12.4-megapixel K-r comes in red, white or black (I reviewed the red model, which attracted the attention and compliments of plenty of onlookers), and at $849.95 MSRP, the kit includes a DA L 18-55mm f/3.5-5.6 lens.

Although the K-r is in fact feature-packed, there's the sense that the camera is refreshingly gimmick-free and straightforward in its intention to be, first and foremost, a tool for capturing quality images. Its ease of use is just what a photographer might want when making the move from, say, a prosumer compact digicam to the world of SLR shooting.

Design & Ease of Use

PENTAX K-r click thumbnails to enlarge

Despite its compact size and plastic body construction (the lens mount is stainless steel), the K-r feels like a serious piece of equipment in-hand; it is heavy enough to feel sturdy and yet light enough to hang from your neck for extended periods. Note that's ever so slightly larger than the petite K-x. Another feature to make the shooting experience feel undoubtedly professional is the loud, satisfying click of the shutter release. The layout of menu buttons, the big wedge of a handgrip, the contoured thumb grip on the back, and the placement of the shutter release all align for shooting comfort. The 3-inch LCD with Live View is impressively bright and clear, having been bumped up in resolution from that of the K-x (921,000 dot versus 230,000). And then there's the viewfinder, with its thick rubber padding---especially comfortable when standing with an eye smashed against it for long stretches of time while photographing surfers, as I did. Once again PENTAX has included the green button on the camera---this time right behind the shutter release where it can be accessed quickly and easily---which can be programmed to quick-jump to a feature of the photographer's choice so as to bypass wading through many layers of digital menu.

The K-r shoots stills in JPEG and RAW and 720p High Definition video in .AVI format. Memory records to SD/SDHC memory cards, with the option now for SDXC memory card compatibility via a firmware update. Another smart upgrade is the fact that the camera is Li-Ion battery compatible and can also be adapted to use AA batteries, so that the photographer has flexibility---incredibly important for traveling to a place where you might not have access to outlets for charging.

Performance

Night Scene HDR versus Auto Picture Mode click thumbnails to enlarge

PENTAX has loaded the smallish, stylish K-r with options for advanced shooting---Manual, Program, Sensitivity Priority, Aperture Priority, Shutter Priority---but they have also made it easy to capture in Auto Picture mode and through scene modes tailored for specific shooting situations, such as: sunset, surf & snow, night, and kids & pets for fast-moving subjects. New to the K-r is the built-in Night Scene HDR mode which captures three images, with exposure optimized for dim lighting, to generate a single HDR (High Dynamic Range) image. I actually found that the Night Scene HDR mode worked well in daytime shade, helping me to capture close-up shots of howler monkeys in the jungle of Costa Rica without a disturbing flash. In addition to scene modes, the K-r includes a similar menu of Digital Filters to that of the K-x. In reviewing the K-x last year I was slightly dismayed by the filter that tries to replicate the look of shooting with a Fish Eye lens, and had hoped that an upgrade would be made this time around, but unfortunately that isn't the case. The other filters, Toy Camera in particular, are fun to use.

For shooting action, the fast 6fps burst capture capability was great, and the built-in optional Shake Reduction feature was extremely helpful in snapping sharp shots of fast-moving subjects when I didn't have a tripod. The advanced 11 point SAFOX IX autofocus system tracked the subjects quickly as they sped across the frame, with additional aid from the AF assist lamp.

click thumbnails to enlarge

Conclusion

Once again PENTAX has produced a stylish, intuitive mid-range DSLR that takes quality pictures, all for a very competitive price. With upgrades including a higher-resolution LCD, built-in HDR capability, faster 6fps capture, and an advanced autofocus system---all for under $900, including the lens (found for less than MSRP elsewhere), the K-r is a serious piece of equipment to consider as a first DSLR or even an upgrade.

Pentax K-r

• MSRP:
• $849.95 (comes with a DA L 18-55mm lens)
• Size/Weight:
• 4.9”W x 3.8”H x 2.7”D; 19.7 oz., loaded
• Image Sensor:
• 12.4-megapixels, CMOS, 23.6 x 15.8mm
• Maximum Resolution:
• 4288 x 2848
• Still Recording Format:
• RAW (PEF, DNG), JPG (EXIF 2.21), DCF 2.0 (design rule for camera file system), DPOF, Print Image Matching III Movie (compression): AVI (motion JPG)
• Video Recording Mode:
• HD: 1280x720 (16:9) at 25fps in .AVI format
• Memory:
• SD/SDHC
• Display:
• 3-inch TFT color LCD (921,000 dots), wide angle, Live View; Optical Viewfinder (96% Magnification)
• Exposure Modes:
• Program, Sensitivity Priority, Shutter Priority, Aperture Priority, Metered Manual, Video; AutoPicture, Portrait, Landscape, Macro, Moving Object, Night scene portrait, Flash off; Scene modes: Night scene, Surf & Snow, Food, Sunset, Kids, Pet, Candlelight, Museum, Stagelight, Night snap, Night scene HDR

• Sensitivity:
• ISO 200-12800, expand to 100-25600
• Exposure Metering:
• TTL open aperture, 16 segment metering Sensitivity range: EV 1-21.5 (ISO 200, 50mm F1.4); Multi-pattern, center-weight, spot
• Special Features:
• Built-in pop-up flash, Live View, Face Detection, Creative Filter Modes (Toy Camera, Monochrome, Retro, Color, High Contrast, Soft, Extract Color, Star Burst, Sketch, Water Color, Pastel, Miniature, Slim, HDR, Posterization, Base Parameter Adjustment, Custom)
• Lens Mount:
• PENTAX KAF2 bayonet stainless steel mount; Usable lenses: PENTAX KAF3, KAF2, KAF, KA (K mount, 35mm screwmount, 645/67 med format lenses useable w adapter and/or restrictions)
• Provided Accessories:
• Li-Ion Battery D-LI109, Battery Charge Cradle K-BC109, AC Plug Cord, USB Cable I-USB7, Strap O-ST53, Hotshoe Cover FK, Eyecup FQ, Body Mount Cover, Software CD-ROM S-SW110
• Power Source:
• Rechargeable Li-Ion battery D-LI109, AA BATTERY HOLDER D-BH109 (optional) for 4X AA
• Contact:
• pentaximaging.com

Digital Photographer's Pentax K-x DSLR Giveaway!

UPDATE: Congratulations to Dianne, the winner of the PENTAX K-x DSLR!

You can view the official results page of the giveaway drawing via the third-party site, random.org, here: http://www.random.org/draws/details/?draw=3650

Digital Photographer is giving away a chocolate PENTAX K-x D-SLR camera kit with DA L 18-55 lens to one lucky photographer (a $649.95 value). Enter now for your chance to win!

About the PENTAX K-x:

Choose a camera that redefines the entry-level digital SLR category. The PENTAX K-x offers high-end features including Live View, HD video and photographic performance that challenges higher class models. For more information see DP's review of the PENTAX K-x here.

- 12.4 megapixel

- 2.7 inch LCD

- Widescreen HD 720p video at 24 FPS

- Fast 4.7 FPS capture speed and 1/6000 second maximum shutter speeds

- PENTAX PRIME II image processing engine

- Creative Processing and Filter Modes

- HDR Image Capture

How to Enter:

Beginning at 12:00 pm (noon) Pacific Time on Wednesday, October 6, 2010, there are two ways to enter the giveaway. You may do either or both (one time each).

1. Leave a comment on this post telling us what you like about the PENTAX K-x.

2. Spread the word about our giveaway on Twitter. Here’s a suggested tweet, but you can be creative: Win a PENTAX K-x DSLR camera  from Digital Photographer! http://bit.ly/dDdCwR (or re-tweet one of DP's tweets about the giveaway: twitter.com/digiphotomag). In order for your tweet to count as an entry, you must then leave a comment on this post with a direct link to your tweet.

Please note that if you choose to enter using both methods, you need to post two separate comments on this post (one comment for method #1 and one comment for method #2).

A winner will be chosen at random—via random.org.

Rules:

No purchase required to enter. Winner of the giveaway will be awarded a Chocolate PENTAX K-x DSLR camera  with an estimated retail value of $649.95 dollars. Giveaway is open to legal U.S. residents 18 or older residing in the 50 United States (includes DC). Void where prohibited. Employees (and their immediate families and households) of JMillerMedia are not eligible. Digital Photographer giveaway winners from the past six months are not eligible. Giveaway entries will be accepted until Wednesday, October 27 at 12:00 pm (noon) Pacific Time. Winning entry must provide a valid email address (Digital Photographer will never sell or rent your email to third parties). We will notify the winner by email on or before Thursday, October 28, 2010. The winner will have 72 hours to respond to us with their name and valid U.S. mailing address. If this information is not received within 72 hours, a new winner will be chosen. Odds of winning depend on number of entries received. Sponsor: Digital Photographer

Nikon Announces D7000 D-SLR

Nikon today announced the D7000---a 16.2-megapixel D-SLR that shoots 1080p HD movies with full time auto focus, and has a native ISO range of 100-6400 which can be expanded to a Hi-2 setting of 25,600. Following its predecessor, the 12.3MP Nikon D90 (reviewed here), the new D7000 has a "CMOS sensor with low-light ability never before seen in a DX-format (APS-C) camera." The D7000 will be available in mid-October for $1,199.95 for body only and $1,499.95 for body and lens outfit that includes the AF-S DX Zoom-NIKKOR 18-105mm f/3.5-5.6G ED VR lens. More images and info from Nikon below.

From Nikon:

MELVILLE, N.Y. (September 15, 2010) – Nikon Inc. today introduced the new D7000 digital SLR camera designed to fulfill the needs of passionate photographers who demand exceptional performance, reliability, and unprecedented levels of control and versatility in a compact form factor. Engineered as an ideal balance of durability and functionality, the D7000 D-SLR features a multitude of new enhancements and updated Nikon technologies, which results in stunning photos and amazing full HD (High Definition) movies.

Continuing the tradition of innovative technology that began with the revolutionary D90, the first D-SLR to capture HD movie, the D7000 features a new 16.2-megapixel CMOS sensor with low-light ability never before seen in a DX-format (APS-C) camera. The new EXPEED 2 TM image-processing engine fuels the enhanced performance of the D7000 along with a new 39-point AF system and groundbreaking new 2,016 pixel RGB 3D Matrix Metering System to deliver amazing image quality in a variety of shooting conditions. Additionally, the D7000 D-SLR provides full 1080p HD movie capability with full-time auto focus (AF), enabling users to capture their world with both striking still and moving images.

“The D7000 D-SLR creates a new class of Nikon camera by delivering exceptional quality, control and an innovative feature set; this is a camera that enables D-SLR users to achieve a true expression of their creative vision, while concentrating primarily on image quality above all else,” said Lisa Osorio, general manager of marketing at Nikon Inc.  “When you combine the innovation of the agile D7000 with the exceptional and robust line of NIKKOR lenses and accessories, the potential for D-SLR photographers and filmmakers is limitless.” Unparalleled Performance From Unrivaled Technologies With its new 16.2-megapixel CMOS image sensor and Nikon’s new EXPEED 2 image processing system, the D7000 D-SLR delivers superior image quality with low noise. The EXPEED 2 image-processing engine combined with a 14-bit Analog / Digital conversion brings a new level of even tonal gradations while managing color, contrast, exposure, and noise resulting in brilliant image quality. EXPEED 2 also manages the D7000’s speedy 50-millisecond shutter response, blazing AF speed and rapid six frame-per-second (fps) burst speed for up to 100 images.

The D7000 D-SLR features an all-new 39-point AF System, which includes nine center cross-type sensors that operate with more than 60 NIKKOR lenses. The 39 points in the new Multi-CAM 4800DX AF module work together to provide superior subject acquisition and fast tracking capabilities, allowing photographers to confidently capture a player stealing third from the sideline to fast-moving wildlife. Additionally, photographers can activate dynamic or single point AF, configurable in combinations of 9, 21 or 39 or a 21-point ring to match a variety of shooting styles and situations. Photographers can activate 3D tracking, which continuously follows moving subjects within the 39 AF points, highlighting the activated AF point in the viewfinder.

Utilizing Nikon’s exclusive Scene Recognition System, the camera analyzes subject information from a database containing more than 30,000 images to optimize focus, exposure and white balance. To assist in creating amazing imagery, the Scene Recognition System reads data from a groundbreaking 2,016-pixel 3D Color Matrix Meter RGB sensor that examines the scene’s brightness and color data then optimizes the camera’s performance prior to the actual exposure. Another revolutionary Nikon first, this system interprets scene data for improved control of light metering and i-TTL flash output. Additionally this new sensor allows for a new “Ambient” white balance setting which can be activated to allow warm rendering in Automatic White Balance. Nikon Continues the Low-Light Fight The D7000 D-SLR continues Nikon’s tradition of providing photographers the confidence to shoot in low-light, knowing they will capture high quality low-noise images. The camera’s native ISO range of 100-6400 affords the versatility to photograph in challenging lighting conditions, such as when indoors or in the evening. The ISO range can be expanded to a Hi-2 setting of 25,600, which was previously found only in Nikon FX-format territory. The resolution of the camera renders a pixel size of 4.78 µm, which allows more light to be gathered, resulting in a correctly exposed image that has less noise and finer grain. Full 1080p HD Movies with Advanced Video Features Building upon the popular D90 D-SLR, the Nikon D7000 captures breathtaking full 1080p HD movies with full-time autofocus and manual exposure control. To keep critical HD focus, users can choose to engage a variety of AF functions, including face priority to track up to 35 human faces, subject-tracking and normal or wide-area autofocus.

Advanced movie features also allow exposure adjustment on the fly while recording. The D7000 D-SLR offers variable frame rates and resolutions, and can record 1080p at a cinema-like 24 fps, or a web-friendly 720p at either 24 or 30 fps for up to 20 minutes per clip. Once recorded, users are able to edit and trim video clips in the camera to save time in post production. Whether utilizing a wireless or hot shoe mounted microphone, sound can be recorded via the stereo microphone input for professional audio results.

To further simplify movie shooting, Live View is activated by a single dedicated switch, and HD video recording is achieved by pressing a single button. The D7000 D-SLR also incorporates a built-in HDMI output CEC compliant (Consumer Electronic Control) that allows users to connect it to a HDTV and playback with most HDTV remote controls.

By adding versatile NIKKOR lenses to the equation, photographers can create a variety of photo perspectives to video such as isolating subjects with a shallow depth of field, and recording in low-light conditions. Combining the D7000 D-SLR with NIKKOR lenses also delivers the sharpness essential for HD video, and Nikon’s innovative Vibration Reduction (VR) II technology helps to eliminate the effects of camera shake.

No Compromise: Enhanced Build Quality, Durability and Usability The compact design is lightweight enough for a full days use, but has a reassuring heft that hints at Nikon’s reputation for reliability. The durable camera body consists of a magnesium-alloy top and rear covers and a 150,000 cycle-rated shutter system. Additionally, the D7000 D-SLR is dust and moisture sealed and features Nikon’s dust reduction system to remove image-degrading particles from the image sensor. Among the well laid out ergonomics, users will immediately notice a new Mode Dial that eschews traditional Scene Mode icons for more advanced manual functions and two user-defined settings (U1, U2) to adapt to a users shooting style on the fly. Placed under the control wheel is a Release Mode dial, which allows access the burst modes, timer, or the Quiet Shutter, to soften the cameras operation when shooting in sensitive environments such as a ceremonies or nature.

When framing lush landscapes or tight telephoto shots from afar, users will appreciate the large, bright glass pentaprism optical viewfinder has approximately 100% frame coverage and approximately 0.94x magnification. The three-inch, 921,000-dot super-density LCD monitor with 170-degree viewing delivers bright, crisp image playback and precise Live View and movie shooting. The D7000 D-SLR features twin SD card slots with SD, SDHC, SDXC memory card compatibility that offers several recording options including designating separate NEF (RAW) JPEG and movie files. The built-in i-TTL Speedlight flash offers coverage for lenses as wide as 16mm and has Wireless Commander support so users can choose how to light their subjects. The D7000 was designed to provide maximum performance with minimized power usage and also employs a new EN-EL15 battery which enables up to 1050 shots when fully charged. Nikon Technologies That Empower and Inspire The D7000 D-SLR contains many features aimed at empowering the user with creative freedom including the ability to process RAW images directly in the camera, and add in special effects using the retouch menu. Among the many editing options are color filters, distortion control for a fisheye effect, perspective control for a miniature effect, or a new color sketch filter that creates a sketch-styled image. As always, manipulated images are saved as copies while the original is retained. The Picture Control system also allows the choice for Standard, Neutral, Vivid, Monochrome, Portrait, or Landscape settings to apply a personal look and feel to their pictures, and it’s versatile Scene Modes let them choose from Portrait, Landscape, Child, Sports, Close-up or Night Portrait for stunning results even in challenging conditions. Price and Availability The D7000 D-SLR camera will be available throughout the United States beginning mid-October 2010 at an MSRP* of $1199.95 for body only and $1499.95 for body and lens outfit that includes the AF-S DX Zoom-NIKKOR 18-105mm f/3.5-5.6G ED VR lens. For more information, please visit www.nikonusa.com.

Pentax Announces K-r D-SLR

Pentax just announced the brand new K-r D-SLR. The new camera follows last year's K-x (reviewed here) and features some significant upgrades, including: a large 3-inch LCD, high sensitivity 100-25600 ISO range, widescreen 720p HD video at 25 fps, a maximum 1/6000 second shutter speed, and a versatile dual-power-source design---which offers the choice of either a rechargeable lithium-ion battery or four AA-size battery power---among other things. The 12.4MP CMOS sensor D-SLR will be available in October for $799.95 (body only), $849.95 (K-r Lens Kit w 18-55), $899.95 (K-r Double Lens Kit w 18-55, 50-200), $999.95 (K-r Double Lens Kit w 18-55, 55-300). More info from Pentax below.

From Pentax:

GOLDEN, CO. September 8, 2010…PENTAX Imaging Systems Division has announced a new digital SLR line with color accents that allow owners to choose one that matches their personal style. The colorful PENTAX K-r DSLR camera offers advanced yet simple to use features at an attractive price. The compact, lightweight PENTAX K-r is easy to use with Auto Picture, Scene, and Custom Image Processing modes that take the guesswork out of shooting stunning images while still offering a high degree of manual and priority control. The K-r offers a variety of new and improved features including a fast framerate, high ISO sensitivity, responsive autofocus, an improved 12.4 megapixel low-noise sensor and widescreen HD video capture that take it a step above an entry-level DSLR camera.

Key features of the PENTAX K-r that are new or have been improved upon from the most recent entry to mid-level PENTAX DSLR models include: - Three stylish color choices include traditional black, the new classic white, and PENTAX red reflect any owner’s personal style. - Large 3 inch LCD with 921,000 dots of resolution. - Faster high speed 6 FPS framerate that captures 25 images in a single sequence. - A maximum 1/6000 second shutter speed. - Viewfinder focus point indicator. - Improved in-camera HDR image capture including a Night Scene HDR mode. - High sensitivity 100-25600 ISO range with improved noise performance from the new 12.4 megapixel CMOS sensor. - Versatile dual-power-source design, which offers the choice of either a rechargeable lithium-ion battery or four AA-size battery power (using optional AA Battery Holder D-BH109). - Infrared data transfer compatible with the IrSimple™ high-speed infrared data transmission system for wireless data transfer to the web or other IrSimple-compatible devices (includes a match-game between two PENTAX K-r’s).

Other important features of the new K-r models include: - Widescreen 720p HD video at 25 FPS. - PENTAX-original Shake Reduction mechanism for sharp, blur-free images that works with every PENTAX lens ever made - Dust Removal mechanism, to shake dust off the CMOS image sensor. - Highly responsive and accurate 11 point SAFOX IX autofocus system with dedicated AF assist lamp. - Wide range of in-camera image processing and special effects filters.

With a highly portable, compact and lightweight body in a choice of colors, the K-r holds appeal for busy parents, family memory-keepers, travelers and anyone who reflects personal style in all their pursuits including their journey into photography or videography as a skill or hobby. The PENTAX K-r digital SLR will ship in October 2010 for as follows:

K-r Body Kit: $799.95 USD

K-r Lens Kit w 18-55: $849.95 USD

K-r Double Lens Kit w 18-55, 50-200: $899.95 USD

K-r Double Lens Kit w 18-55, 55-300: $999.95 USD

PENTAX also announced the smc PENTAX DA 35mm F2.4 AL, standard lens designed exclusively for use with PENTAX digital SLR cameras. This new lens is versatile enough to be used with a wide range of subjects and applications for high-resolution images with edge-to-edge sharpness. It is a perfect choice for digital SLR beginners to familiarize themselves with the basics of using interchangeable lenses.

The PENTAX DA 35mm F2.4 AL lens also will ship in October for $219.95 USD.

Digital Photographer's DOMKE Camera Bag Giveaway!

UPDATE: Congratulations to Brian, the winner of the DOMKE ProPack 414!

You can view the official results page of the giveaway drawing via the third-party site, random.org, here: http://www.random.org/draws/details/?draw=3275

Digital Photographer is giving away a DOMKE ProPack 414 camera bag to one lucky photographer (a $249.99 value). Enter now for your chance to win!

About the DOMKE ProPack 414:

When you’re traveling or carrying a large assortment of gear, these  traditional DOMKE photo backpacks are just what’s needed. The DOMKE ProPack 414 is large enough to carry a pro DSLR and a long lens, plus plenty of room for all your other accessories.

Keeping with Domke tradition, these new backpacks are canvas, have plenty of pocket room, and a removable insert. Movable and removable dividers allow you to configure the bag any way you like. Both bags are large enough to take a Pro DSLR camera with long lenses with plenty of space for addition lenses, flashed, cords, chargers and any other accessories you might need. Facts and Figures: •         Tripod holder •         3 Large front pockets and interior pockets •         Padded straps and sternum and waist straps for easy carrying •         YKK zippers •         Comfortable top handle to grab and go •         Laptop sections •         D-rings and webbing straps to add additional pouches.

Dimensions: External 14.5” W x 9.5” D x 14” H Interior 11”W x 6”D x 12”H Plus Laptop Area

How to Enter:

Beginning at 12:00 pm (noon) Pacific Time on Wednesday, September 1, 2010, there are two ways to enter the giveaway. You may do either or both (one time each). 1. Leave a comment on this post telling us what you like about the DOMKE ProPack 414. 2. Spread the word about our giveaway on Twitter. Here's a suggested tweet, but you can be creative: Win a cool DOMKE DSLR camera bag from Digital Photographer! http://digiphotomag.com Then, leave a comment on this post with a link to your tweet.

A winner will be chosen at random---via random.org.

Rules:

No purchase required to enter. Winner of the giveaway will be awarded a DOMKE ProPack 414 camera bag (black) with an estimated retail value of $249.99 dollars. Giveaway is open to legal U.S. residents 18 or older residing in the 48 continental United States (includes DC). Void where prohibited. Employees (and their immediate families and households) of JMillerMedia are not eligible. Giveaway entries will be accepted until Wednesday, September 22 at 12:00 pm (noon) Pacific Time. Winning entry must provide a valid email address (Digital Photographer will never sell or rent your email to third parties). We will notify the winner by email on or before Thursday, September 23, 2010. The winner will have 72 hours to respond to us with their name and valid U.S. mailing address. If this information is not received within 72 hours, a new winner will be chosen. Odds of winning depend on number of entries received. Sponsor: Digital Photographer

Canon Announces EOS 60D D-SLR

Canon has just announced the brand new EOS 60D---an 18MP D-SLR with in-camera RAW processing and full HD video. The 60D comes with a 3-inch vari-angle LCD screen; a new multi-control dial, which streamlines the layout and navigation of controls; and "for the first time ever in an EOS camera, the EOS 60D features in-camera processing of RAW image files, new reduced resolution image copies, and post-processing creative image filters for exceptional flexibility in digital image rendering." The new 60D also comes with creative image filters, which they've pulled over from the PoweserShot line, to make the bridge D-SLR more attractive to photographers who maybe haven't made the foray into the digital SLR world before. The EOS 60D will be available for $1,099.00 (or in a kit version with Canon's EF-S 18-135mm f/3.5-5.6 IS USM zoom lens for $1,399.00) toward the end of September. More info and images from Canon below.

From Canon:

LAKE SUCCESS, N.Y., August 26, 2010 – High-quality digital capture and skillful post-processing go hand-in-hand for superior end results, and more control over in-camera image processing means less time editing and more time shooting. At the same time, the overwhelming popularity of Full HD video recording with other current EOS Digital SLRs has led to customer requests for more advanced features such as manual audio level control and flexible LCD screens. Canon U.S.A., Inc., a leader in digital imaging, delivers all of these features and more with the new EOS 60D Digital SLR Camera. For the first time on an EOS camera, the EOS 60D DSLR boasts a three-inch Vari-Angle Clear View LCD screen, EOS Full HD video recording with manual overrides including audio level control, and in-camera functionality for RAW image processing plus Creative Filters to manipulate images after taking them. Designed primarily for advanced amateurs, the EOS 60D replaces the EOS 50D and boasts a broad array of new features that make it easier for photographers to add personal creativity to their images. Whether it's capturing an overhead shot on the Vari-Angle screen at a graduation ceremony, or converting a color image to black and white for a nostalgic look, Canon is delivering in-camera features and functions that empower advanced photographers to capture, display and print the images they want.

"The EOS 60D has been designed to offer the image-capture and the Full HD video features customers are looking for as they continue to expand their photographic skills. The exciting new features of the EOS 60D make using a DSLR camera more attractive and easier than ever before. We want everyone to experience the great image quality a Canon DSLR can offer with features and functions that they will appreciate and use," stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. Exciting EOS "Firsts"

For the first time in the history of the Canon EOS System, the new 60D camera features a large Vari-Angle 3-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The new LCD screen is ideal for composing low-angle or overhead shots whether capturing still images or Full HD video clips.

Another first for the EOS system is the EOS 60D camera's new Multi-Control Dial, which places a Multi-Controller and Set button inside the Quick Control Dial. This new control layout streamlines camera navigation for vertical as well as horizontal shooting and enables a cleaner camera design. Responding to customer requests, the EOS 60D also features a locking mode dial, which makes camera operation more secure by preventing inadvertent changes to the photographer's selected shooting mode.

While the photography mantra of "get it right in the camera" still stands true, Canon's new EOS 60D gives advanced photographers an edge with new in-camera features that enable users to enhance their images without a computer even after they have been shot. For the first time ever in an EOS camera, the EOS 60D features in-camera processing of RAW image files, new reduced resolution image copies, and post-processing creative image filters for exceptional flexibility in digital image rendering.

* In-camera RAW image processing features include Picture Style, White Balance (WB), Color Space, High-ISO Noise Reduction, Peripheral Illumination Correction, linear distortion correction and chromatic aberration correction. These powerful in-camera editing tools will allow photographers in the field to produce optimized images on the spot and generate JPEG files at various resolution and compression settings for immediate sharing, without affecting the original RAW data. * Another great new feature for photographers-on-the-go is Canon's new image resizing function. After capturing full resolution or smaller JPEG images, the camera can generate lower-resolution copies using menu commands. New lower-resolution settings include 1920 x 1280 for optimal display on HD televisions, or 720 x 480, ideal for immediate uploading to social networking and other photo sharing web sites. The original high resolution files remain unaffected by the image resizing function. * Available for the first time in an EOS camera are Canon's new creative image filters. Familiar to Canon PowerShot users, these fun photo effects help make a great image more dynamic, even after it has been shot. Canon provides four artistic filters that allow photographers to capture an image and then create and manipulate a digital copy of it. o The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections. o The Grainy Black and White filter can give a different nostalgic perspective to any shot. o Canon's "Toy Camera" filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene. o Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon's Miniature Effect filter, great when shooting any scene from a high vantage point.

Each of these filters can be applied to a captured still image in-camera to create a second "filtered" JPEG version, leaving the original RAW or JPEG file unaffected.

Another addition to the camera's Live View function is Canon's new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon's supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images whether captured directly in-camera or created with the EOS 60D's in-camera RAW image processing function.

EOS HD Video: Continuing the Video Paradigm Shift

In addition to its new still capture capabilities, the EOS 60D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing. The EOS 60D builds upon the great video capabilities Canon has introduced in recent DSLR cameras and packs them into a camera photo enthusiasts will love. Full HD video capture, along with selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards, will help the EOS 60D to be the camera of choice among film students and photography students alike.

The new EOS 60D camera's movie mode also includes manual controls for exposure as well as manual audio levels in 64 steps, much like the latest firmware update for the EOS 5D Mark II HD-SLR. Users can set audio levels on the rear menu screen before shooting begins; once recording is initialized, audio adjustments are not possible. In addition, Canon has added an electronic Wind Filter to the audio controls within the movie shooting menu.

Canon has also included an in-camera movie editing feature, allowing users to shorten a video file by clipping segments from the beginning or the end, removing unwanted portions without outside software. This feature can dramatically accelerate workflow by reducing the time needed to upload video clips to a computer for further editing and assembly. The EOS 60D also includes Canon's Movie Crop mode, which allows users to achieve 7x magnification when shooting SD video. Unlike the digital zoom feature found in many compact digital cameras, Canon's Movie Crop mode crops the image directly from the CMOS sensor at full SD resolution to preserve image quality and still provide additional telephoto power.

Providing access to the right lens for any given shooting scenario, the EOS 60D DSLR camera is compatible with more than 60 Canon EF and EF-S lenses. The EOS 60D DSLR's video functions are supported by two key proprietary Canon technologies, a DIGIC 4 Imaging Processor and a large APS-C–sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field. The Canon EOS 60D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 60D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 60D features a dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording. Valuable Additional Features

Along with the adjustable LCD screen, the new EOS 60D DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and Canon's exclusive iFCL Metering System (Intelligent Focus, Color, Luminance) giving it the power of a professional-level camera. Capable of capturing fast action, the 60D DSLR can shoot full resolution still images up to 5.3-frames per second (fps). The EOS 60D records its images and video clips to the photographer's choice of SD, SDHC or new extended capacity SDXC memory cards.

The 9-point AF system on the new EOS 60D features f/5.6-sensitive cross-type focusing on all nine focusing points. Like the EOS 7D, the center AF point is a hybrid of standard cross-type and special diagonally-shaped "X" cross, with high-precision sensitivity for f/2.8 and larger aperture lenses. Complementing the AF system, Canon's iFCL metering system, identical to that on the EOS 7D and Rebel T2i, takes color information into account and includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes.

Photographers will enjoy shooting in low light thanks to the EOS 60D DSLR's wide ISO range from 100-6400 (adjustable in 1/3-step increments from ISO 100-6400 and expandable to 12,800) allowing it to capture beautiful images without flash during family milestone events such as wedding ceremonies, while still being equipped with a built-in pop-up flash for shooting the cake cutting ceremony and reception. The EOS 60D's pop-up flash features a built-in Integrated Speedlite Transmitter for control of up to two groups of off-camera EOS Speedlites without the need for an external transmitter, providing an economical solution for multi-flash shoots.

Making accurate composition more convenient, the EOS 60D's optical viewfinder provides 96 percent coverage along with Canon's built-in single axis Electronic Level Display, which utilizes the exposure level scale below the picture area to let the photographer know when the camera is level. The Electronic Level Display is also visible on the camera's LCD screen in both Live View and Movie modes. An artificial horizon display illustrates horizontal roll, allowing the photographer to know when the camera is in a fixed level position. The entire camera has been durability-tested to 100,000 exposures making the EOS 60D a reliable as well as a powerful imaging tool.

Pricing and Availability

The Canon EOS 60D Digital SLR camera is scheduled to be delivered to U.S. dealers toward the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,099.00i. It will also be offered in a kit version with Canon's EF-S 18-135mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $1,399.00ii. The Canon BG-E9 battery grip is scheduled to be available toward the end of September and sell at an estimated retail price of $270.00iii.

Nikon Announces D3100 D-SLR with Full-time Auto Focus

Nikon announced today the new D3100---the world's first D-SLR to introduce full time auto focus in Live View and D-Movie mode, in order "to effortlessly achieve the critical focus needed when shooting Full HD 1080p video." The D3100 also boasts Nikon's new EXPEED 2 image processor and a 14.2-megapixel DX-format CMOS sensor. The D3100 will be available for $699.95 in September. See more images and info from Nikon below.

From Nikon:

MELVILLE, N.Y. (AUGUST 19, 2010) – The new Nikon D3100 digital SLR camera speaks to the growing ranks of enthusiastic D-SLR users and aspiring photographers by providing an easy-to-use and affordable entrance to the world of Nikon D-SLR’s. The 14.2-megapixel D3100 has powerful features, such as the enhanced Guide Mode that makes it easy to unleash creative potential and capture memories with still images and full HD video. Like having a personal photo tutor at your fingertips, this unique feature provides a simple graphical interface on the camera’s LCD that guides users by suggesting and/or adjusting camera settings to achieve the desired end result images. The D3100 is also the world’s first D-SLR to introduce full time auto focus (AF) in Live View and D-Movie mode to effortlessly achieve the critical focus needed when shooting Full HD 1080p video. Packed into the compact and lightweight body of the D3100 camera is a host of advanced Nikon technologies, such as the new EXPEED 2TM image processing engine. EXPEED 2TM in conjunction with Nikon’s new 14.2-megapixel DX-format CMOS sensor is the driving force behind the enhanced performance and rich image quality. Ready to go wherever life leads, the D3100 features split-second shutter response and a blazing fast 11-point AF system to help ensure tack-sharp images. For shooting in challenging lighting conditions, ISO 3200 (expandable to 12,800) enables versatility in environments such as indoors or in the evening hours. “People are stepping up to digital SLR cameras – consumers are embracing the enhanced performance, amazing image quality and options for lenses and accessories that only a D-SLR can provide,” said Lisa Osorio, general manager of marketing at Nikon Inc. “The D3100 is a camera that makes it easy to take beautiful pictures and will grow with the user, unlocking their potential and assisting in creating lasting memories or amazing art." Get Inspired With The Guide Mode Whether new to D-SLR photography or exploring new shooting techniques, the D3100 features an enhanced Guide Mode with an easy-to-use interface to help customers build confidence in using their D-SLR through on-demand, step-by-step assistance. A stand out feature in the D3100’s predecessor, the D3000, the Guide Mode is easily accessed through the Mode Dial on the top of the camera. This enhanced help function now features sample assist images that change with camera settings to inspire consumers to achieve a desired look and feel to their images, while guiding through easy to understand photographic techniques. For example, to instill the majestic appearance of moving water, users can select “show water flowing” from the Guide Mode, and simply follow the prompts to create the ideal camera settings to capture an amazing image. By following the guidance on the bright 3-inch LCD screen, users can achieve professional looking photographs to be proud of. Whether looking to soften backgrounds, freeze a moment in time or convey motion, the Guide Mode assists users in exploring effective picture taking solutions at their own pace to make capturing great pictures even easier and enjoyable.

Full HD Video Made Easy with D-Movie The Nikon D3100 D-SLR allows users to capture stunning Full HD, 1080p resolution (1920x1080) movies. Users can record cinematic quality 24p video clips, or shoot at 24 or 30 frames-per-second at 720p, ideal for sharing online. By incorporating versatile NIKKOR lenses to the equation, users can now create a variety of photography effects to video such as isolating subjects with a shallow depth of field, and recording in low light conditions. NIKKOR lenses also deliver the sharpness needed for HD video, and Nikon’s Vibration Reduction (VR) II technology helps to eliminate camera shake. While Nikon pioneered HD video in a D-SLR, Nikon is now introducing another industry first to enrich the user experience: The D3100 is the first D-SLR to implement full time AF for D-Movie video shooting and while in Live View mode. Using contrast based AF, the D3100 automatically focuses on subjects when Live View is activated to aid shooting when using the LCD. The D3100 camera also uses Face Detection technology to lock focus on up to 35 human faces, a feat not even accomplished with consumer camcorders. To further simplify movie shooting, Live View is activated at a single flick of a dedicated switch, and HD video recording is achieved by a simple press of a button. Sharing and editing video clips is also easier than ever, as the D3100 records movies in the versatile H.264 AVCHD codec (.mov file). While playing movies back in the camera, users are able to edit recorded videos by clipping footage from the beginning or end of a movie. High Definition movies and stills can be shared with family and friends on an HD television via HDMI output, and control slideshows and video using the HDMI Consumer Electronics Control (CEC) interface that is a part of most modern remote controls from HDTV manufacturers. Additionally, the D3100 is compatible with the new SDXC memory card format to store large amounts of photo and video data so users can shoot multiple scenes without interruption. Renowned Nikon Technology The D3100 leverages proven Nikon technologies to create the most positive picture taking experience for consumers of any skill level. With its new 14.2-megapixel CMOS image sensor and Nikon’s new EXPEED 2TM image processing system, the D3100 delivers exceptional image quality with low noise. The new EXPEED 2TM image-processing engine enhances camera performance and helps to ensure brilliant image quality while managing color, contrast, exposure, noise and speed for optimal results. The D3100’s normal ISO range extends from ISO 100 to 3200, allowing users to capture stunning images, even in low light environments. Additionally, the D3100’s ISO range can expand to a Hi-2 setting of ISO 12,800, furthering the opportunities for low-light shots that other cameras miss. Other exclusive Nikon technologies include the Active D-Lighting system, which automatically rescues dark or backlit images to help create flattering images with even tones. This is especially useful when photographing subjects that are backlit by the sun or lights to provide an even exposure. What’s more, Nikon’s Scene Recognition system draws upon the 420-pixel RGB color 3D Matrix Meter for outstanding exposures under a variety of lighting conditions by integrating a database of tens of thousands of sample images. The result is a camera intelligent enough to recognize when photographing a specific scene such as a portrait or landscape and automatically choose the proper camera settings. To make taking great pictures even easier, the D3100 elevates Nikon COOLPIX technology and incorporates an Auto Scene Selector feature in Live View. This innovative function automatically selects the best scene mode to match shooting conditions. When engaged, the camera will automatically recognize when shooting a lush landscape or fast action sports and adjust the camera settings to create an astounding image. Six preset scene modes can also be accessed with the Mode Dial on top of the camera to overcome many common shooting challenges.

Compact Design.  Huge Performance. With comfortable yet intelligent ergonomics, the D3100 packs powerful technology that’s easy to use into a compact form factor. The advanced 11-point autofocus system of the D3100 makes it easy to find and focus on a subject through an enhanced viewfinder design with new “hollow” focus points to give a clear view of the subject. In the playing field or the backyard, the benefits of Nikon’s advanced 3D Subject Tracking become clear, as the camera continuously focuses on fast moving subjects throughout the frame, resulting in crisp, clear action shots. Additionally, the D3100 offers split-second shutter response, eliminating the frustration of shutter lag—the annoying delay that ruins so many pictures. With the ability to capture images at up to three fps, users never miss a moment. Also added to the D3100 is a Quiet Shutter Release mode, which substantially reduces the sound of the mirror while shooting. Quickly accessed by selecting “Q” on the release mode dial, this feature is ideal for the photographer who wishes to remain unobtrusive, for example during quiet ceremonies or photographing a sleeping baby. Nikon also empowers users to prepare their photos for sharing quickly and easily using Nikon’s extensive in-camera Retouch Menu, which easily applies a variety of fun and dramatic effects to images without a computer. Fun and easy-to-use adjustments include a miniature effect to photos, image overlay, color outline and softening filters for flattering portraits and realistic skin tones. The D3100 also incorporates Nikon’s Integrated Dust Reduction System, which offers a comprehensive solution that combats the accumulation of image-degrading dust from the camera’s image sensor. The shutter is tested to 100,000 cycles for maximum durability, ensuring years of captured memories. Gateway to Legendary NIKKOR Optics and Accessories Nikon has also introduced  the ideal companion to the D3100, the brand new AF-S DX NIKKOR 55-300mm VR lens, which gives users super-telephoto zoom capability for an affordable price. This is a perfect complementary lens when combined with the AF-S 18-55mm VR kit lens, and is great for capturing images of sports and wildlife around town or on vacation. Photographers can also appreciate the D3100’s system expandability, as it is compatible with more than 40 legendary NIKKOR AF-S interchangeable lenses. While the D3100 offers a versatile built-in flash, the camera also operates with Nikon’s Creative Lighting System and is capable of Advanced Wireless Lighting when using the SB-900 Speedlight or the SU-800 Wireless Commander. The D3100 D-SLR’s design also supports Eye-Fi memory card functionality, enabling the convenient wireless transfer of images from the camera to a computer when using Eye-Fi memory cards. Also included is a new version of Nikon’s powerful image editing application, View NX2. The latest edition of this software allows users to organize and edit both photos and video files easily. Price and Availability The D3100 D-SLR camera outfit, including the versatile AF-S NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, is scheduled to be available at Nikon Authorized dealers beginning in mid September 2010, at an estimated selling price of $699.95.* The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR lens will be available starting in September for $399.95*. For more information, please visit www.nikonusa.com.

Sony Announces Two New Alpha Series D-SLRs

Sony has announced two new a(Alpha) D-SLRs: the a290 and the a390. Both 14.2MP cameras are  regarded as entry-level or first-time D-SLRs because of affordability (Sony is calling the a290 "the most affordable new DSLR from Sony"---though they have not released official pricing. However, CNET.com reports that the a290 18-55mm kit will cost $499.99 and the a390 will be a hundred dollars more)---and because of the intuitive interface and features that they offer. Sony says, "Both cameras offer the speedy shooting responses that are prized by DSLR users. The α390 adds the extra benefit of Quick AF Live View." The a290 and a390 will be available this summer. See the press release below.

From Sony:

June 9, 2010: The α (Alpha) digital SLR range from Sony grows further with two stylish, affordable new entry-level cameras.

Ideal for first-time DSLR users, the DSLR-A390 (α390) and DSLR-A290 (α290) offer a dramatic step up in picture quality and creative options from point-and-shoot compact cameras. Just as importantly, they’re beautifully easy to use, even if you’ve never handled a DSLR before.

With a resolution of 14.2 effective megapixels for flawless, low-noise images, both cameras offer the speedy shooting responses that are prized by DSLR users.  The α390 adds the extra benefit of Quick AF Live View. This unique system teams the convenience of live image preview on the tilt-angle Clear Photo LCD with speedy, accurate phase-detection autofocus.

The most affordable new DSLR from Sony, the α290 offers the same 14.2 effective megapixel resolution as the α390 in a compact body that weighs just 456g (excluding battery and media).

Both cameras feature an attractive new grip design that allows even more comfortable handling. Upper control areas of both models have also been revised with a clear, uncluttered new button layout.

Even DSLR novices will find it brilliantly simple to explore the generous creative features of both new cameras. The intuitive Graphic Display makes it easy to understand the relation between shutter speed and aperture, plus the effects of your chosen exposure settings on the final picture. The Help Guide offers clear, concise explanations of camera functions, illustrated by a sample image to show the results you’ll achieve. Quick access to shooting and playback function menus is streamlined by colourful on-screen icons.

The α390 and α290 include a mini-HDMI terminal for direct connection to any HD Ready TV (requires optional cable). Support for PhotoTV HD ensures even better-looking still image reproduction on compatible BRAVIA™ models.  BRAVIA™ Sync allows control of slideshow and other camera playback functions in comfort using your TV remote.

"House" Season Finale Shot Entirely on Canon 5D Mark II

Wow. Apparently Greg Yaitanes, director of the Fox series House, shot the show's season finale exclusively with the Canon 5D MarkII D-SLR. Petapixel has republished some of the Q+A that Yaitanes had with followers on Twitter regarding the bold move. One person asked how the 5D Mark II compared to traditional cameras, to which the director replied, "i loved it and feel it’s the future." [Gizmodo via Petapixel via PhilipBloom via Engadget]